Since the 1980s, under the postmodern umbrella, a widespread trend began in fashion—and in all creative fields—to recover multiple styles and merge traditions, wrapped in the banner of multiculturalism. However, what could be seen as an attempt to break with the dominant Eurocentrism and assert other realities concealed new colonial overtones. Most fashion brands, from Yves Saint Laurent to John Galliano, compulsively and unabashedly interwove different cultures as mere aesthetic exercises, while simultaneously neglecting their historical heritage and idiosyncratic depth. Like someone who goes to the inspiration supermarket and adds Mayan references, touches of Japonism, and details from some African culture to their cart, seeking to distinguish themselves through authenticity in an overly saturated market, contradictorily, with an authenticity based on cultural borrowings of stiff stereotyping.