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    <title><![CDATA[Ara in English - As if it were yesterday]]></title>
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    <description><![CDATA[Ara in English - As if it were yesterday]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["You're a pig, Salva!"]]></title>
      <link><![CDATA[https://en.ara.cat/media/you-re-pig-salva_129_5586510.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b52aad05-0914-4177-9c73-4d4d4fc4a9df_16-9-aspect-ratio_default_0_x624y380.png" /></p><p>It's been weeks since viewers of <em>Like it was yesterday</em> Viewers have watched as the relationship between Salva, the lawyer played by Ernest Villegas, and Aina, his master's student portrayed by actress Tai Fati, unfolded. The series has slowly built a conflict whose outcome the audience anticipated before the characters themselves, and which, at the same time, they hoped would not come to pass.</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
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      <pubDate><![CDATA[Mon, 08 Dec 2025 20:26:43 +0000]]></pubDate>
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      <media:title><![CDATA[Ernest Villegas and Tai Fati, in 'As If It Were Yesterday']]></media:title>
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      <title><![CDATA[As if they were in a hurry]]></title>
      <link><![CDATA[https://en.ara.cat/media/as-if-they-were-in-hurry_129_5450860.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/cd8dea68-11c3-46c1-b3a3-4f6f1bd21c4d_16-9-aspect-ratio_default_0_x300y106.jpg" /></p><p>On Sunday night TV3 aired the season finale episode of <em>As if it were yesterday</em>, a special to close out plots and open new ones that create expectations for September. An unbearable toll. Also the budget limitations, which are evident with the lack of sets that seem to condition and limit the plot lines. Master of Ceremonies had a pace of acceleration worthy of the<em>Catch me if you can</em>. He seemed to be in a hurry, conveying a chaotic feeling. The final straw was Jaume Borja, with an inexplicable need to end every intervention by shouting and with an overacting and exaggerated assessment that recalls old-fashioned television. Ester Pagès, always impeccable in <em>The Jungle</em>, was swept away by the show. Her role was the most interesting because it gave more depth to the series, and instead, she was relegated to a supporting role.</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
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      <pubDate><![CDATA[Mon, 21 Jul 2025 16:06:50 +0000]]></pubDate>
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      <media:title><![CDATA['As if it were yesterday']]></media:title>
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      <title><![CDATA[As if they were chard!]]></title>
      <link><![CDATA[https://en.ara.cat/media/as-if-they-were-chard_129_5396910.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/7f70d16d-3373-4c04-925b-355b418b5a0b_16-9-aspect-ratio_default_0_x332y54.png" /></p><p>In it <em>As if it were yesterday</em> We're experiencing an epidemic of female characters falling head over heels for the seductive charms of dishonest males. First, there was Silvia, who succumbed to the digital flirtation of a man who wanted to buy a lamp from her online. And it turns out she ended up screwing her brother-in-law, one of them. <em>fretsaw</em> The category of those who snatch everything they can through mobile apps. We also suffered the grotesque plot of cousins Gina and Lídia, who both became involved with the same criminal. One of the so-called "love scammers" who wanted to take their money. He entangled them to an unprecedented level, and both gave in to suspicious demands for money, which they accepted with unprecedented innocence. In recent weeks, we've updated our bookmarks with Eugeni's plot. A mass-conspirator who dedicates himself to captivating women by exhibiting such exaggerated flattering oratory that it seems impossible for him to catch them three at a time. Gemma, Celia, and Cristina have already been to the hotel room the individual uses as a rabbit hole. We could still place Patri in this category, who only needed to meet an arrogant activist a couple of times to dump her boyfriend. It turns out that with the defender of noble causes, she establishes a toxic relationship that the girl can't identify: she has submissively faced the constant scorn and unjustified outbursts of indignation that point to clear psychological abuse. It was already difficult for Eva to get rid of the armless man who was taking advantage of her by acting as his personal assistant. Now all that's missing is Marta, who, inexplicably, ends up calling the abuser of her foster son because he's had a problem with the car. Mind-blowing. In other words, when she feels most unprotected, lost on a lonely road, she has no better idea than to ask for help from the man who has just been released from prison for serious domestic violence, the bastard who has terrorized and blackmailed the teenager she loves like a son. And when it comes to asking for a spark to power the car, more than an existential dilemma, she seems to feel seduced by an aggressor. All of them, except Patri, are already somewhat experienced and already know the drill in relationships with men.</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
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      <pubDate><![CDATA[Fri, 30 May 2025 17:00:54 +0000]]></pubDate>
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      <media:title><![CDATA[A screenshot from 'Just Like It Was Yesterday']]></media:title>
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      <title><![CDATA[The cousins from 'Just Like It Was Yesterday']]></title>
      <link><![CDATA[https://en.ara.cat/media/the-cousins-from-just-like-it-was-yesterday_129_5323461.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/494514b1-4da0-43c2-a74d-580ac662c734_16-9-aspect-ratio_default_0.png" /></p><p>One of the most delirious plots of the last months of the <em>As if it were yesterday</em> It is, without a doubt, that of the cousins, Lidia and Gina, involved with the same lover and con man of women. Introducing into the story a character of those that the media calls "love swindler" is not bad, basically because we have been able to see in the news and in reports how these individuals exist and often get away with it. Constructing the story in duplicate has already been something daring, but then the series has ended up doomed to <em>Turkification</em>. It's all been so exaggerated, forced and melodramatic that <em>As if it were yesterday</em> It already seems like an over-the-top Turkish soap opera. First, the cousins' rivalry over the inheritance, and then Lidia's unprecedented and surreal seduction of Gina's husband. We deduce that the trick served to provide an escape route for Jordi, who has disappeared (temporarily?) from the series. Then, both women recommended a dating app to each other and made a strange pact: they decided not to talk to each other about their romantic relationships, given their tendency to be attracted to the same type of man. Strange. From then on, we entered the dynamic of the romantic scammer playing out in parallel, as he deceived them and obtained duplicate transfers. The discovery of the farce already had the air of a soap opera with Lidia fainting in the middle of the street. Chapter by chapter, things degenerated further and further. The Mossos d'Esquadra (Catalan police) planned to use Marta as decoy to catch the scammer. <em>caught red-handed</em> It was already quite implausible. The Mossos d'Esquadra, by the way, are coming across as inept. They organize a reckless trap to arrest the swindler, but he ultimately escapes in the middle of the street because the cousins, in a state of hysteria worthy of a bad José Mota sketch, attack the thief with bags while the police try to take him to the station. Not to mention the failure and apathy of the Mossos d'Esquadra in the case of the drug-dealing bar where minors are used. Continuing with the cousins, the sad role of these two female characters is alarming. And especially that of Gina, who has more narrative scope in the series, yet has ended up in a role that doesn't fit her character's character. It's already clear that the threats and chases through the streets were meant to add some suspense and action to the show. <em>As if it were yesterday</em>, which from time to time needs a bit of a shake-up to avoid falling into the usual boredom. But the final absurdity was confirmed in the final minutes of this Friday's episode. That last-minute twist was the height of absurdity. Rather than stimulating the viewer's unease or empathy, what it does is drag them into mockery and fuss. The plot degenerates into the level of the most histrionic soap operas. With the plot of the cousins of <em>As if it were yesterday</em> have dragged the viewer into <em>hate-watching</em>, where you get hooked on the series to laugh at the script's sloppiness. Or maybe that's what it's all about...</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
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      <pubDate><![CDATA[Fri, 21 Mar 2025 18:10:39 +0000]]></pubDate>
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      <media:title><![CDATA['As if it were yesterday'.]]></media:title>
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