Miki Núñez and Laura Escanes once again made headlines, for the third time. 36.1% of Catalans chose TV3's broadcast to ring in the New Year, and the public broadcaster was once again the leader. This is the best result for this duo, who debuted with a 35.2% audience share in 2024 and followed it with 32.2% in 2025. At the moment the bells rang from Maria Cristina Avenue in Barcelona, ​​the share climbed to 40.5%. The second position, in terms of the New Year's Eve broadcast, went to La 1, with a 25.4% share. share and an average of 596,000 viewers. Much further behind, Cristina Pedroche and Alberto Chicote had to settle for 13.2% and 302,000 viewers (to which can be added the 108,000 from La Sexta, an additional 4.8%, since Atresmedia's second channel declined to have its own program). In any case, even with the combined 410,000 viewers and 18.0% share, they couldn't compete with Chenoa and Estopa, who could also be augmented by the 90,000 viewers and 3.8% share of La 2, for a total of 30.2% and 686,000.

The year 2025, now drawing to a close, has been turbulent, television-wise. Traditional viewing continues to decline in favor of new online platforms, a new Catalan-language brand has emerged, spearheaded by RTVE, and the Catalan Audiovisual Media Corporation (CCMA) has experienced a degree of identity crisis following its attempt to rebrand to better reflect the new digital paradigm. However, one thing remains unchanged in Catalonia over the last 16 years: TV3 continues to be, by a comfortable margin, the most-watched television channel in Catalonia. These are the key points highlighted by the audience measurement devices throughout the year, pending the final figures for the last few days (which are unlikely to significantly impact the average of the remaining twelve months).

Violence, insults, spitting, and sexist, homophobic, racist, and xenophobic attitudes. This is the content that has been trending on YouTube in recent weeks. The culprit? Reality TV. trash The House of the Twins 2A format that began airing on the platform on December 7th and has since experienced growing popularity. Its creators are twins Daniel and Carlos Ramos, content creators from Getafe who became known for their sports predictions closely linked to betting companies. The fact that the program is broadcast online and not on conventional television has led to the disappearance of boundaries. The contestants are TikTok influencers and former contestants from other shows. reality shows Personalities from the world of television aspire to win a prize of 100,000 euros. To do so, they need to get the most votes from the audience.

The million mark was merely a psychological milestone. The round number of listeners eluded RAC1 for a long time, but in the spring it surpassed it for the first time and has not only managed to maintain it but, in this third wave of the EGM survey, has boosted it to 1,064,000 listeners (48,000 more than it had in the summer and 219,000 more than last year). And, once again, it is demonstrated that the audience for Catalan-language radio is not stagnant: Catalunya Ràdio manages to grow despite the success of its rival and reaches 644,000 listeners, 7,000 more than a year ago, allowing it to record its best rolling year (the cumulative total of the three waves). Furthermore, the public broadcaster has seen remarkable growth in iCat fm (rising from 35,000 listeners last December to 60,000), 3CatInfo (formerly Catalunya Informació, which climbs from 87,000 to 100,000), and Catalunya Música, which increases from 26,000 to 27,000. The third most listened-to general-interest station in the country is SER, which has surpassed half a million listeners for the first time in twenty years: 524,000 listeners. This reduces the gap between the Prisa-owned station and Catalunya Ràdio to 120,000 listeners, compared to 214,000 a year ago. Some of SER's Catalan-language programs are achieving notable results, such as the 74,000 listeners recorded by [program name missing]. The balcony by Anna Puigboltas, the 82,000 of What are you betting on! of Sique Rodríguez and Lluís Flaquer or the 54,000 of the Memory sticks By Jordi Manau.

Analyzing the last fifteen years from the perspective of media consumption means confronting a rapidly accelerating shift in eras, where the landscape of 2010 bears no resemblance to that of 2025. And yet, although the landscape is unrecognizable, some trends have persisted, albeit with a new twist.

The merging of the various news brands of the Catalan Audiovisual Media Corporation (CCMA) into a single entity has generated controversy among some of the organization's employees and also among voices linked to Junts, one of the political forces that formed the current leadership of the organization. However, audience analysis shows that the ratings meters have ignored this issue, and viewership has improved for most of the network's news programs, albeit with some nuances.

One of the tools La 2Cat wants to use to compete with TV3 is football, taking advantage of the parent company's acquisition of the rights to some premium sports competitions. However, for the moment, viewers are not being enticed by the channel's Catalan broadcasts: the match between Spain and Bulgaria was only watched by 60,000 people on average in this window, which represents 3.2% of the audience watching at that time. Meanwhile, La 1 offered the Spanish version and it did sweep, with 22.2% of the audience. share and 417,000 viewers.

Sporting events are always major draws for television audiences. The broadcast of the Women's European Championship is proving this once again. This Wednesday, La 1's broadcast of the match between Spain and Germany was a huge success both in Catalonia and across Spain. The match, which saw Spain advance to the final, achieved a 39.9% audience share in Catalonia and was watched by 557,000 viewers. Across Spain, the audience was 3.3 million viewers and one million viewers. share 32.3%.

Palms, Operation Exit, the monkey... and Roman movies. Among the Holy Week traditions, there is one very characteristic one: television programs biblical stories or sword and sandal movies, also known as peplums. Now, are audiences still hooked on these super-long productions, which are therefore ideal for filling a good chunk of the programming schedule during their professionals' vacation time?

It is a television tradition that many viewers follow, basically, to criticize. Until recently it seemed that the awards galas, whether Oscar, Goya or Gaudí, did not provide television profits and were in decline, but in recent years the audience data indicate the opposite: the loss of viewers has stopped and, in some cases, an increase has even been detected. The clearest and closest example is the Gaudí and Goya ceremonies this year, since both have improved their audience share.