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    <title><![CDATA[Ara in English - Guitarricadelafuente]]></title>
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    <description><![CDATA[Ara in English - Guitarricadelafuente]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Sensuality and fragility: two sides of the same coin in Guitarricadelafuente]]></title>
      <link><![CDATA[https://en.ara.cat/culture/sensuality-and-fragility-two-sides-of-the-same-coin-in-guitarricadelafuente_1_5433834.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ff247baf-4e0f-423f-9773-b42ea33027ff_16-9-aspect-ratio_default_0.jpg" /></p><p>Guitarricadelafuente, a loving diminutive of "guitar" in Aragon combined with his first surname (Álvaro Lafuente Calvo), presents his new album <em>Spanish leather</em> (Sony) on a tour that took him to the Alma Festival in Barcelona on July 2nd and 3rd. One of the tasks that attendees usually do when they attend a concert of this type is to learn the lyrics and familiarize themselves with the melodies of the songs. I can confirm that the audience in the Plaza Mayor of Poble Espanyol had done their homework: they accompanied the singer throughout the hour and a half concert, completely devoted to the cause. Lately, it's quite common—although it still surprises me—for the audience to record the entire concert with their cell phones and watch it through the small screen, when they have the artist right in front of them, in the flesh. Okay, let's get to the point.</p>]]></description>
      <dc:creator><![CDATA[Magda Polo Pujadas]]></dc:creator>
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      <pubDate><![CDATA[Sat, 05 Jul 2025 05:00:18 +0000]]></pubDate>
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      <media:title><![CDATA[Guitarricadelafuente at the Poble Espanyol, in a concert as part of Alma Festival 2025.]]></media:title>
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      <subtitle><![CDATA[The musician takes a step forward with the album 'Spanish Leather']]></subtitle>
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