Rumors about the death of superhero cinema have turned out to be exaggerated. Spider-Man: Brand New Day, the new installment of the arachnid hero's saga, has debuted at the international box office with a staggering €804.3 million gross, the second-largest figure in history (unadjusted for inflation), surpassed only by the €1.041 billion of the premiere of The Avengers: Endgame (2019). The film starring Tom Holland has also premiered with record box office figures in North America, with an estimated 308 million euros in its opening weekend, nearing the 309.7 million from the US premiere ofThe Avengers: Endgame.

Two decades ago, Hellboy He burst onto the Hollywood scene with two blockbusters Eccentric and baroque, directed by Guillermo del Toro, and with Ron Perlman exuding charisma beneath the prosthetics and red skin of the infernal anti(super)hero born from Mike Mignola's comics. After the failure that was the character's revival under Neil Marshall's direction in 2019, Hellboy: The Crooked Man It returns to the screen with the coordinates of a modest production made on the fringes of the industry.

Hollywood's hottest potato hits theaters. Rarely have a film been so highly anticipated as the new Superman James Gunn's reboot of Warner's superhero project that cost $190 million and is expected to gross more than $600 million to be profitable. Gunn's experience in superhero films is a degree and the director of Guardians of the Galaxy confronts the gravity of Zack Snyder, the previous architect of the DC cinematic universe, with a brighter vision of Superman that fearlessly embraces the pop imagery of his comics from the 50s and 60s – the so-called Silver Age – from the super robots of the Fortress of Solitude and the giant monsters to Krypto, the scene-stealing super dog who stars in some of the best moments.