A frontal sequence showing the birth of a lamb raises the curtain onThe Kingdom of Satan, as if he wanted to announce to us that the Antichrist has just been born. As he already did Penny Lane in Hail Satan? (2019), Scott Cummings, editor of indie director Eliza Hittman, delves into the community of the Satanic Church to capture the mystery surrounding this cult. While Lane's film about American Satanists was articulated in a political key, focusing on their activism in defense of the freedom of worship proclaimed in the United States Constitution, Cummings' portrait is seduced by everyday routines and, above all, by the aesthetics of a subculture.