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    <title><![CDATA[Ara in English - Henry of Sussex]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/henry-of-sussex/]]></link>
    <description><![CDATA[Ara in English - Henry of Sussex]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Meghan Markle's big farce]]></title>
      <link><![CDATA[https://en.ara.cat/media/meghan-markle-s-big-farce_129_5318702.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/aef83760-f3ac-4f4a-bf79-bb4cde049335_16-9-aspect-ratio_default_0.jpg" /></p><p>One of Netflix's biggest blunders is the new, mock-documentary series starring Meghan Markle. It's part of the agreements the Duke and Duchess of Sussex signed with the platform when the couple seemed to be at the height of their popularity, standing up to the British royal family. It's now obvious that Prince Harry and his wife not only lack any audiovisual criteria, but that everything they can contribute is contrived, vulgar, and offensively classist. Each of the eight episodes of <em>With love, Meghan</em> They could perfectly be Tik Tok videos of anyone <em>tradwife </em>American. Meghan is playing hostess in a grotesque farce. In a house that isn't hers, in a garden that doesn't belong to her, and in a kitchen that looks like a set for a furniture magazine, she pretends to receive some of her friends with great elegance and artificial enthusiasm. Friends trained to suck up to her and behave as Mrs. Sussex expects. She even has the nerve to correct a friend who dares to mention her by name: "No one would have imagined that Meghan Markle once ate at this <em>fast-food</em>..." and the protagonist, with the repulsion of someone claiming a status, makes a clarification: "I find it funny that you call me Meghan Markle. You know that now I am Sussex..." and makes a kind of argument about the importance of sharing the surname with her children and claiming the value of the family.</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
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      <pubDate><![CDATA[Mon, 17 Mar 2025 14:58:26 +0000]]></pubDate>
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      <media:title><![CDATA[Enrique and Meghan Markle in a file photo.]]></media:title>
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      <title><![CDATA[Enrique and Meghan, from rebels with a cause to Netflix puppets]]></title>
      <link><![CDATA[https://en.ara.cat/people/enrique-and-meghan-from-rebels-with-cause-to-netflix-puppets_1_5316348.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ebd9f92f-3282-4132-8637-1dd16c600278_16-9-aspect-ratio_default_0_x2888y827.jpg" /></p><p>When the Sussexes decided to flee to the spirit of Buckingham, public opinion was sharply divided. There was no common ground between those in favor of the runaway marriage and those in favor of the rest of Windsor. Both inside and outside the United Kingdom, the weight of both sides was very evenly matched, something that never usually happens because the British royal family always plays with a significant advantage. But the <em>susexito</em> –as the farewell of Enric and Meghan Markle was then called– had been very erosive for the <em>royal family</em> in terms of public opinion. The Duke and Duchess of Sussex had suddenly created so many opponents of the Windsors that there were even people who thought it was the biggest crisis in the British monarchy since King Edward VIII abdicated for love, married Wallis Simpson and <em>he went away</em> to live in Paris.</p>]]></description>
      <dc:creator><![CDATA[Joan Callarissa]]></dc:creator>
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      <pubDate><![CDATA[Sat, 15 Mar 2025 13:25:14 +0000]]></pubDate>
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      <media:title><![CDATA[Prince Harry and Meghan Markle, Duke and Duchess of Sussex]]></media:title>
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      <subtitle><![CDATA[Five years after their escape from the palace, Meghan's Netflix series shows that they have become little more than two international clowns to be mocked on social media.]]></subtitle>
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