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    <title><![CDATA[Ara in English - Basque noir]]></title>
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    <description><![CDATA[Ara in English - Basque noir]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["You can write about ETA and any other topic that moves us."]]></title>
      <link><![CDATA[https://en.ara.cat/misc/you-can-write-about-eta-and-any-other-topic-that-moves-us_130_5466207.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/90ac1a9b-3ae9-48ea-9548-6f7f9b3d37f3_16-9-aspect-ratio_default_0.jpg" /></p><p>For a few years now, ETA has been making its way into literature, but it's not so common to find it in a crime novel. <em>The Last Princess</em> (Planeta), by Alaitz Leceaga (Bilbao, 1982), is very present. If you<em>Basque noir</em> is a subgenre with the social, cultural, historical, and political conflict peculiarities of the Basque Country. The book by the successful Basque novelist meets many of the requirements. Everything takes place in the 90s, in Lemoiz, a town dominated by a nuclear power plant that has never worked, where ancestral rituals and Basque mythology exist, and the protagonist, who must solve the crime, has a neurodivergent disorder. Leceaga, a Basque author in Spanish, made the leap from writing on a blog to triumphing at the Frankfurt Fair with <em>The forest knows your number </em>(Ediciones B, 2019). Thousands of readers follow her, and she's working on a television series based on her stories.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
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      <pubDate><![CDATA[Fri, 08 Aug 2025 05:01:15 +0000]]></pubDate>
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      <media:title><![CDATA[Alaitz Leceaga]]></media:title>
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      <subtitle><![CDATA[Alaitz Leceaga travels to the Basque Country of the 1990s with 'The Last Princess']]></subtitle>
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