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    <title><![CDATA[Ara in English - Empordà Museum]]></title>
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    <description><![CDATA[Ara in English - Empordà Museum]]></description>
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      <title><![CDATA[A groundbreaking museum without styles or chronologies where Demeter meets Dalí]]></title>
      <link><![CDATA[https://en.ara.cat/culture/groundbreaking-museum-without-styles-or-chronologies-where-demeter-meets-dali_1_5397960.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/31cb4e1d-0a40-4df4-a682-0ace615e7676_16-9-aspect-ratio_default_0_x2543y1678.jpg" /></p><p>The Empordà Museum, located at the foot of the Rambla de Figueres, has just reopened its doors after four years of renovations that have completely transformed its image. In this new phase, the museum presents the pieces from its permanent collection with a groundbreaking idea: they are no longer displayed in the traditional way, grouped by criteria of chronological order, authorship, style, or genre. Instead, the new museography proposes a truly surprising and exciting artistic journey, displaying diverse works dating back more than 4,500 years in a single room. Like the painting <em>Saint Narcissus </em>(1962), by Salvador Dalí, exhibited together with the <em>Saint Atilano </em>(1690), by Vicente Berdusán, in a space where there is also a possible Demeter<em> </em>Greek statue from Empúries from the 3rd or 4th century BC, a surrealist pantocrator (1929) by Joan Massanet and a bronze bull (1975) by Emília Xargay.</p>]]></description>
      <dc:creator><![CDATA[Aniol Costa-Pau]]></dc:creator>
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      <pubDate><![CDATA[Sat, 31 May 2025 18:00:19 +0000]]></pubDate>
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      <media:title><![CDATA[The Empordà Museum in Figueres presents a new museography after four years of renovations.]]></media:title>
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      <subtitle><![CDATA[The Empordà Museum in Figueres inaugurates its permanent collection with a renewed museography that breaks with the traditional way of displaying works.]]></subtitle>
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