The edition of Collapse Saturday night was titled The promise, Because it was the day Àngel Llàcer was presenting the program, just as Ricard Ustrell had promised him long ago. The stars leave their toys behind. The edition could have been titled The imposture, because everyone seemed to be playing a role. Lácer turned it into a tailor-made party to take his friends. The trick is to emphasize this, so that the show shows the personal. They make the show of the cronyism and they show the emotional backstage of celebrities. It's the "we're important, but let's humanize ourselves" thing, which people like. "Thank you very much for being here," Llàcer said to Carlos Latre. And he burst out laughing at having to use that formality with someone he trusted. Lácer has mastered his television persona very well and executes it with haughty efficiency. The farce came with the interview with a porn addict whose business we didn't understand: a man in the dark, hooded, with a distorted voice and two little lights instead of eyes. He was a sinister being. "Why did you come?" Llàcer snapped, as if the individual had come to us with a warning. "What's your problem? What's wrong with you?" he insisted. And the man explained that with his testimony he wanted to help many children. It was even scarier. Between the reddish room and the giraffe behind him, it was worse than Machiavelli's move. She seemed like the incarnation of evil or a joke that would end in astonishment. In any case, a TV3 special on adolescent sexuality already featured a porn addict without the need for that morbid montage.

On Saturday, Ricard Ustrell interviewed Susanna Griso in Collapse. TV3 had already been promoting it for days, announcing that the presenter would talk to "the Catalan journalist Susanna Griso". The desire to emphasise her Catalanness was striking. Would this adjective also be added if Raquel Sans or Antoni Bassas were interviewed? If the fact of working in Madrid is what determines the need to specify the Catalanness of an interviewee, would it be necessary to emphasise "the Catalan journalist Carles Francino" or "the Catalan journalist Àngels Barceló"? In the interview in Sala i Martín he was not announced as "the Catalan economist", Joan Pera as "the Catalan actor" or Rosario Flores as "the singer from Madrid" or Spanish. Adding this nuance to Susanna Griso, when the TV3 audience knows perfectly well that she is Catalan, denoted a need to reinforce her origins, as if she were being given back an assumed identity, almost as if it were a decoration.

Saturday night, in the Collapse, Ricard Ustrell had Rumeysa Gelgy, the tallest woman in the world, as a guest. She is two metres and fifteen centimetres tall due to Weaver syndrome, which causes the body to grow too large. Gelgy lives in Turkey, and the programme showed the complexities of her plane trip to Barcelona. The 28-year-old must travel lying down, under the conditions of a medicalised flight. The sequence served as bait to announce the interview that Ustrell would do with her in a few minutes.