Two decades ago, Hellboy He burst onto the Hollywood scene with two blockbusters Eccentric and baroque, directed by Guillermo del Toro, and with Ron Perlman exuding charisma beneath the prosthetics and red skin of the infernal anti(super)hero born from Mike Mignola's comics. After the failure that was the character's revival under Neil Marshall's direction in 2019, Hellboy: The Crooked Man It returns to the screen with the coordinates of a modest production made on the fringes of the industry.

Hollywood's hottest potato hits theaters. Rarely have a film been so highly anticipated as the new Superman James Gunn's reboot of Warner's superhero project that cost $190 million and is expected to gross more than $600 million to be profitable. Gunn's experience in superhero films is a degree and the director of Guardians of the Galaxy confronts the gravity of Zack Snyder, the previous architect of the DC cinematic universe, with a brighter vision of Superman that fearlessly embraces the pop imagery of his comics from the 50s and 60s – the so-called Silver Age – from the super robots of the Fortress of Solitude and the giant monsters to Krypto, the scene-stealing super dog who stars in some of the best moments.