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    <title><![CDATA[Ara in English - Martin Scorsese]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/martin-scorsese/]]></link>
    <description><![CDATA[Ara in English - Martin Scorsese]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA['Mr. Scorsese': a splendid docuseries to delve deeper into one of the great names of contemporary cinema]]></title>
      <link><![CDATA[https://en.ara.cat/media/mr-scorsese-splendid-docuseries-to-delve-deeper-into-one-of-the-great-names-of-contemporary-cinema_1_5560530.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/921e0665-a2ac-4373-9725-c9a8b30e047b_16-9-aspect-ratio_default_0_x2318y469.jpg" /></p><p>No other director in history has demonstrated his passion for cinema with such generosity <a href="https://es.ara.cat/cultura/cine/martin-scorsese-81-anos-tiempo-problema-seleccionar-invierto_1_4944616.html" target="_blank">Martin Scorsese</a>The person responsible for <em>Taxi Driver</em> He appears in countless tributes of all kinds dedicated to other filmmakers, and has directed two essential series on the subject,<em> A personal journey with Martin Scorsese through American cinema</em> (1995) and <em>My trip to Italy</em> (1999). He also heads The Film Foundation, an institution dedicated to the preservation of cinematic heritage, which has already restored more than 900 titles from around the world. Scorsese has spoken extensively about the filmmakers he admires. But we were missing a series that explained why he is a key figure, not only in cinema, but also in contemporary culture.</p>]]></description>
      <dc:creator><![CDATA[Eulàlia Iglesias]]></dc:creator>
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      <pubDate><![CDATA[Thu, 13 Nov 2025 12:57:13 +0000]]></pubDate>
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      <media:title><![CDATA[Martin Scorseses in 'Mr. Scorsese']]></media:title>
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      <subtitle><![CDATA[Rebecca Miller presents an intimate portrait that reconstructs the director's life trajectory and reveals how it is reflected in his work.]]></subtitle>
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      <title><![CDATA[The truth that the shipwreck of the 'Wager' still hides]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-truth-that-the-shipwreck-of-the-wager-still-hides_130_5299361.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/be1c1879-ce4c-402b-83b6-73aca31c54b4_16-9-aspect-ratio_default_0_x370y681.jpg" /></p><p>About thirty emaciated men, some of whom can barely stand, arrive on a rickety boat to the southwestern coast of Brazil. The crew claim to be the only survivors of the <em>Wager</em>, a British warship that had left Portsmouth almost two years earlier with more than 250 officers and sailors. In 1742, almost a year after the ship went missing south of Chile, the reappearance of part of the expedition is considered a miracle.</p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Thu, 27 Feb 2025 19:01:41 +0000]]></pubDate>
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      <media:title><![CDATA["The Wager before the Wreck", painting by Charles Brooking from 1744]]></media:title>
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      <subtitle><![CDATA[David Grann delves into a story of adventure, survival, illness and conspiracies in the book 'The Castaways of the Wager', which Martin Scorsese wants to turn into a film]]></subtitle>
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