The rise of the far-right is no longer just evident in election results. We already notice it in television talk shows, in comedy shows, in uncomfortable after-dinner conversations, in WhatsApp groups, and even in meetings and assemblies related to children's schools. The series "Salvador", on Netflix, arrives at an opportune moment to reflect on how fascism's tentacles have infiltrated our daily lives. Actor Luis Tosar plays Salvador, a healthcare professional who discovers that his daughter is part of a neo-Nazi group. The man, disappointed, will want to understand the reasons that have led the girl to such an extreme, so opposed to his convictions.The eight-episode series is addictive because it combines two complementary skills: that of Aitor Gabilondo, a creator expert in stories where political and social conflict penetrates the domestic sphere, and that of director Daniel Calparsoro, who masters the codes of the "thriller" set in contexts of violence.

It has been difficult, but it seems that a certain consensus has been reached in considering that the so-called delinquency cinema It is one of the most reliable references for examining where Spain stood during the transition. That stark decline of the noir genre, narrated almost entirely in the first person by juvenile delinquents who blurred the lines between themselves and the alter ego that they embodied on screen, is the point of reference of Blows, the first feature film directed by Rafael Cobos, a regular screenwriter for Alberto Rodríguez.

This isn't the first time Luis Tosar has appeared in Voll-Damm's commercials with his characteristic seriousness. This time, the surprise appearance is provided by Carolina Yuste, who also sneaks in. The other side, the beer brand's new commercial. The acting duo reunites after the success of The infiltrator, film where they are protagonists and that earned him nothing less than the Goya for the Spanish actress.