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    <title><![CDATA[Ara in English - Paul Thomas Anderson]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/paul-thomas-anderson/]]></link>
    <description><![CDATA[Ara in English - Paul Thomas Anderson]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["From Bardem's 'No to war' to Streisand's tribute to Robert Redford": the best moments of the Oscars]]></title>
      <link><![CDATA[https://en.ara.cat/culture/from-bardem-s-no-to-war-to-streisand-s-tribute-to-robert-redford-the-best-moments-of-an-oscar-ceremony-that-has-relegated-politics-and-war-to-the-background_1_5679676.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/e57934ca-a3a5-4a21-b67a-025c2841258b_16-9-aspect-ratio_default_0.jpg" /></p><p>The 98th Academy Awards have crowned <em>One battle after another</em> like the <a href="https://en.ara.cat/culture/battle-after-battle-triumphs-at-docile-and-uncompromising-oscars_1_5679536.html" >big winner of the night</a>The film directed by Paul Thomas Anderson gradually gained prominence throughout the ceremony, becoming the dominant name of the awards, which were marked by its overall success. The gala also featured musical numbers and some moments of protest, despite being rather tame and lacking in activism.</p>]]></description>
      <dc:creator><![CDATA[ARA]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/from-bardem-s-no-to-war-to-streisand-s-tribute-to-robert-redford-the-best-moments-of-an-oscar-ceremony-that-has-relegated-politics-and-war-to-the-background_1_5679676.html]]></guid>
      <pubDate><![CDATA[Mon, 16 Mar 2026 07:39:04 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/e57934ca-a3a5-4a21-b67a-025c2841258b_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Barbra Streisand during her tribute to Robert Redford]]></media:title>
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      <subtitle><![CDATA[The 98th edition of the awards was a ceremony that relegated politics and war, and a gala that also featured various musical numbers and moments of protest.]]></subtitle>
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    <item>
      <title><![CDATA['Battle After Battle' triumphs at a docile and uncompromising Oscars]]></title>
      <link><![CDATA[https://en.ara.cat/culture/battle-after-battle-triumphs-at-docile-and-uncompromising-oscars_1_5679536.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3ad0cc1a-810d-4a85-9ec8-2f19aab54ea7_16-9-aspect-ratio_default_0_x2676y807.jpg" /></p><p>The pulse between <a href="https://en.ara.cat/culture/dicaprio-calls-for-revolution-in-the-most-daring-and-triumphant-premiere-of-2025_1_5506052.html" target="_blank"><em>One battle after another</em></a> and <a href="https://en.ara.cat/culture/black-lives-matter-including-those-of-vampires-the-sinners-against-the-oscar-curse_1_5626695.html" target="_blank"><em>The sinners</em></a> The Oscars already have a winner. Paul Thomas Anderson's film about a deranged, paranoid, revolutionary ex-activist facing off against the fascist military officer who has kidnapped his daughter took home six statuettes: Best Picture, Director, Supporting Actor, Adapted Screenplay, Casting, and Editing. The victory of<em>One battle after another</em>, which had 13 nominations,<em> </em>It is the triumph of great American cinema, the kind that draws from the auteur tradition of the 1970s and aspires to portray American society with an uncompromising gaze. But above all, it is Anderson's triumph, who, after thirty years of an extraordinary career, has established himself, alongside Quentin Tarantino, as the most consistent and ambitious director of the 1990s generation. He is, in fact, the first filmmaker from this group to achieve a resounding Oscar victory. An act of justice for the author of masterpieces overlooked by the Oscars, such as <em>Boogie Nights, Magnolia, There Will Be Blood, Phantom Thread</em> either <em>Licorice Pizza</em></p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/battle-after-battle-triumphs-at-docile-and-uncompromising-oscars_1_5679536.html]]></guid>
      <pubDate><![CDATA[Mon, 16 Mar 2026 03:25:15 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3ad0cc1a-810d-4a85-9ec8-2f19aab54ea7_16-9-aspect-ratio_default_0_x2676y807.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The team behind 'Battle After Battle' accepts the Oscar for Best Picture]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/3ad0cc1a-810d-4a85-9ec8-2f19aab54ea7_16-9-aspect-ratio_default_0_x2676y807.jpg"/>
      <subtitle><![CDATA['Sirat' doesn't win any awards on a great night for 'The Sinners', the second most awarded film]]></subtitle>
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      <title><![CDATA['Battle After Battle' and 'Adolescence' triumph at the Golden Globes]]></title>
      <link><![CDATA[https://en.ara.cat/culture/battle-after-battle-and-adolescence-triumph-at-the-golden-globes_1_5615350.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/cf3054bf-52f6-448a-be8c-81831decea30_16-9-aspect-ratio_default_0_x2173y0.jpg" /></p><p>Paul Thomas Anderson emerges stronger in the Oscar race after <a href="https://en.ara.cat/culture/dicaprio-calls-for-revolution-in-the-most-daring-and-triumphant-premiere-of-2025_1_5506052.html" target="_blank"><em>One battle after another</em></a> It won four awards at the Golden Globes ceremony held this Sunday in Los Angeles. The Hollywood Foreign Press Association recognized Anderson's film with awards in four categories: comedy, director, screenplay, and supporting actress (Teyana Taylor). In the television series category, <em>Adolescence</em> It continues to garner awards and has won four Golden Globes, one for best miniseries and three in acting categories: actor in a miniseries (Stephen Graham), supporting actress (Erin Doherty), and supporting actor (Owen Cooper). The awards in <em>Adolescence</em>, along with those who have received <em>The Pitt</em> (best drama series) and <em>The studio</em> (comedy series), make the most relevant list of Golden Globe awards <a href="https://en.ara.cat/media/the-pitt-and-the-studio-the-gems-that-triumphed-at-the-emmys_1_5497076.html" target="_blank">the same as the Emmys that took place in September</a>.</p>]]></description>
      <dc:creator><![CDATA[Xavier Cervantes]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/battle-after-battle-and-adolescence-triumph-at-the-golden-globes_1_5615350.html]]></guid>
      <pubDate><![CDATA[Mon, 12 Jan 2026 05:49:40 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/cf3054bf-52f6-448a-be8c-81831decea30_16-9-aspect-ratio_default_0_x2173y0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Filmmaker Paul Thomas Anderson, with one of the Golden Globes for the film 'Battle After Battle'.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/cf3054bf-52f6-448a-be8c-81831decea30_16-9-aspect-ratio_default_0_x2173y0.jpg"/>
      <subtitle><![CDATA[The Hollywood Foreign Press Association also awarded the film 'Hamnet' and the series 'The Pitt' and 'The Studio']]></subtitle>
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    <item>
      <title><![CDATA[The 20 best films of 2025]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-20-best-films-of-2025_1_5596069.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/2cb63561-aa90-48b2-b120-9b40a0d3f50d_16-9-aspect-ratio_default_0_x1365y581.jpg" /></p><p>Well no, <em>Sirado</em> It is not one of the films chosen by the ARA critics (María Adell Carmona, Gerard Casau, Eulalia Iglesias, Joan Pons, Paula Arantzazu Ruiz, Manu Yáñez Murillo and myself) to summarize the cinema of 2025. But if a second of cinema only fits 24 frames, this invitation to discover a magnificent harvest that could also have included films by Hong Sang-soo, Jafar Panahi, Ryan Coogler, Gerard Oms, Jia Zhang-Ke or Radu Jude.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-20-best-films-of-2025_1_5596069.html]]></guid>
      <pubDate><![CDATA[Thu, 18 Dec 2025 12:01:10 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/2cb63561-aa90-48b2-b120-9b40a0d3f50d_16-9-aspect-ratio_default_0_x1365y581.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Stills from "Brutalist", "One Battle After Another" and "Solitude Afternoons".]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/2cb63561-aa90-48b2-b120-9b40a0d3f50d_16-9-aspect-ratio_default_0_x1365y581.jpg"/>
      <subtitle><![CDATA[Twenty titles to start discovering a magnificent year of cinema]]></subtitle>
    </item>
    <item>
      <title><![CDATA[DiCaprio calls for revolution in the most daring and triumphant premiere of 2025.]]></title>
      <link><![CDATA[https://en.ara.cat/culture/dicaprio-calls-for-revolution-in-the-most-daring-and-triumphant-premiere-of-2025_1_5506052.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/2575e256-06ea-49a3-b00e-4b1e23648640_16-9-aspect-ratio_default_0_x760y189.jpg" /></p><p>Batting and smoking marijuana while nursing a terrible hangover. That's how Bob Ferguson, the crackpot activist played by Leonardo DiCaprio, learns he must flee because the demented soldier with whom he shares an unexpected romantic triangle is after his boss and his teenage daughter. It's not exactly the most opportune time to receive the call to arms of the revolution, but nothing is ideal in the landscape it paints. <em>One battle after another</em>, neither the father-son ties nor the coordination between the cells of a countercultural guerrilla whose members are too brain-broken to remember a password.</p>]]></description>
      <dc:creator><![CDATA[Gerard Casau]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/dicaprio-calls-for-revolution-in-the-most-daring-and-triumphant-premiere-of-2025_1_5506052.html]]></guid>
      <pubDate><![CDATA[Tue, 23 Sep 2025 09:24:07 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/2575e256-06ea-49a3-b00e-4b1e23648640_16-9-aspect-ratio_default_0_x760y189.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Leonardo DiCaprio in 'One Battle After Another']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/2575e256-06ea-49a3-b00e-4b1e23648640_16-9-aspect-ratio_default_0_x760y189.jpg"/>
      <subtitle><![CDATA[The actor stars in 'One Battle After Another,' Paul Thomas Anderson's new film.]]></subtitle>
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    <item>
      <title><![CDATA[What are the 100 best films of the 21st century?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/what-are-the-100-best-films-of-the-21st-century_1_5427034.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/747d885c-d47f-45e3-937a-730089307005_16-9-aspect-ratio_default_0_x601y395.jpg" /></p><p>Who is the best director of the 21st century so far? According to the list published by the newspaper <em>The New York Times</em>, Christopher Nolan, at least because he is the most represented, with five titles, among the <a href="https://www.nytimes.com/interactive/2025/movies/best-movies-21st-century.html?unlocked_article_code=1.SE8.8Mcp.bz4Rt2TQB_2B&smid=url-share&fbclid=IwY2xjawLM-kxleHRuA2FlbQIxMQBicmlkETFodEZndzlTb2Y5T29jWGtLAR6hTZiXbs8Jp9ErhWFmK__gAsfkuwNpFUKqRgwB4-I1oPwp6mfoGTc53M2S1Q_aem_PNMVZhMnTBOVEsSHlxZqDw" target="_blank" rel="nofollow">100 best movies released since 2020</a> (the American newspaper considers that the 21st century begins in 2000 instead of 2001). The five Nolan films they have chosen occupy positions 28, 53, 62, 65 and 89. If the position in the ranking is prioritized, perhaps more valuable are the four films that appear by Paul Thomas Anderson (3, 25, 42 and 56), the brothers Ethan and Joel Coen (6, 36, 76 and 83) and Alfonso Cuarón (13, 18, 46 and 97). However, none of these filmmakers tops the list drawn up with the votes of more than 500 personalities from the film world. Number 1 goes to <a href="https://www.ara.cat/cultura/oscars-2020-premis-parasitos-gala_1_1203420.html" target="_blank"><em>Parasites</em></a><a href="https://www.ara.cat/cultura/oscars-2020-premis-parasitos-gala_1_1203420.html" target="_blank">, by South Korean Bong Joon-ho</a>, of whom there is another title in the ranking: <em>Memories of Murder (Chronicle of a Serial Killer). </em> </p>]]></description>
      <dc:creator><![CDATA[Xavier Cervantes]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/what-are-the-100-best-films-of-the-21st-century_1_5427034.html]]></guid>
      <pubDate><![CDATA[Sun, 29 Jun 2025 14:15:35 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/747d885c-d47f-45e3-937a-730089307005_16-9-aspect-ratio_default_0_x601y395.jpg" type="image/jpeg"/>
      <media:title><![CDATA['There Will Be Blood', 'Mullholland Drive' and 'Parasite'.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/747d885c-d47f-45e3-937a-730089307005_16-9-aspect-ratio_default_0_x601y395.jpg"/>
      <subtitle><![CDATA[The New York Times publishes a list of the most notable films released since 2000.]]></subtitle>
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