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    <title><![CDATA[Ara in English - Taurus]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/taurus/]]></link>
    <description><![CDATA[Ara in English - Taurus]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[News from the dark side of the force]]></title>
      <link><![CDATA[https://en.ara.cat/culture/news-from-the-dark-side-of-the-force_1_5863686.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/eb8de77c-ebeb-4805-942b-e96324ed2b9e_16-9-aspect-ratio_default_0_x2499y1628.jpg" /></p><p>Whether in spy films like those of Agent 007, adventure films in the style of Indiana Jones, or superhero films from the Marvel factory, the best gauge of entertainment quality was provided by the figure of the antagonist. Whether it was a billionaire megalomaniac creator of an ultimate weapon, a Nazi collector of paraphilias and treasures, or a mutant with a twisted brain and incredible powers, if the character who had to provide the counterpoint was not up to the hero's level, the fun and tension would dilute. Obviously, we all understood that those enemies were impossible exaggerations and, above all, we viewed them from the peace of mind of knowing that in the end they would be defeated.Reading the French political scientist Arnaud Miranda (Clermont-Ferrand, 1997), one does not know what scares them more: whether discovering that those disheveled nemeses are perhaps not so unreal, or having the feeling that this time they will not necessarily be defeated or, at least, not completely. Because <em>The Dark Enlightenment</em> focuses on the constellation of authors who, from various corners of the internet, between onanism and intertextuality, have been creating the breeding ground for growing neoreactionary thought.The cartography proposed by Miranda reveals to us the diversity of a movement that would be situated between the poles marked by the two most recognizable names: Curtis Yarvin (Brooklyn, 1973) and Nick Land (Sutton Coldfield, 1962). Their proposals converge in various philias and, above all, numerous phobias. Thus, they share the will to destroy democracy and the liberal system identified as castrators of singularity, technophilia, and hypermasculinity (the absence of women and the misogynistic tone of their writings are not coincidental). This dismantling involves an implacable attack against the State, against the press, and against knowledge, hand in hand with the dismissal of civil servants, the subversion of facts, and the discrediting of universities.Against all odds, these marginal lucubrations suddenly came to fuel the political front line as the result of a triple stroke of luck. The crisis of the liberal system synchronized with the support of the financial muscle of magnates like Peter Thiel and Marc Andreessen –more than mere fellow travelers– and the phenomenon of Donald Trump's second term. With the Republican Party abducted, a global transformation is now being sought: from Milei's Argentina to a Europe that would like to be abandoned to Russian ambitions and thus cast into neo-reactionary ideals.Although Miranda plays it safe regarding the future, there may be two elements for hope. The first is already captured by the book itself, when it points out the precariousness of the balance of power between the traditionalism embodied by Vice President <a href="https://llegim.ara.cat/critiques-literaries/elegia-plena-escoria-blanca-america_1_3849580.html" >J.D. Vance</a>, the techno-futurism of Elon Musk, and the national populism of Steve Bannon. In fact, stability has already blown up during Trump's term and it seems difficult for anyone else to recreate it. As for the second, the consistency of the nascent pushback will have its litmus test in the U.S. <em>midterm </em>elections in November. It will be a new occasion to understand that democracy is neither given, nor guaranteed, nor can it defend itself.</p>]]></description>
      <dc:creator><![CDATA[Jaume Claret]]></dc:creator>
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      <pubDate><![CDATA[Mon, 28 Sep 2026 22:02:07 +0000]]></pubDate>
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      <media:title><![CDATA[Elon Musk and Donald Trump, in the Oval Office of the White House, in a file image]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/eb8de77c-ebeb-4805-942b-e96324ed2b9e_16-9-aspect-ratio_default_0_x2499y1628.jpg"/>
      <subtitle><![CDATA[In 'The Dark Enlightenment', Arnaud Miranda focuses on the constellation of authors who from various corners of the internet, between onanism and intertextuality, have been creating the breeding ground for the growing neo-reactionary thought]]></subtitle>
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      <title><![CDATA[The Falangist who was born three times]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-falangist-who-was-born-three-times_1_5455625.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/45467fae-b829-454f-8201-e9769812973f_16-9-aspect-ratio_default_0_x1092y502.jpg" /></p><p>The best camouflage begins with words. Thus, while the German and Italian dictatorial regimes were initially characterized by their top leader (Hitlerism, Mussolinism), the more generic Nazism and Fascism gradually took over. In Spain, however, the opposite happened, and the figure of General Francisco Franco ended up covering everything up, including—and opportunely—the connivances of some, the changes of many, and the appeasement of many. This over-emphasis on the <em>Leader</em> It has also had historiographical consequences because many key figures of Franco's regime do not have good biographies or, worse still, they have not had time to whitewash their careers.</p>]]></description>
      <dc:creator><![CDATA[Jaume Claret]]></dc:creator>
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      <pubDate><![CDATA[Sat, 26 Jul 2025 10:00:58 +0000]]></pubDate>
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      <media:title><![CDATA[Francisco Franco and Rafael Sánchez Mazas at his side]]></media:title>
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      <subtitle><![CDATA[Rafael Sánchez Mazas inspires an extensive and interesting biography of Maximiliano Fuentes Codera]]></subtitle>
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      <title><![CDATA[A pioneering book in the study and vindication of "regional literatures"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/pioneering-book-in-the-study-and-vindication-of-regional-literatures_1_5365422.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/87528d9f-b38e-4541-9245-e185b4626a91_16-9-aspect-ratio_default_0.jpg" /></p><p>"Today's Catalonia cannot please any young person of clear and high intelligence [...] The market-like, Jewish, Sancho Panza-like Catalonia, <em>prude</em> and counterfeiting must disappear before an educated Catalonia, aware of its worth, with its own education, free-spirited and quite expansive." This excerpt from the article<em> Catalan youth today</em>, written by Jaume Brossa (Sant Andreu, 1875 - Barcelona, ​​​​1919) and published in the magazine <em>The Advance </em>In 1893 it is found at the beginning of the chapter that José-Carlos Mainer (Zaragoza, 1944) dedicated to the so-called "regional literatures" - Catalan, Basque and Galician - in an essay of reference in the Hispanic world,<em> The Silver Age</em>, first published in 1975 in Los Libros de la Frontera by the editor and bookseller <a href="https://www.ara.cat/cultura/mor-jose-batllo-llibreter-taifa_1_1483377.html" >José Batlló</a>, still during the Franco dictatorship, and now recovered by Taurus with a new prologue by the author and an epilogue signed by <a href="https://www.ara.cat/suplements/jordi-gracia-cervantes-prova-constantment_129_3044108.html" >Jordi Gracia </a>and Domingo Ródenas de Moya.</p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Fri, 02 May 2025 05:11:07 +0000]]></pubDate>
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      <media:title><![CDATA[An image of the first Novelists' Club dinner in 1935, which included, among others, Martí de Riquer, Josep Palau i Fabre, Mercè Rodoreda and JV Foix.]]></media:title>
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      <subtitle><![CDATA[Taurus reissues 'The Silver Age' by José-Carlos Mainer, a reference essay in Hispanic studies written in the early 1970s and published during the Franco dictatorship.]]></subtitle>
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