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    <title><![CDATA[Ara in English - Tom Hardy]]></title>
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    <description><![CDATA[Ara in English - Tom Hardy]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Netflix's new action film empties the magazine]]></title>
      <link><![CDATA[https://en.ara.cat/culture/netflix-s-new-action-film-empties-the-magazine_1_5357752.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/fbe9f80c-c31e-42eb-b06f-1241d034a305_16-9-aspect-ratio_default_0_x851y439.jpg" /></p><p>Gareth Evans is one of the Western filmmakers who best understood the codes of Asian action cinema. Not surprisingly, the Welshman worked in the field, settling in Indonesia to make martial arts documentaries and create odes to the genius. <em>stomacher</em> by Iko Uwais in <em>Merantau</em> and the two parts of <em>The raid</em>, which became an ultraviolent global success. After creating <a href="https://www.ara.cat/cultura/gangs-london-serie-violencia-critica_1_1007834.html" target="_blank">the series </a><a href="https://www.ara.cat/cultura/gangs-london-serie-violencia-critica_1_1007834.html" target="_blank"><em>Gangs of London</em></a>, Evans returns to the coordinates where he was forged with <em>Havoc</em>, a Netflix production that has taken a tortuous four-year path to reach the screens.</p>]]></description>
      <dc:creator><![CDATA[Gerard Casau]]></dc:creator>
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      <pubDate><![CDATA[Fri, 25 Apr 2025 05:01:05 +0000]]></pubDate>
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      <media:title><![CDATA[Tom Hardy in 'Havoc']]></media:title>
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      <subtitle><![CDATA[In 'Havoc', Gareth Evans deploys a choreography of lead, blood and broken bones that is as improbable as it is dizzying.]]></subtitle>
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