When the screenwriter Eduard Sola won the Gaudí by House on fire He remembered his humble origins, "proudly charnego." And when he won the Goya, he dedicated it to the "super mothers" who, like his own, have sacrificed everything for their children. "Mom, that's for you. I love you so much," he said in Catalan. Two months later, we meet with Eduard Sola and his parents, now over the whirlwind of awards and the hangover from the political debate that arose from the word charnego.

The Truffaut Cinema in Girona is experiencing a sweet moment. With its two screening rooms, on the top floor of the old El Modern building, during the year 2024, nearly 44,000 spectators have passed through. This is the highest figure in its history and represents 13% more than the previous year, which had also been a record. At a time when large movie theaters are struggling, the Truffaut is still in top form: it is the only one left in the city center and, with a programming of auteur films, always in their original version, it has managed to attract an increasingly large, diverse and loyal film-going public. Opened in 1992, the Truffaut is a public facility, like the Municipal Theater and the Auditorium, but in this case it is managed, altruistically, by a group of critics who are responsible for making the selection of the program with great care and good judgment.

50 days in the life of a 50-year-old woman, the actress Clara Segura (Sant Just Desvern, 1974). On December 23 she is awarded the Creu de Sant Jordi; on January 15 she receives the Cygnus award, at the University of Alcalá de Henares; on January 18 she cannot collect the Gaudí for best supporting actress because she is in the theater with All eyes; On January 25th he was awarded the Feroz prize, but he couldn't attend the gala in Pontevedra for the same reason, and on February 8th, on Saturday, between a theatre performance in Vic on Friday and another on Sunday in Balaguer, he did go to Granada to lift his first Goya. After the tsunami of emotions, the conversation.

Emma Vilarasau, recently winner of the Gaudí for best female lead for her role in House on fire, has revealed one of the most difficult moments of her professional career. The renowned Catalan actress, with a career spanning more than 40 years in the world of acting, has explained the impact that becoming pregnant had on her work and how the world of cinema and theatre receives the fact that women want to be mothers.

I always repeat it: I like stories about families, inside houses, "talking" movies, novels in which "it seems like nothing happens." I love Bullet Park, Long Day's Journey Into Night, Hanna and Her Sisters, Garden by the Sea, The Discreet Charm of the Bourgeoisie...