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    <title><![CDATA[Ara in English - illustration]]></title>
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    <description><![CDATA[Ara in English - illustration]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[The tyranny of liberty in power]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/the-tyranny-of-liberty-in-power_129_5658219.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/487396a9-d0c7-4fb6-92ce-94c96c8a30eb_16-9-aspect-ratio_default_1041610.jpg" /></p><p>"<a href="https://en.ara.cat/opinion/inhibited-europe_129_5651643.html">Freedom is incompatible with democracy</a>"It seemed like a joke from the Trumpian universe, designed to create noise and legitimize the president's nihilism and the conviction of the oligarchs who surround him that, for them, there are no limits: they can get away with anything. But the idea is spreading with a disturbing contagion effect, as if it were meant to be the new economic, social, and communicational one.</p>]]></description>
      <dc:creator><![CDATA[Josep Ramoneda]]></dc:creator>
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      <pubDate><![CDATA[Tue, 24 Feb 2026 17:00:38 +0000]]></pubDate>
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      <media:title><![CDATA[Donald Trump and JD Vance in a file photo]]></media:title>
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      <title><![CDATA[Illustrator Amaia Arrazola dies at age 41]]></title>
      <link><![CDATA[https://en.ara.cat/culture/illustrator-amaia-arrazola-dies-at-age-41_1_5553030.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d81c8770-eeb8-47c4-a1d4-999e1f35a7aa_16-9-aspect-ratio_default_0_x1767y1414.jpg" /></p><p>Illustrator Amaia Arrazola has died at the age of 41 in Barcelona, the city where the Basque artist settled years ago and where she developed her professional career. Arrazola was one of the most prominent illustrators of her generation, known for books such as her tribute to the universe of Hayao Miyazaki. <em>Totoro and I</em> (Lunwerg, 2022) or the first-person testimony about the impact of motherhood <em>The meteorite</em> (Lunwerg, 2020), as well as for the murals she painted in Japan, Madrid, Timisoara, Rabat, and Barcelona, where she covered the 86 meters of the fence of the Abacería Market in the Gràcia neighborhood.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Thu, 06 Nov 2025 12:13:22 +0000]]></pubDate>
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      <media:title><![CDATA[Illustrator Amaia Arrazola in an archive image.]]></media:title>
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      <subtitle><![CDATA[She was the author of the books 'The Meteorite' and 'Totoro and I' and also designed large-format murals]]></subtitle>
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      <title><![CDATA[The illustrator who wanted to beat her sister]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-illustrator-who-wanted-to-beat-her-sister_129_5549296.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d5e0e929-15a6-489a-9f0a-fb251e9a99e1_16-9-aspect-ratio_default_0.jpg" /></p><p>When she was little, the Italian illustrator Beatrice Alemagna used to compete with her sister to see who could draw the prettiest picture. This kind of sibling contest was her father's idea, who years later admitted it might not have been his best. Although it might seem a questionable approach, it was also true that it planted the seed for his daughter Beatrice's career. When she was eight, the family went to Paris. My father chose the Eiffel Tower as the subject: whoever drew the best picture would win a Corolle doll, which I imagine was a kind of Nancy doll of my time. Alemagna wanted to win and studied the tower intently. That night, her father decided the doll was for her sister, and she cried in despair. However, at that moment, she promised herself that one day she would draw a beautiful Eiffel Tower and publish it in a book. Not only did she keep that promise, but today she is one of the most recognized and admired illustrators in the world, whose work in Catalan can be found published primarily by Combel and A Buen Paso.</p>]]></description>
      <dc:creator><![CDATA[Anna Guitart]]></dc:creator>
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      <pubDate><![CDATA[Mon, 03 Nov 2025 06:15:25 +0000]]></pubDate>
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      <media:title><![CDATA[An illustration from Beatrice Alemagna's book 'A Great Day of Nothing']]></media:title>
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      <title><![CDATA[Carles Porta and the murder of democracy]]></title>
      <link><![CDATA[https://en.ara.cat/culture/carles-porta-and-the-murder-of-democracy_129_5290292.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b972bb28-24ab-495b-a939-be7097994f05_16-9-aspect-ratio_default_0.jpg" /></p><p>Is Trump killing democracy? Are we witnessing a crime in real time? In a few decades, will we need a historian Carles Porta to elucidate the dark plot? Are we still in time to avoid the tragic death? Let us shed light on the darkness. And what better light than that projected by Voltaire, Rousseau, Diderot, Montesquieu and company three hundred years ago, during the Age of Enlightenment, when they taught us the joy of reasoning, thinking and feeling freely, when they instilled in us confidence in progress and science.</p>]]></description>
      <dc:creator><![CDATA[Ignasi Aragay]]></dc:creator>
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      <pubDate><![CDATA[Wed, 19 Feb 2025 17:05:54 +0000]]></pubDate>
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      <media:title><![CDATA[Bust of Voltaire, work of Jean-Antoine Houdon.]]></media:title>
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