"I was your student!" In the course of about five minutes, two people stop Marifé Arroyo on the street with gestures of gratitude and emotion. The teacher, expelled during the Transition from the school in Barx, a small town in La Safor, raises her hand and covers the faces of her former students, leaving only their eyes exposed, trying to remember what they looked like when they were children. "I don't recognize you this old and with a beard," she exclaims sarcastically.

The concept transition It usually indicates the transition from situation A to situation B within a given time. Normally, A and B are understood to be clearly different, almost like two disjoint sets (without common elements). B replaces A. However, this is often an illusion, especially in the political sphere.

"My father didn't whisper, he shouted, and that's why his photographs move us so much," explains Agustina Bosch, the eldest of the four daughters of the photographer, anthropologist, and artist Carlos Bosch (Buenos Aires, 1945–2020). He was certainly a passionate man because nothing stopped him. In November 1976, while walking through the center of Madrid with his cameras hanging around his neck, he saw a group of fascist men and women from Fuerza Nueva board a bus to go to Paracuellos de Jarama. He made up the story that he was the son of a Francoist soldier and accompanied them. It wouldn't be the last time, because for three years he infiltrated many events of that far-right group. Some of the photographs, where you can see how he gets very close to his lens because he was working with a 35mm camera, can be seen in Broadcast on Transition. Carlos Bosch. 1976–1981. The exhibition, which is part of the Lumínico festival, can be visited until September in the National Archives of Catalonia.

This year, the Spanish government celebrates fifty years of Spain's freedom. That is, half a century since the death of dictator Francisco Franco. Despite the fierce repression, there were always people who stood up to him.. Even within the police.