When one starts reading the last Magius (2021 National Award for satire Spring for Madrid), bells begin to ring. Perhaps the bells of hell, but counterpointed by the sound of toy bells placed on a baby's crib. Because, on the one hand, this tells a story we already know: that of the genesis and self-destruction of the Black Metal scene in Norway in the 1990s, which was captured in the celebrated essay Lords of Chaos (It's Pop) by Michael Moynihan and Didrik Søderlind and later brought to the cinema under the direction of Jonas ÅkerlundIn other words, the nihilistic escalation that led a generation of overprotected children of one of Europe's most placid countries to unleash a civil Ragnarock punctuated by church burnings, instinctual murders, and induced suicides.