After about thirty films, we have learned that each new release of Hong Sang-soo It will be, nothing less, a new release from Hong Sang-soo. It will be no more, because his works are all part of one continuum, of a whole in which new titles can be confused or interchangeable with previous films. Now, it will not be any less, because the Korean filmmaker always achieves a minimum of interest and acuity in his transparent and repetitive observation of human behavior (perhaps we are like that: repetitive). And although it is as a case study for lovers of exercises in theme and variations (and this is where admirers of Bach, Cézanne, Ramones and, now in cinema, Ozu and Rohmer come in), his films always contribute.