"We already know that here, in Girona, there are plenty of cyclists, and so that the boss wouldn't fail, that's why she invited me." Entering through the hallway of the Municipal Theater, accompanied by Catalonia's favorite Vallense heiress, Jèssica Pulla, authorities and an entourage of giants and big heads, Glòria Ribera (Guissona, 1994) ignited the young people gathered in the Barri Vell with songs this Thursday afternoon with an irreverent critique of mass tourism. the opening of the Z Festival, an equally irreverent offering created five years ago for those under 30, which suited her like a glove. With a crown on her head, crowning her as the Princess of Girona, the singer and new showgirl from Guissona introduced herself as "Her Majesty Gloria Ribera de Leonor," because she says she doesn't like Borbón and "Ermesenda was already hooked."

In the debate on the drifts of the left and the lack of militancy among the new generations, the idea has been established that the so-called identity politics, such as feminism or the perspective queer, have replaced or displaced the class struggle and the fight against capitalism as essential axes of this ideology. Proposals such as the one in the video clip And I love Barcelona, of Svetlana, contradict this statement. The Poblenou duo, formed since 2020 by Júlia Díaz and Roc Bernadí, premiered this audiovisual piece a couple of months ago based on the homonymous song that is part of Sarnalona, the EP they have released with Propaganda por el Hecho! Unexpected anthem sung in Catalan and to the rhythm of abrasive techno against the brutal touristification that the Catalan capital is suffering, And I love Barcelona has over eighty thousand views on YouTube.