One of the curiosities of this edition of the Cannes Film Festival is the coincidence in the parallel section Un Certain Regard of the directorial debuts of two popular actresses, established stars of American cinema: Kristen Stewart, who dazzled a few days ago with the poetic and tormented biography of Lidia Yuknavitch The chronology of water; and Scarlett Johansson, who presented this Tuesday Eleanor the Great, a dramatic comedy about a widow with a lot of drive and character who, after the death of her best friend, with whom she shared an apartment in Florida, returns to her native New York at over 90 years old to live with a recently divorced daughter and a grandson glued to his mobile phone screen.