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    <title><![CDATA[Ara in English - Afternoons of solitude]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/afternoons-of-solitude/]]></link>
    <description><![CDATA[Ara in English - Afternoons of solitude]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[A historic milestone for Catalan cinema at the European Film Awards]]></title>
      <link><![CDATA[https://en.ara.cat/culture/historic-milestone-for-catalan-cinema-at-the-european-film-awards_1_5565596.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/87470650-5e86-4e17-adf8-1d8d0f20eff0_16-9-aspect-ratio_default_0.jpg" /></p><p>A large harvest of nominations for Catalan cinema at the European Film Awards (EFA), announced this Tuesday. <em>Sirado</em>, by Oliver Laxe; <em>Afternoons of solitude</em>by Albert Serra, and <em>Olivia and the Invisible Earthquake</em>Irene Iborra's film has garnered a total of eight nominations for the awards to be presented by the European Film Academy in Berlin on January 17. This represents an unprecedented success for Catalan cinema: the year of<em>Alcarràs</em>For example, Carla Simón's film was nominated in only two categories: best film and best screenplay. In contrast, <em>Sirado</em> It has four nominations: best film, best director (<a href="https://en.ara.cat/culture/who-is-oliver-laxe-the-galician-who-made-catalan-cinema-history-at-cannes_1_5390874.html" target="_blank">Oliver Laxe</a>), original screenplay (Oliver Laxe and Santiago Fillol) and best actor (Sergi López). The actor from Vilanova had already won the award for best European actor in 2000 for <em>Harry, a friend who loves you</em>If he were to win the award again, he would join the club of doubles winners that includes Mads Mikkelsen, Daniel Auteuil and Toni Servillo.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Tue, 18 Nov 2025 13:35:54 +0000]]></pubDate>
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      <media:title><![CDATA[Bruno Núñez Arjona and Sergi López in 'Sirat']]></media:title>
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      <subtitle><![CDATA['Sirat', with four nominations; 'Tardes de soledad', and 'Olivia y el terremoto invisible' will compete for the award for best European film]]></subtitle>
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      <title><![CDATA[Albert Serra conceives bullfighting as an intimate experience]]></title>
      <link><![CDATA[https://en.ara.cat/culture/albert-serra-conceives-bullfighting-as-an-intimate-experience_1_5306012.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b402b175-de66-42da-a689-4db19d2f09ea_16-9-aspect-ratio_default_0_x902y315.jpg" /></p><p>The interest in men who hover around death runs through much of Albert Serra's filmography. <a href="https://es.ara.cat/cultura/cine/albert-serra-muestra-sangre-horror-absurdo-tauromaquia_1_5149090.html" target="_blank"><em>Afternoons of solitude</em></a>, his first feature-length documentary, clearly shows the desire to capture, through a ceremonial and spectacular practice, this link with the death of a man willing to kill or, to a much lesser extent, to die in the attempt. Although it is part of a long artistic and intellectual tradition of attraction to bullfighting, the Banyolí filmmaker wanted to make a bullfighting film like no other had been seen. An achievement that involves a series of decisions regarding formal refinement and discursive enrichment. <em>Afternoons of solitude</em> There is no voice-over or interviews, so the proposal departs from the usual report, eliminating intermediaries between the film and the audience.</p>]]></description>
      <dc:creator><![CDATA[Eulàlia Iglesias]]></dc:creator>
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      <pubDate><![CDATA[Thu, 06 Mar 2025 06:00:49 +0000]]></pubDate>
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      <media:title><![CDATA[Andrés Roca Rey in 'Afternoons of Solitude']]></media:title>
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      <subtitle><![CDATA[The filmmaker from Banyoles films bullfighting in 'Tardes de soledad' from a close relationship between men, beasts and the audience in the room]]></subtitle>
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