The furyGemma Blasco's powerful second feature film, is a film made entirely from the gut. When Alex, a neighborhood girl who aspires to become a professional actress, guts a freshly hunted wild boar in her aunt's backyard, Blasco's camera lingers on the details: first, the intestines, and finally, the heart. It is an unusually graphic scene in recent Spanish cinema (although it dialogues beautifully with The viscera, the fantastic short film by Elena López Riera), and which contrasts with the black screen with which Blasco films –leaving it out of the visual field, but not the sound– the most violent act of a film marked, from beginning to end, by violence: the brutal rape suffered by Alex during a night out.