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    <title><![CDATA[Ara in English - Paint]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/paint/]]></link>
    <description><![CDATA[Ara in English - Paint]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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    <item>
      <title><![CDATA[The last piece of the 'Altarpiece of Saint George' puzzle]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-last-piece-of-the-altarpiece-of-saint-george-puzzle_1_5712615.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/94f8d3eb-f1be-4aaa-8e59-c6822feeb580_16-9-aspect-ratio_default_1057627.jpg" /></p><p>"Imagine you have 4,000 puzzles of 1,000 pieces, you mix them all, you burn 90%, and then you try to reassemble them with the ones you have left." Santiago Alcolea, a Catalan art historian, describes with this image the work of medieval art historians. Knowing the author, the place of origin, or reconstructing an altarpiece from the surviving compartments can be a race full of obstacles. </p>]]></description>
      <dc:creator><![CDATA[Antoni Ribas Tur]]></dc:creator>
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      <pubDate><![CDATA[Mon, 20 Apr 2026 08:16:06 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/94f8d3eb-f1be-4aaa-8e59-c6822feeb580_16-9-aspect-ratio_default_1057627.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The last piece of the puzzle of the 'Altarpiece of Saint George']]></media:title>
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      <subtitle><![CDATA[The Altarpiece of Saint George is dismembered between Chicago and Paris. A new piece is now incorporated. The Virgin surrounded by the cardinal virtues of the Philadelphia Museum would have crowned it.]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The Cadaqués of black rocks and twilight light by the painter Koyama]]></title>
      <link><![CDATA[https://en.ara.cat/girona/the-cadaques-of-black-rocks-and-twilight-light-by-the-painter-koyama_130_5589994.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5a75aea4-7570-41cf-b29e-053190c9ca35_16-9-aspect-ratio_default_0_x819y1162.jpg" /></p><p>The tramontana wind, bitterly cold this mid-November Monday, howls furiously through the narrow, steep streets of Cadaqués, deserted today, with closed doors and windows and drawn shutters on bars and restaurants, all displaying signs announcing extended holidays. Quietude, tranquility, and the only sound, the onslaught of the tramontana. This is the Cadaqués that the Japanese painter Shigeyoshi Koyama loves, the Cadaqués he so desperately misses during the summer, when the revelry and noise take over the town day and night, forcing him into exile in the quiet village of Vilanova de la Muga until September, when the summer visitors leave and Cadaqués returns.</p>]]></description>
      <dc:creator><![CDATA[Marta Costa-Pau]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/girona/the-cadaques-of-black-rocks-and-twilight-light-by-the-painter-koyama_130_5589994.html]]></guid>
      <pubDate><![CDATA[Fri, 12 Dec 2025 08:46:53 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/5a75aea4-7570-41cf-b29e-053190c9ca35_16-9-aspect-ratio_default_0_x819y1162.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Koyama and his daughter Yasuko, in the painter's workshop in Cadaqués.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/5a75aea4-7570-41cf-b29e-053190c9ca35_16-9-aspect-ratio_default_0_x819y1162.jpg"/>
      <subtitle><![CDATA[The Japanese artist has lived in the Empordà village since 1970.]]></subtitle>
    </item>
    <item>
      <title><![CDATA[A Klimt painting breaks records and becomes the most expensive work of modern art]]></title>
      <link><![CDATA[https://en.ara.cat/culture/klimt-painting-breaks-records-and-becomes-the-most-expensive-work-of-modern-art_1_5566390.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/74ac7819-4bb3-4a83-bd52-235f021cef04_16-9-aspect-ratio_default_0_x3788y2250.jpg" /></p><p>A painting by Gustav Klimt (Vienna, 1862-1918) has broken all records and become the most expensive work of modern art and the second most expensive in the history of art. It is the painting <em>Portrait of Elisabeth Lederer</em>The painting, which the Austrian artist created between 1914 and 1916, depicts the young heiress and daughter of Klimt's employers dressed in a Chinese kimono. The work sold for €203.56 million at an auction held at Sotheby's in New York.</p>]]></description>
      <dc:creator><![CDATA[Núria Juanico Llumà]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/klimt-painting-breaks-records-and-becomes-the-most-expensive-work-of-modern-art_1_5566390.html]]></guid>
      <pubDate><![CDATA[Wed, 19 Nov 2025 08:29:51 +0000]]></pubDate>
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      <media:title><![CDATA[Portrait of Elisabeth Lederer by Gustav Klimt]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/74ac7819-4bb3-4a83-bd52-235f021cef04_16-9-aspect-ratio_default_0_x3788y2250.jpg"/>
      <subtitle><![CDATA[The 'Portrait of Elisabeth Lederer', from the private collection of Estée Lauder, has sold for 203.56 million in New York]]></subtitle>
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    <item>
      <title><![CDATA[Ivan Forcadell: "I've tried wines that weren't good because I really liked the label."]]></title>
      <link><![CDATA[https://en.ara.cat/food/ivan-forcadell-ve-tried-wines-that-weren-t-good-because-really-liked-the-label_1_5516629.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/36623d27-04c7-4ad3-9343-42f4d6b4728f_16-9-aspect-ratio_default_0.jpg" /></p><p>The multidisciplinary artist Ivan Forcadell (Alcanar, 1993) champions the persistence and discipline of the countryside as a creative driving force. Between tradition and irony, Forcadell rescues objects and memories from the rural world to give them a new aesthetic life and reveal a universe of their own. His latest exhibition, <em>No title</em>, can be visited from September 18 at the SELTZ gallery in Barcelona.</p>]]></description>
      <dc:creator><![CDATA[Elena García Dalmau]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/food/ivan-forcadell-ve-tried-wines-that-weren-t-good-because-really-liked-the-label_1_5516629.html]]></guid>
      <pubDate><![CDATA[Fri, 03 Oct 2025 05:02:27 +0000]]></pubDate>
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      <media:title><![CDATA[The artist Ivan Forcadell with a large diptych on display at the SELTZ by Ritter Ferrer gallery]]></media:title>
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      <subtitle><![CDATA[Artist]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Cultural policy]]></title>
      <link><![CDATA[https://en.ara.cat/girona/cultural-policy_129_5452591.html]]></link>
      <description><![CDATA[<p>It's not easy to explain the sadness and anger with which I received the news a few months ago that the Thyssen Museum in Sant Feliu de Guíxols was going to Barcelona. Any reader of this column knows how much I love the painting. I assumed they would pave the entire area surrounding the monastery with a hard floor, like that of a department store, which burns in summer and slips when it rains; that they would cover the old-fashioned sandstone and turn such a noble and characteristic part of my city into another hard square. Nothing made me want the pavement to bury Roman remains: there was a higher purpose. I was even willing to applaud the project of a Madrid architectural firm to fill the space where the monastery cloister should be with a concrete sarcophagus that would block out the spiritual radiation from the very heart of our history. I admit it, I was willing to completely depersonalize the Porta Ferrada—a monument so emblematic that it gives its name to a festival that brings the best music in the world here every summer.</p>]]></description>
      <dc:creator><![CDATA[Toni Sala]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/girona/cultural-policy_129_5452591.html]]></guid>
      <pubDate><![CDATA[Wed, 23 Jul 2025 11:09:41 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Nissan develops a special paint that dissipates heat from cars]]></title>
      <link><![CDATA[https://en.ara.cat/cars/nissan-develops-special-paint-that-dissipates-heat-from-cars_1_5403301.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/9b15e0c9-a6d7-4327-8354-90e8075e2011_16-9-aspect-ratio_default_0.jpg" /></p><p>Summer is here, and with it, days of intense heat and intense sunlight. Parking your car in the sun while at the beach, the pool, or doing any other activity means having to endure hellish temperatures if you have to use the car, and driving becomes an unpleasant experience. But Nissan is working on a special paint prototype that can reduce the vehicle's ambient temperature, ensuring occupant comfort on the hottest days, reducing air conditioning use, and improving the performance of electric vehicles (heat is not a good friend of batteries). </p>]]></description>
      <dc:creator><![CDATA[Ferran Vital]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/cars/nissan-develops-special-paint-that-dissipates-heat-from-cars_1_5403301.html]]></guid>
      <pubDate><![CDATA[Fri, 06 Jun 2025 06:17:08 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/9b15e0c9-a6d7-4327-8354-90e8075e2011_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Nissan Cool Paint]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/9b15e0c9-a6d7-4327-8354-90e8075e2011_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The Japanese brand works with materials that react to sunlight and reflect infrared rays.]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Sergi Cadenas, urban forging craftsman and successful kinetic art painter]]></title>
      <link><![CDATA[https://en.ara.cat/girona/sergi-cadenas-urban-forging-craftsman-and-successful-kinetic-art-painter_130_5290711.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/01c9e959-1686-4ceb-8ef3-f82798cddc93_16-9-aspect-ratio_default_0.jpg" /></p><p>"Forging exists, it is a living trade, that is why I do not ask for support or subsidies, since we have been doing the same thing for 175 years," says Sergi Cadenas, fifth generation of a family dedicated to artistic forging in Girona since the mid-nineteenth century. His unique premises, Ferros de Arte Cadenas, crosses a block and connects Calle Nou (shop) with Calle Sant Francesc (forging). An activity that is a priori noisy and dirty but survives in the city centre. "I have filters above the regulations and the hammer mounted on a silencing block. I could start chopping from 8 in the morning, but I don't because I am aware that I am in the middle of a city. I have never received any complaints from the neighbours."</p>]]></description>
      <dc:creator><![CDATA[Gerard Bagué]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/girona/sergi-cadenas-urban-forging-craftsman-and-successful-kinetic-art-painter_130_5290711.html]]></guid>
      <pubDate><![CDATA[Thu, 20 Feb 2025 06:01:05 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/01c9e959-1686-4ceb-8ef3-f82798cddc93_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Sergi Cadenas with one of his metal olive trees and a painting.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/01c9e959-1686-4ceb-8ef3-f82798cddc93_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Fifth generation of a lineage dedicated to artistic forging, now exporting its paintings all over the world]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The altarpiece of the Virgin of La Escala]]></title>
      <link><![CDATA[https://en.ara.cat/girona/the-altarpiece-of-the-virgin-of-escala_129_5282337.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3cbb6d3e-aced-4b84-98cd-70b081c72311_16-9-aspect-ratio_default_0.jpg" /></p><p>It is a pity – not for us alone, but for the whole world – that we do not have more of a taste for our Gothic painting. Romanesque is certainly more accessible to us because of the influence it had on the avant-garde of the 20th century, Catalan painting which, due to temporal proximity, we value more. But what a pleasure we miss by not celebrating painters like Bernat Martorell or Lluís Borrassà to the same extent!</p>]]></description>
      <dc:creator><![CDATA[Toni Sala]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/girona/the-altarpiece-of-the-virgin-of-escala_129_5282337.html]]></guid>
      <pubDate><![CDATA[Wed, 12 Feb 2025 10:39:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3cbb6d3e-aced-4b84-98cd-70b081c72311_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The altarpiece of the Virgin of La Escala]]></media:title>
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      <subtitle><![CDATA[]]></subtitle>
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