In recent weeks, we've seen doctors take to the streets again to protest the new Statute of Autonomy. These protests highlight a stark reality: the healthcare system is operating under constant tension between dedication, resilience, and precarious working conditions. Now, La 2 Cat offers us a way to explore this ecosystem through a docuseries. Local hospitalThe cameras access different healthcare centers in Catalonia and accompany doctors, nurses, maintenance staff, patients, and their families. The production is austere, but this lends it great narrative honesty.

Actor and former Ciudadanos MP Toni Cantó has now steered his erratic career toward television as the host of a debate on the Valencian public broadcaster À Punt. It's the latest publicity stunt by the Valencian public broadcaster to discredit itself. The show premiered Friday night. The debate Asking herself, "Is feminism in crisis?" Obviously, Cantón couldn't care less about feminism. Rather, it fuels her anger, which was evident in the charade she staged. With her ego inflated before the cameras, she orchestrated a fallacy that only sought to discredit and ridicule feminism. The four panelists participated in this farce, because it's the typical program where you're invited to be used, not listened to. Cantón's cynicism became immediately apparent when, after her introduction, she wanted to make it clear that "this program will not deny violence against women." A very strange and biased preemptive strategy, which betrayed the deceptive nature of the debate's premise. They warned that they wouldn't deny the number of murdered women (of course not!) only to then proceed to attack feminism. In the midst of the chaotic show, with an equally manipulated audience, they staged a face-to-face debate featuring a commentator with sexist, ultraconservative, and xenophobic theories. They incorporated, via video link, the intervention of Juan Soto Ivars, who presented a book in which he claims that the official low rate of false accusations of gender-based violence is a lie and that the real statistics are higher, with many men falling victim to the abuse of a biased feminist system.

One of the premieres of La 1 is the documentary program The secret files of the NO-DO, a program from Minoría Absoluta that explores the archives of the Spanish Film Archive. There are more than six thousand cans of film that were not used in the propaganda newsreel of the Franco regime, material discarded for various reasons. Therefore, this is not about resurrecting the most curious fragments of the newscast, nor about listening to the voice of Francoism, that of Matías Prats Cañete, grandfather of the lineage of journalists, narrating Franco's adventures and the scenes from the dictatorship.

The rise of trash TV in the 1990s has, over time, led to a certain view that idealizes all this waste. Some have tried to interpret the Martian Chronicles by Xavier Sardà as a cult television and a good part of the puppets that were exploited as misunderstood stars of popular culture. Superstar, the series that Netflix has just released, pays tribute to this entire generation of the so-called freaks television series, trying to humanize them. Tamara and her mother, Margarita Seisdedos, are the backbone of the story, and the miseries of Leonardo Dantés, Paco Porras, Loly Álvarez, Tony Genil, and Arlequín are also recreated around them. Together, they created what has later been called tamarism, this media movement kitsch of somewhat marginal characters who managed to become part of the most successful television programs, despite the cruel media hostility surrounding them. Nacho Vigalondo, the creator, also participates as a supporting actor in the role of Joaquín Sardana. alter ego by Xavier Sardà, who presents a program titled Mars timeProduced by Los Javis (Calvo and Ambrossi), Superstar It fuses the television signature of all of them. On the one hand, the delirious tone, a kind of very personal, somewhat dreamlike magical realism that plays with Vigalondo's dramatic comedy and social criticism, and on the other, the veneration of pop culture, the need to redeem marginalized or different characters by providing them with an emotional narrative that emphasizes their story. Director Claudia Costafreda's influence is also evident in the emotional treatment and care for the characters.

On Saturday morning, television channels were focused on the PSOE and PP congresses. These types of committees are events for internal consumption by the membership, but there's a clear element of showboating as an attempt to clean up its image. For obvious reasons, the Socialist Party's meeting generated much more media buzz.

The TVE program History of our cinema celebrates its tenth anniversary. And to celebrate, beyond summarizing the Iberian perspective on the seventh art through guests from different generations, it required an official greeting from Queen Letizia. The queen, who will long for her past as a journalist and presenter, graced the program with a three-minute speech on a set. She stood alone, looking at the camera, and delivering a dissertation on the cultural power of cinema, peppered with famous quotes from great Spanish directors.

The last Sunday of every month, La 1 broadcasts RTVE Responds, the program directed and presented by the public broadcaster's viewer advocate, Rosa Maria Molló. She is one of the network's most iconic and historic journalists, both for her time at the Sant Cugat headquarters, with programs such as Giravolt, as well as a prestigious career in news services, taking on correspondent positions in New York, Beijing and the Middle East.

Black Mirror has returned to Netflix with its seventh season to remind us of the world we live in and the abyss that the future often represents. Since the episodes are independent, the level of satisfaction is uneven and depends largely on individual sensitivity to connect more with some stories than others. What remains intact is the ability to analyze the human condition in the face of digital progress. There are episodes full of hopelessness or even anguish, and some others, however, transport us to unusual possibilities that serve to delve deeper into the realm of emotions.