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    <title><![CDATA[Ara in English - Snow White]]></title>
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    <description><![CDATA[Ara in English - Snow White]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Discovering America]]></title>
      <link><![CDATA[https://en.ara.cat/misc/discovering-america_129_5340978.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5a6ee43c-1682-4f55-862f-6299fcf1ee15_16-9-aspect-ratio_default_0_x2095y501.jpg" /></p><p>We think that with Trump's antics we're rediscovering America, the one hidden behind the illusions of the Democratic Party and Hollywood, but perhaps we're discovering our own limits. What has shocked me most in recent months hasn't been the antics of the POTUS or his eccentric mentor, Elon Musk, but the general public's boycott of Disney's new film, <em>Snow White</em>The rerun no longer tells us how values have changed since 1937, but how many more changes in values we can tolerate. Because now it's not Trump who's proposing a regression: now it's the public itself. And what worries me most is that I, possibly, include myself.</p>]]></description>
      <dc:creator><![CDATA[Jordi Cabré]]></dc:creator>
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      <pubDate><![CDATA[Mon, 07 Apr 2025 16:04:37 +0000]]></pubDate>
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      <media:title><![CDATA[Rachel Zegler in 'Snow White']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/5a6ee43c-1682-4f55-862f-6299fcf1ee15_16-9-aspect-ratio_default_0_x2095y501.jpg"/>
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      <title><![CDATA[Discovering America]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/discovering-america_129_5340970.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5a6ee43c-1682-4f55-862f-6299fcf1ee15_16-9-aspect-ratio_default_0_x2095y501.jpg" /></p><p>We think that with Trump's antics we're rediscovering America, the one hidden behind the illusions of the Democratic Party and Hollywood, but perhaps we're discovering our own limits. What has shocked me most in recent months hasn't been the antics of the POTUS or his eccentric mentor, Elon Musk, but the general public's boycott of Disney's new film, <em>Snow White</em>The rerun no longer tells us how values have changed since 1937, but how many more changes in values we can tolerate. Because now it's not Trump who's proposing a regression: now it's the public itself. And what worries me most is that I, possibly, include myself.</p>]]></description>
      <dc:creator><![CDATA[Jordi Cabré]]></dc:creator>
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      <pubDate><![CDATA[Mon, 07 Apr 2025 16:01:03 +0000]]></pubDate>
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      <media:title><![CDATA[Rachel Zegler in 'Snow White']]></media:title>
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      <title><![CDATA[The princess of always spruces herself up with woke cosmetics]]></title>
      <link><![CDATA[https://en.ara.cat/misc/the-princess-of-always-spruces-herself-up-with-woke-cosmetics_1_5320773.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/660de7ce-2bd7-47ad-a966-f1f1d7deee15_16-9-aspect-ratio_default_0.jpg" /></p><p>Disney is once again making its catalog profitable with a new image version. <em>real</em> of <em>Snow White</em> with the corresponding songs and narratives adapted to the current times and the economic needs of the project. Sinister witches and chilling moments aside, the 1937 film was very much geared towards children. The most concrete romantic plot incorporated into the <em>remake</em> It lends a certain dramatic weight to the inexplicable infatuation of the previous work, while also injecting elements aimed at an audience approaching adolescence (while providing a vision of love as a more egalitarian process of mutual improvement and inspiration). Boys who aren't inclined to be interested in princesses will be able to identify with a kind of imperfect Robin Hood immersed in a struggle against tyranny. This plot livens up (or slows down?) an otherwise well-formed narrative that moves along at a somewhat ponderous pace and is unlikely to be memorable.</p>]]></description>
      <dc:creator><![CDATA[Ignasi Franch]]></dc:creator>
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      <pubDate><![CDATA[Wed, 19 Mar 2025 14:46:17 +0000]]></pubDate>
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      <media:title><![CDATA[Rachel Zegler in 'Snow White']]></media:title>
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      <subtitle><![CDATA[The new remake of 'Blancaneu' remains a story of good aristocrats and nostalgia for the past.]]></subtitle>
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      <title><![CDATA[The princess of always spruces herself up with woke cosmetics]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-princess-of-always-spruces-herself-up-with-woke-cosmetics_1_5320553.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/660de7ce-2bd7-47ad-a966-f1f1d7deee15_16-9-aspect-ratio_default_0.jpg" /></p><p>Disney is once again making its catalog profitable with a new image version. <em>real</em> of <em>Snow White</em> with the corresponding songs and narratives adapted to the current times and the economic needs of the project. Sinister witches and chilling moments aside, the 1937 film was very much geared towards children. The most concrete romantic plot incorporated into the <em>remake</em> It lends a certain dramatic weight to the inexplicable infatuation of the previous work, while also injecting elements aimed at an audience approaching adolescence (while providing a vision of love as a more egalitarian process of mutual improvement and inspiration). Boys who aren't inclined to be interested in princesses will be able to identify with a kind of imperfect Robin Hood immersed in a struggle against tyranny. This plot livens up (or slows down?) an otherwise well-formed narrative that moves along at a somewhat ponderous pace and is unlikely to be memorable.</p>]]></description>
      <dc:creator><![CDATA[Ignasi Franch]]></dc:creator>
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      <pubDate><![CDATA[Wed, 19 Mar 2025 11:45:07 +0000]]></pubDate>
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      <media:title><![CDATA[Rachel Zegler in 'Snow White']]></media:title>
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      <subtitle><![CDATA[The new remake of 'Blancaneu' remains a story of good aristocrats and nostalgia for the past.]]></subtitle>
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