Toni Clapés is returning to television after eleven years. The journalist and radio host will present a new weekly comedy program on La 2 Cat. He announced it himself this Monday afternoon on the RAC1 version, which he has managed for twenty years and which He has been recognized with the Ondas award"It's an idea that a few of us came up with. I feel it's mine, I'm excited about it," said Clapés. The new program will be broadcast from El Molino in Barcelona, ​​an idea that came to her during the radio special celebrating its 25th anniversary.Barça plays on RAC1, made from this very room. At the moment, neither the presenter nor the network has specified when this new program will premiere, nor the team and collaborators who will be part of it.

From 3:50 p.m. to 5 p.m. This will be the new opening hours starting June 2nd. The TV family, the program with which Televisión Española wanted to dominate the weekday afternoonsA below-expected audience in the first month of broadcasting has led TVE management to shorten its runtime. The program, an attempt to emulate Telecinco's former glory days with presenters such as María Patiño, Aitor Albizua, and Inés Hernand (and collaborators such as Belén Esteban), was conceived as a 3:50 to 8:30 p.m. slot, with two separate blocks for the series. Wild Valley and The promise. However, it hasn't fully worked. In fact, on Thursday, the audience share hit rock bottom: 5.5% in the first block (3:50 p.m. to 4:50 p.m.) and 5.7% in the second (6:40 p.m. to 8:30 p.m.).

He was one of the longest-running faces on RTVE's morning show, where he was surrounded by blood pressure monitors and other products prone to consumption in later life. Manuel Torreiglesias has died at the age of 84, according to the City Council of Pontedeume (Galicia), the town where he was born and where, since last year, he was a favorite son. His program Knowing how to live He became a benchmark for senior citizens, as he explored a segment of the population for which there were no specific programs, and his numbers were growing. Despite the success of the show he hosted, his departure was dishonorable, as the public network detected irregularities related to the advertising carried out on the program, which was not always properly identified as such.

Neither the collaborators of Save me could not aspire to more nor could public television aspire to less. The inaugural show of The TV family, with a gymkhana and a parade through the TVE studios, was so crazy it made you want to tear your eyes out. The farce had two stages. In the first part, during the afternoon, the main characters were put to the test. Some of the cast expelled from Telecinco – Belén Esteban, María Patiño, Lidia Lozano, Kiko Matamoros and Víctor Sandoval – starred in an initial parody of the Wizard of Oz. Disguised as characters from the novel, they began an aberrant journey. If Dorothy and her friends had to find the Emerald City by following the yellow bricks, here the Esteban-Patiño duo and company had to reach the lollipop From Torrespaña. A preliminary with the most genuine seal of the deceased Save me which would lead to a live obstacle course. Once they reached their destination, the program's crew, agitated and out of control, began a twenty-five-kilometer race to reach the Prado del Rey studios. The television chaos was absolute: the collaborators attacked private cars and network employees to take them to their destination. The sound failed, no one could hear anyone, the screams saturated the channel, and the cameramen couldn't keep up. The image went crazy. The only common thread was the delirious extravagance. show grotesque that Paloma del Río, the veteran sports journalist from TVE, and actress Cayetana Guillén Cuervo had to narrate. Once the competition was over, and with the protagonists in Prado del Rey, there was a respite from the horror. Channel 1 gave way to the two afternoon series, Wild Valley and The promise, because The TV family will act as a container for the two soap operas. Once the fiction ended, we returned to an unbridled reality. The second part began: an exorbitant and excessive parade of collaborators. A troupe of vans, trucks, buses, and carriages carrying the surprises. The narrative excuse was the history of the network itself. They paraded some of the collaborators and guests in historical costumes of the presenters. It had a symbolic character. Reappropriating the television identity was a way to justify that aberrant madness in that context. A tribute as a cover for an unthinkable conquest. From the programs of varieties José Luis Moreno, public television had not sunk so low. Flamenco processions to celebrate the presence of Isabel Pantoja's daughter, Lídia Lozano, adorned it with a version of her chuminero dance And, to top it all off, a choreography to the rhythm of Zumba, reminiscent of a Brazilian carnival. A low-level vulgarity with giants and big heads as filler. Amidst the frenetic spectacle, clips were introduced announcing future content and sections. The TV family It has begun with an upheaval that clearly affects the foundations of public service. We inaugurate the era of everything by the audience. The reanimation of a monster with taxpayers' money.

Televisión Española (TVE) wants to win the battle for afternoon viewership, and that's why it's going all out. The public broadcaster has signed a large part of the team from the now-defunct Save me from Telecinco, which later led to the program Even if we were from Ten, for a new space called The TV family which premieres this Monday after being postponed last week due to the death of Pope Francis. The magazine show will be hosted by María Patiño, Aitor Albizua, and Inés Hernand and will air in two time slots: from 3:30 to 4:30 p.m. and from 7:00 to 8:30 p.m. In between, TVE will broadcast two series: Wild Valley and The Promise. In addition to the broadcast on La 1, the digital platform RTVE Play will bring together parallel content that will complement the program.

On Thursday night, TVE premiered 7291, the documentary that details the management of nursing homes in the autonomous community of Madrid during the COVID-19 pandemic. The investigation focuses primarily on the height of the crisis, during the months of March and April 2020. In Madrid, an estimated 9,470 people died in nursing homes, but the figure in the documentary's title refers to those who were not referred to hospitals when they were in very serious condition. They died in very poor health conditions because the Ayuso government's protocol explicitly prohibited their transfer.