One of the best indicators for measuring the health—optimal, correct, or precarious—of a literature can be to review the translation of classics and the policy of recovering its canonical authors. The harvest leading up to Sant Jordi in 2025 is proving, in this regard, quite remarkable, with such ambitious projects as the publication of a new version of Emily Dickinson's complete poetry, the publication of all of Hans Christian Andersen's stories, the recovery of Joaquim Amat-Piniella's most emblematic book, and the demands.