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    <title><![CDATA[Ara in English - Léa Seydoux]]></title>
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    <description><![CDATA[Ara in English - Léa Seydoux]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[My heart loves a tree!]]></title>
      <link><![CDATA[https://en.ara.cat/culture/my-heart-loves-tree_1_5734841.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b4aa2c40-1419-4f66-8b2b-751fb20ff37a_16-9-aspect-ratio_default_0_x479y11.jpg" /></p><p>In a moment of <em>The Silent Friend</em>, the neuroscientist brought to life by Tony Leung (the protagonist of <em>Happy Together</em> in his first role in European cinema) weighs figs in front of the TV. The professor has little to do because he is stranded at a German university in the midst of the coronavirus pandemic. Until a program with a French scientist catches his attention. The expert argues that plants communicate with us, we just need to find the right communication channel to decode what they are telling us. Spurred on by this idea, the protagonist dedicates his efforts to finding a device that will allow him to connect with the proud ginkgo that presides over the university's botanical garden.</p>]]></description>
      <dc:creator><![CDATA[Eulàlia Iglesias]]></dc:creator>
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      <pubDate><![CDATA[Tue, 12 May 2026 13:04:55 +0000]]></pubDate>
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      <media:title><![CDATA[Tony Leung in the movie 'The Silent Friend'.]]></media:title>
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      <subtitle><![CDATA[With a splendid 'Ginkgo biloba' as the center of gravity, this beautiful botanical melodrama explores a new way of facing the bonds between human beings and the plant world]]></subtitle>
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      <title><![CDATA[On the absurdity of contemporary art-house cinema]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-absurdity-of-contemporary-art-house-cinema_1_5341508.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3873d1c2-ee88-4597-8348-225d1257dbd6_16-9-aspect-ratio_default_0.jpg" /></p><p><a href="https://es.ara.cat/cultura/cine/pelicula-superheroes-fumada-historia_1_4795654.html" target="_blank">Quentin Dupieux</a> He is the odd sock of French cinema. His films are unlike any other, and often don't even resemble each other. <em>The second act</em>, for example, could rhyme with <a href="" target="_blank" rel="nofollow"><em>Yannick</em></a>, the film he made in 2023 about a spectator who intervenes in a play and the dynamite, a clever prank on a representation of reality, ehem, <em>interruptus</em>. This time, the fiction would be the filming of a sequence of a movie in which the actors (and what actors! Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, the <em>cream</em> of French cinema) enter and leave the story, blurring the boundaries between lies and truth.</p>]]></description>
      <dc:creator><![CDATA[Joan Pons]]></dc:creator>
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      <pubDate><![CDATA[Tue, 08 Apr 2025 08:30:47 +0000]]></pubDate>
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      <media:title><![CDATA[Louis Garrela in 'The Second Act']]></media:title>
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      <subtitle><![CDATA[Quentin Dupieux reunites Léa Seydoux, Vincent Lindon, and Louis Garrel in the meta-scientific comedy "The Second Act."]]></subtitle>
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