The premiere of the newly created, large-scale musical in Catalan Soul, which opened last season at the National Theatre And now he returns to the Tivoli Theatre; it was an extraordinary phenomenon. The review Word of mouth quickly filled the Sala Gran, and the audience ended up giving a standing ovation every night. On opening night, Maria José Balañá, manager of three large Barcelona theaters, was in the audience. She was captivated and felt a strong desire that this talent and effort wouldn't die there. "I thought it was amazing. There's talent, there's hard work, there's a brutal intensity. As we were leaving, I told them, 'If you want to revive it, count us in.'" Bitò's producer, Josep Domènech, also attended: "I was blown away. It's emotion, it's magic, it's fantastic," he says. He immediately looked for who was behind it and called them: "If you ever want to do it in a private theater, let's talk." Andreu Buenafuente and Sílvia Abril also attended, and they were "blown away." They asked Mercè Puy, the producer at El Terrat, who had known the project from the beginning, to fight to bring it back.

Oriol Grau (Barcelona, ​​1963) embarks, for the first time at the age of 61, on a theatrical monologue. And he does so to answer the big question that the public will have been asking for years: what happened to him that, having achieved popularity, made him leave television and disappear from the media landscape? With more fiction and comedy than the premise suggests, Mom, the devil and me It is a journey through the actor's career that can be seen from May 16 to June 1 at the Sala Trono in Tarragona, and later in other venues.