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    <title><![CDATA[Ara in English - Josep Maria Miró]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/josep-maria-miro/]]></link>
    <description><![CDATA[Ara in English - Josep Maria Miró]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA["I said to my mother: 'What should I do to leave for Poland?'"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/said-to-my-mother-what-should-do-to-leave-for-poland_1_5470675.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/92ac52ae-6ae4-482b-9aa5-dfadc56d3e41_16-9-aspect-ratio_default_0_x2340y778.jpg" /></p><p>For theatregoers, Marc Tarrida Aribau (Igualada, 1996) is one of the emerging actors who stands out in such interesting productions as <em>Archimedes' principle</em>, which returns this August 20 to the Texas Theater, or how it was <a href="https://es.ara.cat/cultura/teatro/criminales-entretenida-escudella-mezclada_1_5004561.html" target="_blank"><em>The criminals</em></a><a href="https://es.ara.cat/cultura/teatro/criminales-entretenida-escudella-mezclada_1_5004561.html" target="_blank"> at the National Theater</a>, or what it will be like in December with the re-release of the heartbreaking comedy <em>Look at these sons of bitches</em> in El Maldá. For radio listeners, he's a regular contributor to La Ser, especially in the summer, where he's been co-hosting the midday program for four years. And for younger listeners, he's a content creator who has gained popularity with videos of him making jokes in towns, demonstrations, and festivals, "playing on the fine line between laughing with someone and at them without ridiculing them," he explains, citing Peyu and Joel Díaz as role models.</p>]]></description>
      <dc:creator><![CDATA[Laura Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/said-to-my-mother-what-should-do-to-leave-for-poland_1_5470675.html]]></guid>
      <pubDate><![CDATA[Thu, 14 Aug 2025 10:31:31 +0000]]></pubDate>
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      <media:title><![CDATA[Marc Tarrida, actor and communicator, in the Ràdio Barcelona studio where he co-hosts the summer magazine show.]]></media:title>
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      <subtitle><![CDATA[Marc Tarrida Aribau, who leads a double life as a mustache-less reporter and an emerging actor, returns to the Texas Theater with the show "The Archimedes Principle."]]></subtitle>
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    <item>
      <title><![CDATA[Josep Maria Miró's 'The Monster': A Puzzling Creature]]></title>
      <link><![CDATA[https://en.ara.cat/culture/josep-maria-miro-s-the-monster-puzzling-creature_1_5433165.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a2f26301-7606-4c7d-9a00-8850a0c4d4d7_16-9-aspect-ratio_default_0_x1008y543.jpg" /></p><p>The monster Josep Maria Miró tells us about lives in a small rural community very similar to the one where the multi-award-winning tragedy took place. <a href="https://es.ara.cat/cultura/espectaculo-dificil-pere-arquillue_1_4208327.html" ><em>The most beautiful body ever found on this site</em></a>(2022) and not far from <a href="https://es.ara.cat/cultura/teatro/mujer-monstruos-rosa-renom_1_5272785.html" ><em>The housekeeper</em></a> (2024). In addition to the geographical and mental space (or perhaps because of that very reason), in <em>The monster</em>, as in the aforementioned works, the strange and the incomprehensible become evident within a framework of tense violence.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/josep-maria-miro-s-the-monster-puzzling-creature_1_5433165.html]]></guid>
      <pubDate><![CDATA[Fri, 04 Jul 2025 14:41:07 +0000]]></pubDate>
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      <media:title><![CDATA[A scene from 'The Monster']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/a2f26301-7606-4c7d-9a00-8850a0c4d4d7_16-9-aspect-ratio_default_0_x1008y543.jpg"/>
      <subtitle><![CDATA[The new show at the Sala Beckett has an excess of unresolved unknowns in a formal game that plays against]]></subtitle>
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      <title><![CDATA[Two great monsters burst onto the stage at the Grec]]></title>
      <link><![CDATA[https://en.ara.cat/culture/two-great-monsters-burst-onto-the-stage-at-the-grec_1_5427389.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/cd240b93-f7d5-4833-bc46-bac49c479229_16-9-aspect-ratio_default_0_x1703y2260.jpg" /></p><p>What do we do with the monstrosity of others? Can we come to understand and dialogue with someone who has hurt us? What role does the community have in dealing with those responsible for abject actions? Theater often serves to seek answers, or at least to bring questions to the stage and make them resonate with the audience. This is the driving force behind two Grec Festival shows led by monsters: <em>Who killed my father?</em>, by Édouard Louis, directed by Pau Roca and starring Dafnis Balduz; and <em>The monster</em>, by Josep Maria Miró, directed by himself and starring Àurea Márquez, Joan Negrié and Albert Prat. The first premieres on July 1st at the Heartbreak Hotel (they will have three performances and are already sold out, but they will return in the fall) and the second will be at the Sala Beckett from July 3rd to 27th.</p>]]></description>
      <dc:creator><![CDATA[Núria Juanico Llumà]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/two-great-monsters-burst-onto-the-stage-at-the-grec_1_5427389.html]]></guid>
      <pubDate><![CDATA[Mon, 30 Jun 2025 05:01:29 +0000]]></pubDate>
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      <media:title><![CDATA[The cast of 'The Monster']]></media:title>
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      <subtitle><![CDATA[Josep Maria Miró premieres 'The Monster' at the Sala Beckett, and Pau Roca directs 'Who Killed My Father?' at the Heartbreak Hotel.]]></subtitle>
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    <item>
      <title><![CDATA["Are we safer or freer in a more controlled society?"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/are-we-safer-or-freer-in-more-controlled-society_128_5287523.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/899a5c60-4aab-4894-8071-7916a030697c_16-9-aspect-ratio_default_0_x1556y751.jpg" /></p><p>Josep Maria Miró (Prats de Lluçanès, 1977) is one of the leading exponents of contemporary Catalan drama. He has toured the world with his texts and has seen his theatre adopt different forms and languages, while he continued to write and premiere shows in our country. Widely recognised with awards such as the <a href="https://www.ara.cat/cultura/teatre/josep-maria-miro-coromina-premio-nacional-literatura-dramatica-2022_1_4517911.html" >National Prize for Dramatic Literature in 2022</a>Miró is currently experiencing a moment of creative blossoming: he has <a href="https://es.ara.cat/cultura/teatro/mujer-monstruos-rosa-renom_1_5272785.html" ><em>The housekeeper</em></a><a href="https://es.ara.cat/cultura/teatro/mujer-monstruos-rosa-renom_1_5272785.html" > at the Heartbreak Hotel</a> and, starting February 19, <em>Archimedes' principle</em> in the Texas Space; it has just finished <a href="https://es.ara.cat/cultura/teatro/plumas-lentejuelas-revolucion-travesti-escena_130_5255962.html" ><em>I, transvestite</em></a><a href="https://es.ara.cat/cultura/teatro/plumas-lentejuelas-revolucion-travesti-escena_130_5255962.html" > in La Villarroel</a>, <em>Sicalyptic</em> It is about to premiere at the Centro Moral de Gràcia and will arrive at the Matadero in Madrid in the next few days. <em>Nerium Park</em>.</p>]]></description>
      <dc:creator><![CDATA[Núria Juanico Llumà]]></dc:creator>
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      <pubDate><![CDATA[Mon, 17 Feb 2025 08:32:04 +0000]]></pubDate>
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      <media:title><![CDATA[Josep Maria Miró photographed in Barcelona this week]]></media:title>
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      <subtitle><![CDATA[Playwright]]></subtitle>
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