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    <title><![CDATA[Ara in English - short film]]></title>
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    <description><![CDATA[Ara in English - short film]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Queer, racialized and migrant: the new Catalan cinema at the Berlinale]]></title>
      <link><![CDATA[https://en.ara.cat/culture/queer-racialized-and-migrant-the-new-catalan-cinema-at-the-berlinale_1_5283917.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/91a9cb68-52e2-4d00-bce1-71d6890e5db9_16-9-aspect-ratio_default_0_x778y250.jpg" /></p><p>Something is moving in the cinema being made in Catalonia, if we pay attention to the two Catalan short films that will premiere at the Berlinale which begins this Thursday: <em>Almost September</em>, by Lucia G. Romero, and <em>Juanita</em>, by Karen Joaquín and Uliane Tatit. And not because they are directed by young women, which is no longer a novelty in Catalan cinema, but because of the naturalness with which they deal with realities that fiction tends to problematize. <em>Almost September</em>For example, the conflict in the protagonists' sexual-affective relationship does not arise from the fact that they are women or that one is racialized, but from the other's fear of abandonment. And that <em>Juanita</em> The fact that it is starred by a racialized teenager is a minor detail in the short's reflection on the cultural clash between the aesthetic stereotypes of a migrant family of Dominican origin and those of the host Catalan society.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Thu, 13 Feb 2025 15:19:40 +0000]]></pubDate>
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      <media:title><![CDATA[Lucía G. Romero, Karen Joaquín and Uliane Tatit]]></media:title>
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      <subtitle><![CDATA[Lucía G. Romero, Karen Joaquín and Uliane Tatit present their short films at the Berlin Film Festival]]></subtitle>
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