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    <title><![CDATA[Ara in English - circ]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/circ/]]></link>
    <description><![CDATA[Ara in English - circ]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA["I want to live like my parents lived in the 90s"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/want-to-live-like-my-parents-lived-in-the-90s_128_5591177.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/67b8f8de-945e-41dd-97aa-76f1c7df97bd_16-9-aspect-ratio_default_0_x2250y1364.jpg" /></p><p>In recent years she has gone "from being Quimet Pla's daughter to Oriol Pla's sister" <a href="https://en.ara.cat/sunday/everything-has-price-and-sometimes-that-price-is-loneliness_128_5589851.html" target="_blank">[the protagonist of the</a><a href="https://en.ara.cat/sunday/everything-has-price-and-sometimes-that-price-is-loneliness_128_5589851.html" target="_blank"><em>Now Sunday</em></a><a href="https://en.ara.cat/sunday/everything-has-price-and-sometimes-that-price-is-loneliness_128_5589851.html" target="_blank"> of this week]</a>"She confirms, but Diana Pla Solina (Barcelona, ​​1991) has forged her own path in the world of physical theatre and circus. After performing since childhood in street shows and in plays such as <em>Travy</em>, after creating his own company and a single as <em>Miss Things and Me</em>Pla now directs El Petit Circ Laret, a newly created and free show that can be seen from December 12 to January 7 in the Christmas Circus tent in Hospitalet de Llobregat (Feixa Llarga street at the corner of Travessia Industrial). A classic circus – with Chinese pole vaulting, acrobatic bicycle, trapeze, hand-to-hand acrobatics, balancing acts, live music, and clowning – with a contemporary spirit. </p>]]></description>
      <dc:creator><![CDATA[Laura Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/want-to-live-like-my-parents-lived-in-the-90s_128_5591177.html]]></guid>
      <pubDate><![CDATA[Sat, 13 Dec 2025 09:00:53 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/67b8f8de-945e-41dd-97aa-76f1c7df97bd_16-9-aspect-ratio_default_0_x2250y1364.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Diana Pla in the Christmas Circus tent in L'Hospitalet this week.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/67b8f8de-945e-41dd-97aa-76f1c7df97bd_16-9-aspect-ratio_default_0_x2250y1364.jpg"/>
      <subtitle><![CDATA[Artist and circus director]]></subtitle>
    </item>
    <item>
      <title><![CDATA["Our son, when we're in the same place for two days in a row, already calls it 'home.'"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/our-son-when-we-spend-two-days-in-row-in-the-same-place-already-calls-it-home_1_5479750.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5b54d07f-739c-4b4f-8ffa-eb0adf70e4a4_16-9-aspect-ratio_default_0.jpg" /></p><p>When he was 17, Pau Palaus saw a show by clown Leandre Ribera for the first time, and it changed his life. "I went to see him for three days in a row. My friends asked me, 'What does he do?' And I didn't know what to answer: he did nothing, and he did everything," explains Palaus. Although he studied forestry management, Pau left a steady job as a tree arborist to embark on the performing arts: "I started a clown course at the Rogelio Rivel school, but I only lasted two weeks because I didn't understand anything they were explaining to me; they didn't teach me how to do what that clown did."</p>]]></description>
      <dc:creator><![CDATA[Dani Colmena]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/our-son-when-we-spend-two-days-in-row-in-the-same-place-already-calls-it-home_1_5479750.html]]></guid>
      <pubDate><![CDATA[Tue, 26 Aug 2025 18:01:04 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/5b54d07f-739c-4b4f-8ffa-eb0adf70e4a4_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Pau Palaus]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/5b54d07f-739c-4b4f-8ffa-eb0adf70e4a4_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Pau Palaus is currently one of our most international clowns.]]></subtitle>
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    <item>
      <title><![CDATA["Designing costumes for a show is very different from making fashion."]]></title>
      <link><![CDATA[https://en.ara.cat/lifestyle/designing-costumes-for-show-is-very-different-from-making-fashion_130_5438839.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/bd5cc6e1-af3a-4bb2-b7e0-8a6c2acb91d7_16-9-aspect-ratio_default_0.jpg" /></p><p>3, 2, 1! The show begins! On stage, there is only one ticket office where tickets are sold for the Palace of Illusions, where a kindly, white-bearded old man will spend an exciting afternoon with his friends. This is the starting point of<em>ILU</em>, the new Cirque du Soleil show designed specifically for Andorra, a collaboration that has already lasted twelve summers and has become a tourist magnet in the Principality, where the show can be seen until early August. Beyond a spectacular circus act—with trapeze artists, acrobats, and tightrope walkers in a state of grace—<em> ILU</em> It's a tribute to childhood, that stage of life when the boundaries between reality and fiction blur. This fantasy world, directed by Lydia Bouchard, is filled with eccentric characters, candy monsters, neighing horses, and even a leisurely polar bear. Costumes play a fundamental role in the staging. They not only help construct the characters but also reinforce their narrative.</p>]]></description>
      <dc:creator><![CDATA[Laia Beltran]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/lifestyle/designing-costumes-for-show-is-very-different-from-making-fashion_130_5438839.html]]></guid>
      <pubDate><![CDATA[Thu, 10 Jul 2025 07:04:31 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/bd5cc6e1-af3a-4bb2-b7e0-8a6c2acb91d7_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A moment from the ILU show]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/bd5cc6e1-af3a-4bb2-b7e0-8a6c2acb91d7_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Nicolas Vaudelet, a former collaborator of Jean Paul Gaultier, designs the costumes for ILU, Cirque du Soleil's new show in Andorra.]]></subtitle>
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    <item>
      <title><![CDATA[Lackluster opening of Grec 2025]]></title>
      <link><![CDATA[https://en.ara.cat/culture/lackluster-opening-of-grec-2025_1_5425564.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6f424170-aaa6-46f1-a652-7555fe8a1425_16-9-aspect-ratio_default_0_x2585y1808.jpg" /></p><p>The Greek 2025 <a href="https://en.ara.cat/culture/grec-raises-the-curtain-defying-gravity_130_5424700.html" >It began on Thursday in the Montjuïc chamber</a> with the premiere of a French proposal that combines dance, music and circus from a creator who has visited the festival twice with well-rehearsed shows: <em>Minute</em> (2018) and <em>Celuy who knocks down</em>(2023). But world premieres are dangerous. Even more so if, as we have learned, the production has been through many nerves upon its entry into the Grec. While this one <em>The Little Circus</em> It has some rather attractive poetic and visual ingredients that give a glimpse of what the show might be like in the future (once it has made its way to the road and revisited the connector and rhythm issues that were evident at Montjuïc), the truth is that the opening performance was rather lackluster, as evidenced by the brief and muffled applause.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/lackluster-opening-of-grec-2025_1_5425564.html]]></guid>
      <pubDate><![CDATA[Fri, 27 Jun 2025 15:37:22 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/6f424170-aaa6-46f1-a652-7555fe8a1425_16-9-aspect-ratio_default_0_x2585y1808.jpg" type="image/jpeg"/>
      <media:title><![CDATA[GREC 2025 opening show]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/6f424170-aaa6-46f1-a652-7555fe8a1425_16-9-aspect-ratio_default_0_x2585y1808.jpg"/>
      <subtitle><![CDATA[In 'Le Petit Cirque' there is a lack of an overall idea, a direction that works on the connection between scenes]]></subtitle>
    </item>
    <item>
      <title><![CDATA["Arriving in Apartheid Africa was a huge setback."]]></title>
      <link><![CDATA[https://en.ara.cat/sunday/in-south-africa-had-an-intense-love-life_128_5355402.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d907780e-c23a-408c-a78a-d4880e54e785_16-9-aspect-ratio_default_0.jpg" /></p><p>Piti Español (Barcelona, ​​1954) is a writer and screenwriter for television and film. He is also a theater creator. He has been a gymnasium and acrobatics teacher. Thirty years ago, he first published <em>The African track</em>, now republished by La Campana. He recounts his most fantastic youthful experience: a trapeze artist in traveling circus companies in places like the Netherlands and, above all, South Africa.<em>apartheid</em>.</p>]]></description>
      <dc:creator><![CDATA[Toni Vall]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/sunday/in-south-africa-had-an-intense-love-life_128_5355402.html]]></guid>
      <pubDate><![CDATA[Wed, 23 Apr 2025 05:30:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/d907780e-c23a-408c-a78a-d4880e54e785_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Piti Español photographed this April in Barcelona]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/d907780e-c23a-408c-a78a-d4880e54e785_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Writer and screenwriter]]></subtitle>
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    <item>
      <title><![CDATA[Getting sick when you're a mother and talking about sexuality: what has caught our attention the most this week]]></title>
      <link><![CDATA[https://en.ara.cat/kids/waiting-for-the-pre-registration-number-for-school-and-parenting-without-supermoms-what-has-caught-our-attention-the-most-this-week_1_5283750.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c2539871-e341-4efd-a0ca-e84f645d1136_16-9-aspect-ratio_default_0.jpg" /></p><p>This week we want to recommend a wide range of activities for the coming days. You can choose from the Winter Circus at the Ateneo Popular de 9 Barrios, Christmas getaways, a laugh about parenting with a show by Miriam Tirado, or delving into the adventures of Geronimo Stilton, among others.</p>]]></description>
      <dc:creator><![CDATA[Elisabet Escriche]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/kids/waiting-for-the-pre-registration-number-for-school-and-parenting-without-supermoms-what-has-caught-our-attention-the-most-this-week_1_5283750.html]]></guid>
      <pubDate><![CDATA[Thu, 13 Feb 2025 13:00:59 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/c2539871-e341-4efd-a0ca-e84f645d1136_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA['The big stand-up']]></media:title>
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      <subtitle><![CDATA[The Winter Circus at the Ateneo de 9 Barris and Christmas getaways are among the cultural and leisure offerings.]]></subtitle>
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