He appears with that Manelic chassis, that of Viscount Valmont, of Hamlet, of Spooner, of Professor Bernhardi, of Cyrano and an aura that could make him not go through the door, but when one of the great interpreters of active Catalan theatre sits down to talk, only, Luis Homar (Barcelona, ​​​​1957), a person who The biography of light by Pablo de Oros changed his life. This January he returned to live in Barcelona after more than five years in Madrid directing the National Classical Theatre Company, a stage that ended abruptlyFrom February 27 to March 16 he directs one of the last shows of the CNTC at the Teatre Romea, The great theatre of the world, by Calderon de la Barca.