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    <title><![CDATA[Ara in English - Tiago Rodrigues]]></title>
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    <description><![CDATA[Ara in English - Tiago Rodrigues]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA['La distance': a dystopia that convinces, excites and hooks]]></title>
      <link><![CDATA[https://en.ara.cat/culture/distance-dystopia-that-convinces-excites-and-hooks_1_5626293.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6bbc1604-4ede-4b7b-b7fa-73245a656ebe_16-9-aspect-ratio_default_0_x834y851.jpg" /></p><p>"Why? Why?" And more than 20 whys. That seven-year-old girl on the beach who ignored her father's words not to go into the sea and ended up being rescued amidst a plague of jellyfish is gone. "Why? Why?" <em>The distance</em> It's a dystopian work by director and playwright Tiago Rodrigues about parents' fear for their children's future and also about the hope for a new world that leaves behind the disaster of our humanity. The daughter embarks on a space mission to Mars, where a new society is being built that, to prosper, must forget the past. Forget everything. Forget Earth, even if they want to preserve olive oil made without olives. And the daughter has committed herself to this adventure of no return.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
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      <pubDate><![CDATA[Fri, 23 Jan 2026 07:52:28 +0000]]></pubDate>
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      <media:title><![CDATA[A scene from 'La distance']]></media:title>
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      <subtitle><![CDATA[Tiago Rodrigues brings to the Lliure the story of a father and daughter separated by 225 million kilometers]]></subtitle>
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      <title><![CDATA[The pain of mothers for the betrayal of power]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-pain-of-mothers-for-the-betrayal-of-power_1_5459667.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ea116f35-676f-4065-9cfc-76c0fbee3073_16-9-aspect-ratio_default_0_x1640y921.jpg" /></p><p>The Grec 2025 Festival was the Grec of mothers. Mothers were the protagonists, like the <a href="https://en.ara.cat/culture/moeder-courage-when-contemporaneity-steps-classicism_1_5448003.html" target="_blank"><em>Moeder Courage</em></a><a href="https://en.ara.cat/culture/moeder-courage-when-contemporaneity-steps-classicism_1_5448003.html" target="_blank"> by Belgian Lisaboa Houbrechts</a>, the <a href="https://en.ara.cat/culture/how-do-children-scream-when-their-throats-are-cut_1_5452970.html" target="_blank"><em>Medea</em></a><a href="https://en.ara.cat/culture/how-do-children-scream-when-their-throats-are-cut_1_5452970.html" target="_blank"> by Milo Rau</a>, the <a href="https://en.ara.cat/culture/sad-ceremony-evoking-motherhood_1_5454264.html" target="_blank"><em>Mommy</em></a><a href="https://en.ara.cat/culture/sad-ceremony-evoking-motherhood_1_5454264.html" target="_blank"> by the Albanian Mario Banushi</a>, Helena Tornero's ghost mother in <a href="https://en.ara.cat/culture/helena-tornero-s-splendid-theatrical-play-about-love_1_5438912.html" target="_blank"><em>You promised me a love story</em></a> and finally, the Hecuba by the current director of the Avignon Festival, Tiago Rodrigues, which closed the Teatre Grec de Montjuïc programme on Tuesday in a highly applauded performance, but which also saw quite a few spectators leave.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
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      <pubDate><![CDATA[Wed, 30 Jul 2025 19:35:43 +0000]]></pubDate>
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      <media:title><![CDATA[A scene from the show 'Hécube, paso Hécube', by Tiago Rodrigues.]]></media:title>
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      <subtitle><![CDATA[Tiago Rodrigues directs a magnificent 'Hécube, paso Hécube' at the Teatre Grec.]]></subtitle>
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