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    <title><![CDATA[Ara in English - Francisco Galí]]></title>
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    <description><![CDATA[Ara in English - Francisco Galí]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[The MNAC frees Francesc Galí from the stereotype of being only Joan Miró's teacher.]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-mnac-frees-francesc-gali-from-the-stereotype-of-being-only-joan-miro-s-teacher_1_5385657.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a1651cef-9d8e-4cf1-b6a2-4ea0090be0f1_16-9-aspect-ratio_default_0_x1680y480.jpg" /></p><p>It is no exaggeration to say that Francesc Galí (Barcelona 1880-1965) risked his life to paint the murals on the dome of the National Palace coinciding with the Universal Exhibition of 1929. For about six months, Galí worked perched on rather precarious scaffolding and without protective measures, just as the Catalan Art Museum (MNAC) is dedicating to him from this Wednesday until September 14, entitled <em>Francisco Galí. The invisible teacher</em>.</p>]]></description>
      <dc:creator><![CDATA[Antoni Ribas Tur]]></dc:creator>
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      <pubDate><![CDATA[Tue, 20 May 2025 16:01:41 +0000]]></pubDate>
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      <media:title><![CDATA[Francesc Galí in a youthful photograph at the exhibition 'Francesc Galí. The Invisible Master']]></media:title>
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      <subtitle><![CDATA[The museum opens an exhibition with more than 120 works on the different aspects of his legacy.]]></subtitle>
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