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    <title><![CDATA[Ara in English - Archaeological Museum of Catalonia]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/archaeological-museum-of-catalonia/]]></link>
    <description><![CDATA[Ara in English - Archaeological Museum of Catalonia]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[A museum ship, virtual reality and Miró engravings, the Art Explora Festival arrives at Port Vell]]></title>
      <link><![CDATA[https://en.ara.cat/lifestyle/museum-ship-virtual-reality-and-miro-engravings-the-art-explora-festival-arrives-at-port-vell_1_5690744.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/914e98c0-3ce3-411a-a7e0-ee8fb232cf80_16-9-aspect-ratio_default_0.jpg" /></p><p>The Art Explora Festival opened its doors this Wednesday at the Barcelona dock, in Port Vell, on its first stop in Catalonia. The event, which runs until April 6, offers free admission – with prior reservation to access the museum ship – and can be visited daily from 10:00 AM to 10:00 PM, with the last entry at 7:45 PM.</p>]]></description>
      <dc:creator><![CDATA[Avril Pardos Casado]]></dc:creator>
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      <pubDate><![CDATA[Thu, 26 Mar 2026 15:17:37 +0000]]></pubDate>
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      <media:title><![CDATA[Visit to the Art Explora museum ship of Barcelona, which offers an immersive artistic experience.]]></media:title>
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      <subtitle><![CDATA[The travelling initiative, which stops in Catalonia for the first time, offers a variety of free exhibitions and activities until April 6th]]></subtitle>
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    <item>
      <title><![CDATA[A museum ship, virtual reality and Miró engravings, the Art Explora Festival arrives at Port Vell]]></title>
      <link><![CDATA[https://en.ara.cat/lifestyle/museum-ship-virtual-reality-and-miro-engravings-the-art-explora-festival-arrives-at-port-vell_1_5690741.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/914e98c0-3ce3-411a-a7e0-ee8fb232cf80_16-9-aspect-ratio_default_0.jpg" /></p><p>The Art Explora Festival opened its doors this Wednesday at the Barcelona dock, in Port Vell, for its first stop in Catalonia. The event, which will run until April 6, offers free admission – with prior reservation to access the museum ship – and can be visited daily from 10:00 AM to 10:00 PM, with the last entry at 7:45 PM. </p>]]></description>
      <dc:creator><![CDATA[Avril Pardos Casado]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/lifestyle/museum-ship-virtual-reality-and-miro-engravings-the-art-explora-festival-arrives-at-port-vell_1_5690741.html]]></guid>
      <pubDate><![CDATA[Thu, 26 Mar 2026 15:15:24 +0000]]></pubDate>
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      <media:title><![CDATA[Visit to the Art Explora museum ship of Barcelona, which offers an immersive artistic experience.]]></media:title>
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      <subtitle><![CDATA[The travelling initiative, which stops in Catalonia for the first time, offers until April 6th a variety of free exhibitions and activities at Port Vell]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Mònica Borrell, new director of the Archaeological Museum of Catalonia]]></title>
      <link><![CDATA[https://en.ara.cat/culture/monica-borrell-new-director-of-the-archaeological-museum-of-catalonia_1_5428996.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/135cf4ff-60c0-4d93-a715-56e727ab1bcb_16-9-aspect-ratio_default_0.jpg" /></p><p>Mònica Borrell will be the new director of the Archaeology Museum of Catalonia, following the sudden departure of Júsep Boya, who had been in charge of the facility since 2018. Boya had renovated the entire permanent exhibition dedicated to Ancient Rome and had an immediate plan to change the permanent exhibition dedicated to prehistory at the Administration of the Cultural Heritage Agency to fill this position. She has been selected, through a public competition, by an evaluation committee made up of members of the Department of Culture and external experts in the field. For years, she has been in charge of the National Archaeological Museum of Tarragona and had previously been the managing director of the Cultural Heritage area of the Gavà City Council (Barcelona) and director of the Gavà Museum and the Mines de Gavà Archaeological Park. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/monica-borrell-new-director-of-the-archaeological-museum-of-catalonia_1_5428996.html]]></guid>
      <pubDate><![CDATA[Tue, 01 Jul 2025 12:38:03 +0000]]></pubDate>
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      <media:title><![CDATA[Mònica Borrell in a file image]]></media:title>
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      <subtitle><![CDATA[Chosen by public competition, until now she directed the National Museum of Tarragona]]></subtitle>
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      <title><![CDATA[The 300-kilogram boxer who survived the destruction of the Carthaginians]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-300-kilogram-boxer-who-survived-the-destruction-of-the-carthaginians_1_5352847.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/0948f8cd-8967-4bac-bf12-b7c369271867_16-9-aspect-ratio_default_0.jpg" /></p><h3>The sculpture of the Boxer is more than 2,500 years old, but it remains imposing. It is made of limestone, measures more than two meters and weighs about 300 kilos. Between the 9th and 8th centuries BC, it stood guard, along with other stone giants representing archers and warriors, over the necropolis of Mont'e Prama (Sardinia), where 125 tombs have been found, mostly of young men with traces of having carried out intense physical activity. The Boxer, discovered in 1974, survived the destruction by the Carthaginians in the 5th century BC and can now be seen in the <a href="https://es.ara.cat/cultura/patrimonio/roma-esclavas-legionarios-gladiadores-toma-palabra_1_5030498.html" >Archaeological Museum of Catalonia (MAC)</a>, within the exhibition <em>Megalithic Island</em>"We're still excavating, but we don't have answers to many questions. Do they represent the buried warriors? Do they evoke mythical ancestors? Do they commemorate an important event?" asks Anthony Muroni, director of the Mont'e Prama Foundation and a specialist in megalithism (the use of large stones) that were originally used to build the giants. The dolmens used to build the giants were originally located more than 18 kilometers from the necropolis. Megalithism (the use of large stones) is still part of the Sardinian landscape. Across the island, 240 funerary dolmens are preserved. At the MAC, you can see different representations of the mother goddess and bulls. The nurges are a key feature of the Sardinian landscape: an estimated 7,000 were built between 1800 and 1150 BC. Many legends have been built around them, and in some places they are called fairy houses. Settlements sprang up around them, as can be seen in a recreation at the museum. <h3/><p>This Nuragic civilization had no hierarchy when it came to burying their dead. Giants' tombs are collective graves built between 1800 and 1000 BC. More than 800 have been documented, and when viewed from above, they resemble a cow's head. "Aristotle wrote that incubation ceremonies were held at the entrance to these tombs; the sick had dreams in which the deities answered their questions," Boya states. The exhibition also visits sanctuaries dedicated to the worship of water, where community and tribal gatherings took place around sacred wells. You can see bronze votive offerings placed in the sanctuaries by the sargos, depicting a ship, a warrior with two shields, and a seated woman with a child. At that time, Sardinia must have been a prosperous island. "We know that as early as 4,000 BC, they were already exporting to other parts of the Mediterranean and that it was a prosperous island thanks to its obsidian deposits," says the director of the MAC. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
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      <pubDate><![CDATA[Sun, 20 Apr 2025 06:00:22 +0000]]></pubDate>
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      <media:title><![CDATA[The sculpture of the boxer from the Mont'e Prama necropolis]]></media:title>
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      <subtitle><![CDATA[The Archaeological Museum of Catalonia explains Sardinian prehistory through 200 archaeological objects.]]></subtitle>
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      <title><![CDATA[Olèrdola, the city of the rebel prince]]></title>
      <link><![CDATA[https://en.ara.cat/culture/olerdola-the-city-of-the-rebel-prince_1_5300876.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/7afdfa3c-a70b-40ad-8702-abb7ed795493_16-9-aspect-ratio_default_0.jpg" /></p><p>"Olèrdola was, after Barcelona, ​​the second most important city between the 10th and early 12th centuries, and it is the site from which we can explain the medieval period," says archaeologist Núria Molist, head of the Olèrdola Archaeological Museum. At 350 metres above sea level, on a rocky platform overlooking the Penedès plain, the mountain ranges and the Mediterranean Sea, this site is one of the most important in Catalonia. It has been excavated for decades, and is a source of knowledge about how people lived in the High Middle Ages, but the interpretation centre, opened in 1971, has become obsolete. For this reason, with an investment of 424,861 euros from the Next Generation funds, part of the castle, the Roman watchtower from the Republican period, will be recovered in the coming months and the museography will be completely renovated. A helicopter and animals were used to bring all the necessary materials for the works to the top of Sant Miquel Hill.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/olerdola-the-city-of-the-rebel-prince_1_5300876.html]]></guid>
      <pubDate><![CDATA[Sat, 01 Mar 2025 08:00:16 +0000]]></pubDate>
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      <media:title><![CDATA[Church of Santa María surrounded by the necropolis of Ordolan tombs of Pla dels Albats]]></media:title>
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      <subtitle><![CDATA[With an investment of more than 400,000 euros, the site aims to tell the story of the country's medieval past]]></subtitle>
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