The two siblings in the play, Ernest and Sandra, have opposing memories of their dying father, Climent. In my case, the memory is more multifaceted. I see my father's good sides and also the bad ones, which are not about authoritarianism, but about a certain affective and emotional neglect. One of those men from an era when it was thought that men don't cry, who only knew how to communicate with their children by talking about FC Barcelona. There is a lot of reflection on fatherhood, from many aspects.At the farmhouse, however, strange things happen.

What do we do with the monstrosity of others? Can we come to understand and dialogue with someone who has hurt us? What role does the community have in dealing with those responsible for abject actions? Theater often serves to seek answers, or at least to bring questions to the stage and make them resonate with the audience. This is the driving force behind two Grec Festival shows led by monsters: Who killed my father?, by Édouard Louis, directed by Pau Roca and starring Dafnis Balduz; and The monster, by Josep Maria Miró, directed by himself and starring Àurea Márquez, Joan Negrié and Albert Prat. The first premieres on July 1st at the Heartbreak Hotel (they will have three performances and are already sold out, but they will return in the fall) and the second will be at the Sala Beckett from July 3rd to 27th.