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    <title><![CDATA[Ara in English - David Cronenberg]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/david-cronenberg/]]></link>
    <description><![CDATA[Ara in English - David Cronenberg]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Observe the dead body of a loved one]]></title>
      <link><![CDATA[https://en.ara.cat/culture/observe-the-dead-body-of-the-loved-one_1_5498362.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/34b512c4-c0a5-4e64-b576-ee6e1c646a27_16-9-aspect-ratio_default_0_x719y278.jpg" /></p><p>In 1954 Luis Buñuel completed <em>Abysses of passion</em>, his fascinating adaptation of <em>Wuthering Heights</em>, with the protagonist sneaking into a cemetery and breaking into the family vault to reach the coffin where his beloved rests and embrace her corpse. The Spanish director condensed the impulse of<em>love was </em>that runs through Emily Brontë's novel, and which excited the surrealists. In his last film, <a href="https://www.ara.cat/cultura/cinema/tothom-hauria-ficar-llit-cadaver_128_4496990.html" target="_blank">David Cronenberg</a> It starts with a similar idea transferred to one of his hyper-technological universes. After the death of his beloved wife Becca, the protagonist, Karsh (a Vincent Cassel who is eerily reminiscent of Cronenberg himself), has devised a device that allows him to contemplate her corpse and its decomposition at all times. A way of crystallizing the ideal of love beyond death, which he successfully markets in his own cemetery. And another snail's return to the Canadian filmmaker's erotic and voyeuristic obsession with the organic nature of bodies, over which the memory of his wife, Carolyn Zeifman, who died in 2017, unfortunately looms. The director, on the one hand, expands Karsh's passion for his wife to the bond he maintains with Becca's sister, Terry (Diane Kruger), in a disturbing relationship marked by the shadow of <em>Vertigo</em> Alfred Hitchcock's. On the other hand, it entangles the protagonist in an international intrigue typical of one of <em>high-tech thriller</em> which unnecessarily complicates the film without providing the necessary argumentative tension. <em>The shrouds</em> It remains as a powerful but ill-fated reflection on grief and the erotic ghosts it evokes, by the always recommendable David Cronenberg.</p>]]></description>
      <dc:creator><![CDATA[Eulàlia Iglesias]]></dc:creator>
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      <pubDate><![CDATA[Tue, 16 Sep 2025 08:48:29 +0000]]></pubDate>
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      <media:title><![CDATA[Vincent Cassel and Diane Kruger in 'The Shrouds']]></media:title>
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      <subtitle><![CDATA[In 'The Shrouds', which premieres on Filmin.cat, David Cronenberg explores the longing to love someone beyond death.]]></subtitle>
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      <title><![CDATA[10 recommended films for D'A 2025]]></title>
      <link><![CDATA[https://en.ara.cat/culture/10-recommended-films-for-d-2025_1_5328284.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/996574a7-12e9-42e7-84cf-ccb831a783b5_16-9-aspect-ratio_default_0.jpg" /></p><p>Barcelona cinephiles are in luck: this Thursday sees the return of D'A, the art-house film festival that most clearly embraces risk-taking and the discovery of new voices. From March 27 to April 6, D'A will screen 121 titles, both feature and short, at its various venues: the CCCB, Mooby Aribau, Filmoteca de Catalunya, Zumzeig, and Casa Montjuïc. There will also be distinguished visitors: <a href="https://www.ara.cat/cultura/no-tots-bojos-artistes-pero-bruno-dumont-camille-claudel_1_2924682.html" target="_blank">Bruno Dumont</a> and Joanna Hogg will receive the D'A Award, and the Hungarian maestro <a href="https://es.ara.cat/cultura/cine/lluvia-no-limpia-alma-lleva-barro-dificultades_128_4906131.html" target="_blank">Béla Tarr</a>, the honorary D'A award.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Wed, 26 Mar 2025 15:19:48 +0000]]></pubDate>
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      <media:title><![CDATA[Vincent Cassel and Diane Kruger in 'The Shroud']]></media:title>
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      <subtitle><![CDATA[The art-house film festival screens David Cronenberg's latest film, the dark comedy about death, "The Shrouds."]]></subtitle>
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