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  <channel>
    <title><![CDATA[Ara in English - Films]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/films/]]></link>
    <description><![CDATA[Ara in English - Films]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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    <item>
      <title><![CDATA[Fiction, lies, and stories of power]]></title>
      <link><![CDATA[https://en.ara.cat/culture/fiction-lies-and-stories-of-power_129_5625224.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b8aa0e9f-9c9f-4822-9b7b-97d2d68888d1_16-9-aspect-ratio_default_0.jpg" /></p><p>A few weeks ago I heard <a href="https://es.ara.cat/cultura/leer/xavier-cugat-no-bluf-tenia-talento-gran-creatividad_128_4937941.html" >a conversation with Jordi Puntí, in which he talked about his novel</a> <em>Confetti</em>, about the life of Xavier Cugat (Proa). At one point, Puntí says that "or"A writer is a liar par excellence," because fiction creates plausible worlds that are not real. </p>]]></description>
      <dc:creator><![CDATA[Leticia Asenjo]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/fiction-lies-and-stories-of-power_129_5625224.html]]></guid>
      <pubDate><![CDATA[Thu, 22 Jan 2026 06:15:30 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/b8aa0e9f-9c9f-4822-9b7b-97d2d68888d1_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Clashes between protesters and police on Via Laietana, over the verdict in the trial]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/b8aa0e9f-9c9f-4822-9b7b-97d2d68888d1_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA[Have you already renewed your Filmin subscription?]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/have-you-already-renewed-your-filmin-subscription_129_5624369.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg" /></p><p>I have seen <em>Icarus: The Week in Flames</em>The pro-Spanish documentary about the October 2019 protests in Barcelona has sparked outrage (a real firestorm on Twitter) from some fervent patriots who have called for a boycott of the Filmin platform, which is offering it until the 31st of this month. The documentary in question is so inept and laughable, so crude and tacky, that it's hard to believe anyone could be offended by such nonsense. Within Filmin's extensive and splendid catalog (a godsend for anyone who loves cinema, which I have no intention of giving up for anything, least of all for any patriotic appeal), <em>Icarus: The Week in Flames</em> It would fit, if at all, in the section dedicated to the most extravagant and outlandish B-movies, alongside the hilarious Troma productions and horror films with ketchup blood. The Trial of the Process, with Magistrate Marchena presiding over a blatantly dysfunctional court, was the cause of the Urquinaona riot, and it also marked the point at which the state's dirty secrets overflowed, still tainting everything today. But that's one thing, and quite another is a documentary that seems written and directed by the characters in... <em>Martínez, the fascist</em>I have no idea what this is doing among Filmin's releases this week, but given the platform's track record, I refuse to give it any more importance. In any case, read on. <a href="https://en.ara.cat/media/the-ridiculous-and-victim-playing-propaganda-of-the-riot-police_129_5622616.html" >Mònica Planas's criticism of the piece</a>And you will find – as always – a sound analysis.</p>]]></description>
      <dc:creator><![CDATA[Sebastià Alzamora]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/have-you-already-renewed-your-filmin-subscription_129_5624369.html]]></guid>
      <pubDate><![CDATA[Wed, 21 Jan 2026 10:24:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A still from the documentary 'Icarus: The Week in Flames']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA[A police pamphlet]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/police-pamphlet_129_5623710.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg" /></p><p>At first glance,<em>Icarus: The Week in Flames</em>It is a police whitewashing pamphlet that seems intended to be shown in schools and classrooms, to see if it awakens vocations and serves to recruit young people for the riot police of the National Police.<em>"I relearned why I lift this uniform"</em>"An excited agent says at the end. Perhaps she is the same agent who signs the Spanish flag with which the documentary begins and ends, with phrases like..."<em>I too defended the unity of Spain."</em>. But <em>Icarus </em>It's more than a pamphlet, of course.</p>]]></description>
      <dc:creator><![CDATA[Antoni Bassas]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/police-pamphlet_129_5623710.html]]></guid>
      <pubDate><![CDATA[Tue, 20 Jan 2026 18:32:13 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A still from the documentary 'Icarus: The Week in Flames']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/860d336d-400d-4dc0-bcf2-620c7b01e1d8_16-9-aspect-ratio_default_0_x431y355.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA[Graffiti against Filmin for a documentary featuring the police who repressed the 2019 protests]]></title>
      <link><![CDATA[https://en.ara.cat/media/graffiti-against-filmin-for-documentary-featuring-the-police-who-repressed-the-protests_1_5623147.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/00411ed1-6a74-4f7c-afa5-d7292d5ac32f_16-9-aspect-ratio_default_0.jpg" /></p><p>Filmin's editorial director, Jaume Ripoll, has reported that the platform's headquarters in Barcelona was vandalized with graffiti reading "Collaborators with Spanish repression." The message refers to the inclusion of the documentary in their catalog. <em>Icarus: The Week in Flames</em>The report, compiled from testimonies of police officers who participated in the violent repression of the 2019 protests against the sentences handed down in the Catalan independence trial, bears the signature NS!*X, which stands for Nosotros Solos (We Alone). This is the same group that takes its name from a nationalist organization from the 1930s and which this summer carried out a similar act against an ice cream shop in the Gràcia neighborhood that refused to serve customers in Catalan. On their Instagram profile, they describe themselves as "young nationalists from the Catalan Countries born from the spirit of 2019." The message's appearance comes after the controversy erupted on social media. Ripoll had responded with a statement attempting to justify his decision: "At Filmin, we are very aware that the events of October 2019 are still an open wound for Catalan society. Therefore, we understand the unease and criticism it has generated. [...] We are a Barcelona-based company, founded in 2007, and our audience is drawn from circles of friends and work environments." The statement provoked numerous critical messages from people linked to the independence movement, such as Antonio Baños, former leader of the CUP party, and Joan Maria Piqué, press officer for Carles Puigdemont when he was President of the Generalitat. Regarding the documentary in question, Ripoll admitted that it "offers a specific, first-hand perspective" and that, therefore, "like any work, it has a point of view and does not pretend to encompass the full complexity of what happened." He emphasized: "Programming a film on Filmin does not equate to endorsing its approach." The platform also emphasized that they have neither produced nor distributed the garment, but rather that it has only been added "for a limited time" to the catalog and will no longer be available on January 31.</p>]]></description>
      <dc:creator><![CDATA[Àlex Gutiérrez]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/graffiti-against-filmin-for-documentary-featuring-the-police-who-repressed-the-protests_1_5623147.html]]></guid>
      <pubDate><![CDATA[Tue, 20 Jan 2026 11:29:12 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/00411ed1-6a74-4f7c-afa5-d7292d5ac32f_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Promotional image from the documentary]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/00411ed1-6a74-4f7c-afa5-d7292d5ac32f_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The platform's founder, Jaume Ripoll, defends the inclusion of the film in the catalog]]></subtitle>
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    <item>
      <title><![CDATA[War as I'd never seen it before]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/war-as-d-never-seen-it-before_129_5614602.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c5fa3bc6-9a63-4f5f-87c3-c87080f4a7aa_16-9-aspect-ratio_default_0.jpg" /></p><p>Two years ago, the Academy of Motion Picture Arts and Sciences awarded the documentary <em>Twenty days in Mariupol</em>From reporter Mstyslav Chernov of the Associated Press. Along with photographer Evgeny Maloletka, they withstood twenty days in this Ukrainian city during the terrible siege by the Russian army. They were the only journalists who documented that hell so the world could see the stark reality of that war. Two years later, the conflict continues, and Chernov updates the cruelty of the conflict, showing the devastation, exhaustion, and despair after so much time. <em>2000 meters to Andriivka</em>In the documentary, available on Filmin, the reporter embeds himself in the Ukrainian army's third brigade as they attempt to recapture the city of Andriivka. They only have to cover two thousand meters: a very narrow strip of forest situated between two minefields. It's the only path and it's essential because it will allow them to cut the road that, until now, has been transporting supplies to the Russian army. It will take them three months to complete it, at a very high cost in lives.</p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/war-as-d-never-seen-it-before_129_5614602.html]]></guid>
      <pubDate><![CDATA[Sat, 10 Jan 2026 20:16:48 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/c5fa3bc6-9a63-4f5f-87c3-c87080f4a7aa_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[2000 meters to Andriivka]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/c5fa3bc6-9a63-4f5f-87c3-c87080f4a7aa_16-9-aspect-ratio_default_0.jpg"/>
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      <title><![CDATA[A thriller that doesn't talk like the others]]></title>
      <link><![CDATA[https://en.ara.cat/media/thriller-that-doesn-t-talk-like-the-others_129_5609903.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/1c93e0c8-1e9a-4379-80f5-5bd954e1044f_16-9-aspect-ratio_default_0_x690y514.jpg" /></p><p>It's unusual for a series, beyond simply telling a story, to challenge the viewer regarding the conventions it uses to tell it. This is the case with... <em>Meeting</em>A magnificent BBC drama that you can find on Filmin. It's a <em>thriller </em>A five-episode series set in an everyday context. Daniel Brennan, a deaf father, is released from prison after serving time for the murder of a close friend, a teacher who worked to promote the inclusion of deaf people. No one knows the reasons that led to this tragic situation. Brennan tries to rebuild his relationship with his daughter, but the rejection he faces from those around him forces him to confront a past that haunts him. </p>]]></description>
      <dc:creator><![CDATA[Mònica Planas Callol]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/thriller-that-doesn-t-talk-like-the-others_129_5609903.html]]></guid>
      <pubDate><![CDATA[Mon, 05 Jan 2026 18:28:35 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/1c93e0c8-1e9a-4379-80f5-5bd954e1044f_16-9-aspect-ratio_default_0_x690y514.jpg" type="image/jpeg"/>
      <media:title><![CDATA['Reunion', the new thriller from the creators of 'This is England']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/1c93e0c8-1e9a-4379-80f5-5bd954e1044f_16-9-aspect-ratio_default_0_x690y514.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA["To protect ourselves from the priest, we wrapped ourselves very tightly in the sheets."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/to-protect-ourselves-from-the-priest-we-wrapped-ourselves-very-tightly-in-the-sheets_1_5608260.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/1ccdcc99-77a5-4a28-bb83-ec66d70f87a7_16-9-aspect-ratio_default_0.png" /></p><p>The writer and journalist Leonor Paqué (Vizcaya, 1963) turned her Renault Clio into a mobile refuge for herself, her brother Diego, and their dog Tinta, traveling 20,000 kilometers across Spain. "I wanted to meet other victims of pedophilia. I had a desire to know who they were, what they were like as adults, and what their lives were like," explains Paqué, who was abused by a priest in the early seventies, when she was only eight years old, at the Santa Marina Children's Hospital in Bilbao, where she was hospitalized. With virtually no resources, she and her brother, the flamenco singer-songwriter Diego Paqué, recorded the interviews and have made a documentary that can be seen on Filmin. <a href="https://www.youtube.com/watch?v=rREedtMzxwg" target="_blank" rel="nofollow"><em>Sister Leonor. 20,000 km of confession</em></a></p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/to-protect-ourselves-from-the-priest-we-wrapped-ourselves-very-tightly-in-the-sheets_1_5608260.html]]></guid>
      <pubDate><![CDATA[Sat, 03 Jan 2026 17:00:32 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/1ccdcc99-77a5-4a28-bb83-ec66d70f87a7_16-9-aspect-ratio_default_0.png" type="image/jpeg"/>
      <media:title><![CDATA[Leonor Paqué]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/1ccdcc99-77a5-4a28-bb83-ec66d70f87a7_16-9-aspect-ratio_default_0.png"/>
      <subtitle><![CDATA[Leonor and Diego Paqué travel 20,000 kilometers to collect the testimonies of victims of pedophilia in the Catholic Church, in a documentary on Filmin.]]></subtitle>
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      <title><![CDATA[Joan Dausà brings 'The Great Madness' to Filmin]]></title>
      <link><![CDATA[https://en.ara.cat/media/joan-dausa-brings-the-great-madness-to-filmin_1_5542331.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6719fa12-7ab9-47d2-bda9-836d16cd08b2_16-9-aspect-ratio_default_0.jpg" /></p><p>A year ago, Joan Dausà fulfilled his madness and made his dream come true. He managed to fill the Palau Sant Jordi with more than 16,000 people and the Palacio Vistalegre in Madrid with more than 11,000 spectators. Legends like Joan Manel Serrat and Lluís Llach are among the few soloists to have filled the Sant Jordi with Catalan. This October 28th, a documentary about the Catalan musician born in Sant Feliu de Llobregat premieres on Filmin. It reviews his story and explains what it was like to fill these two great venues.</p>]]></description>
      <dc:creator><![CDATA[Jordi Feijoo]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/joan-dausa-brings-the-great-madness-to-filmin_1_5542331.html]]></guid>
      <pubDate><![CDATA[Mon, 27 Oct 2025 13:01:19 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/6719fa12-7ab9-47d2-bda9-836d16cd08b2_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Joan Dausà before going out to perform]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/6719fa12-7ab9-47d2-bda9-836d16cd08b2_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The documentary's premiere is this Monday at the 'In-Edit Festival' in Barcelona with the presence of director Pol Fuentes and singer]]></subtitle>
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      <title><![CDATA[The British detective series for book lovers]]></title>
      <link><![CDATA[https://en.ara.cat/media/the-british-detective-series-for-book-lovers_1_5535065.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8c3ea6e0-ee66-429a-b5ed-c5e4f1951986_16-9-aspect-ratio_default_0.jpg" /></p><p>Mark Gatiss, co-creator of the popular <em>Sherlock</em>, is a true devotee of detective fiction, and this is evident in his latest television adventure, <em>Bookish</em>, a British series about a unique investigator that premieres this Tuesday on Filmin and will please fans of period pieces and books. Beyond writing it, Gatiss also stars in it: he plays Gabriel Book, the owner of a secondhand bookstore in 1946 London. Aside from his work, Book has a hobby that takes up almost more of his time than selling books: with the complicity of his wife, he helps the police solve crimes. According to Gatiss, the bookstore setting functions as a kind of "analog computer." "The answer to the mystery is there, somewhere," the creator explained to the series' director. <em>Guardian</em>.</p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/the-british-detective-series-for-book-lovers_1_5535065.html]]></guid>
      <pubDate><![CDATA[Mon, 20 Oct 2025 15:23:33 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/8c3ea6e0-ee66-429a-b5ed-c5e4f1951986_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Mark Gatiss in a scene from 'Bookish']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/8c3ea6e0-ee66-429a-b5ed-c5e4f1951986_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmin premieres 'Bookish', written by and starring 'Sherlock' co-creator Mark Gatiss.]]></subtitle>
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      <title><![CDATA['Fear,' the series that will make you doubt your neighbors]]></title>
      <link><![CDATA[https://en.ara.cat/media/fear-the-series-that-will-make-you-doubt-your-neighbors_1_5527162.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/98b0375b-4481-4f24-83c6-f53a4836be69_16-9-aspect-ratio_default_0.jpg" /></p><p>The most disturbing stories are those that most closely resemble reality, and that's what it aims to show. At the beginning of this story, everything seems normal: Martyn and Rebecca's family begin a new life far from London, in a splendid house in Glasgow. But after meeting Jan, the neighbor who lives in the basement, what seemed like a new beginning will be tinged with darkness. On October 14th, a new <em>thriller </em>A psychological thriller based on true events and directed by Justin Chudwick, the plot shows how a seemingly harmless, even friendly, person ends up becoming obsessed with this newly arrived family.</p>]]></description>
      <dc:creator><![CDATA[Jordi Feijoo]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/fear-the-series-that-will-make-you-doubt-your-neighbors_1_5527162.html]]></guid>
      <pubDate><![CDATA[Mon, 13 Oct 2025 09:37:58 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/98b0375b-4481-4f24-83c6-f53a4836be69_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Jan, the stalker neighbor, in a still from 'Fear']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/98b0375b-4481-4f24-83c6-f53a4836be69_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmin premieres this October 14th a new production based on a true story.]]></subtitle>
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      <title><![CDATA[Krasznahorkai, Tarr, Bulgakov]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/krasznahorkai-tarr-bulgakov_129_5527092.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8c1a441a-f505-49f1-983e-de1cae719119_16-9-aspect-ratio_default_0_x554y820.jpg" /></p><p>In a time and world dominated by algorithms and the pathological desire to accumulate money, a time that generates a word as frightening as <em>monetize</em>The awarding of the Nobel Prize for Literature to the Hungarian László Krasznahorkai has pleased those who still want—we still want—to believe in literature as a place of resistance. Resistance against what or whom, you might ask? Well, resistance against charlatans and charlatans. Against cynics, impostors, opportunists. Of course, against authoritarians and champions of false freedoms.</p>]]></description>
      <dc:creator><![CDATA[Sebastià Alzamora]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/krasznahorkai-tarr-bulgakov_129_5527092.html]]></guid>
      <pubDate><![CDATA[Mon, 13 Oct 2025 08:34:20 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/8c1a441a-f505-49f1-983e-de1cae719119_16-9-aspect-ratio_default_0_x554y820.jpg" type="image/jpeg"/>
      <media:title><![CDATA[László Krasznahorkai.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/8c1a441a-f505-49f1-983e-de1cae719119_16-9-aspect-ratio_default_0_x554y820.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[The most risky adventure]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/the-most-risky-adventure_129_5490552.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a8d90b49-98ad-47ea-a37f-6af8db41f368_16-9-aspect-ratio_default_0.jpg" /></p><p>I have seen, and I recommend, the documentary <em>Goodbye, savages</em>, which is being offered to Filmin. It's the story of a couple—she, Norwegian; he, English—who decide to live far from the city, in direct contact with wild nature, on an isolated farm. The couple has three sons and a daughter from a previous relationship. The mother, a photographer, documents family life in a diary full of images.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Soler]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/the-most-risky-adventure_129_5490552.html]]></guid>
      <pubDate><![CDATA[Mon, 08 Sep 2025 15:48:49 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/a8d90b49-98ad-47ea-a37f-6af8db41f368_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA['Goodbye, savages.']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/a8d90b49-98ad-47ea-a37f-6af8db41f368_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA[Ethical and political leadership with courage]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/ethical-and-political-leadership-with-courage_129_5483416.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/417a3905-a622-4004-8df3-05d198123de1_16-9-aspect-ratio_default_0_x911y1174.jpg" /></p><p>In times like these, is it possible to imagine ways of doing politics and leadership styles that do not only seek confrontation, pointing the finger at the adversary, or seeking audiences based on who says the loudest? We are at a juncture in which the complexity and gravity of the problems we face would seem to demand leadership and ideas that are up to the challenge, but, instead, simplification and<em> bullying</em>And we have examples both far away and very close. All of this came to mind while watching Andrea Segre's film. <em>The great ambition</em>, which after a huge success in Italy, has been brought here by Filmin. The film features the great entanglements of Italian politics in the 1970s, starring Enrico Berlinguer, then Secretary General of the Italian Communist Party, but also featuring Aldo Moro, the Christian Democrat leader who was ultimately assassinated by the Red Brigades in 1978.<em>Catalan Encyclopedia</em> Enrico Berlinguer is often described as a politician born in Sàsser, Sardinia, to a family distantly related to Catalonia. There has been speculation about the connection between the surname Berlinguer and that of Berenguer, just as some recall that the bus that ran from Sàsser to Alghero was called La Freccia Catalana. But the truth is that the greatest mark that Enrico Berlinguer left in Catalonia is not determined by his origins, but by his enormous political influence in the configuration and political thinking of what, throughout the Franco regime, was the main party against the dictatorship, the Unified Socialist Party of Catalonia (PSUC). This influence was especially evident in the 1970s, in the final moments of Franco's regime and in the midst of the political transition to democracy. Berlinguer's transformation of the Italian Communist Party <a href="https://icariaeditorial.es/D/product/barcelona-capital-deleurocomunisme-berlinguer-i-el-miting-de-la-monumental-del-1978/" rel="nofollow">had a great impact on the PSUC</a>, where people like Jordi Solé Tura had stood out by translating the works of Antonio Gramsci and who had always preferred the Italian communist tradition to the French one, more present in Santiago Carrillo's PCE.</p>]]></description>
      <dc:creator><![CDATA[Joan Subirats]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/ethical-and-political-leadership-with-courage_129_5483416.html]]></guid>
      <pubDate><![CDATA[Sun, 31 Aug 2025 18:00:30 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/417a3905-a622-4004-8df3-05d198123de1_16-9-aspect-ratio_default_0_x911y1174.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Enrico Berlinguer in a 1977 image in Madrid.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/417a3905-a622-4004-8df3-05d198123de1_16-9-aspect-ratio_default_0_x911y1174.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[The detective series that is coming this fall (and is one of Filmin's favorites)]]></title>
      <link><![CDATA[https://en.ara.cat/media/the-detective-series-that-is-coming-this-fall-and-is-one-of-filmin-s-favorites_1_5478726.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/07fdc770-e64d-410b-8a3e-cbd6863d61cf_16-9-aspect-ratio_default_0.jpg" /></p><p>His landscapes are more autumnal than summery, but this matters little to fans of <em>Shetland</em>, which has a new season of the series available on Filmin starting this Tuesday. The detective fiction series set on the Scottish island is a favorite among subscribers of the Catalan platform and, in fact, in 2024 was the most-watched season on the streaming service. The plot of the new season centers on the disappearance of Annie Bett, Detective Tosh's friend, and her son Noah. The investigation, led by Tosh herself and her superior, Detective Inspector Ruth Calder, will uncover family and personal secrets within the Shetland community. </p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/the-detective-series-that-is-coming-this-fall-and-is-one-of-filmin-s-favorites_1_5478726.html]]></guid>
      <pubDate><![CDATA[Mon, 25 Aug 2025 15:20:30 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/07fdc770-e64d-410b-8a3e-cbd6863d61cf_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The stars of 'Shetland']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/07fdc770-e64d-410b-8a3e-cbd6863d61cf_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmin premieres a new season of 'Shetland']]></subtitle>
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      <title><![CDATA[Does Wong Kar-wai's series live up to expectations?]]></title>
      <link><![CDATA[https://en.ara.cat/media/does-wong-kar-wai-s-series-live-up-to-expectations_1_5417112.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/1e15805d-06e9-4791-81f0-22bcb26d8b1a_16-9-aspect-ratio_default_0_x883y108.jpg" /></p><p>Wong Kar-wai was allowed to do <a href="https://en.ara.cat/media/wong-kar-wai-makes-his-debut-in-the-world-of-series-with-story-about-capitalism-that-has-triumphed-in-china_1_5413011.html" target="_blank">a series</a>We're talking about one of the contemporary filmmakers who excels most in melodrama, and a creator who likes to expand his stories, which often expand across different spatial and temporal dimensions, as in great serials. He also does this in <em>Blossoms Shanghai</em>, his debut in television fiction, with a narrative around the turn towards capitalism of Chinese society, represented in the meteoric rise of Ah Bao (Hu Ge), a young man who becomes rich when the Shanghai stock exchange opens and becomes the most charismatic figure in the city. Based on the novel by Jin Yucheng, Wong follows the brutal transformations that contemporary China has undergone, in a series of 30 episodes (15 accessible to the press) that once again highlights the genius of the director of <em>Happy together</em> when it comes to recreating the history of an era down to the smallest detail, from objects to all kinds of dishes, from the most popular (beef chow fun) to the most extravagant (food fans will enjoy the episodes in which a culinary war breaks out between rival establishments).</p>]]></description>
      <dc:creator><![CDATA[Eulàlia Iglesias]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/does-wong-kar-wai-s-series-live-up-to-expectations_1_5417112.html]]></guid>
      <pubDate><![CDATA[Thu, 19 Jun 2025 15:17:14 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/1e15805d-06e9-4791-81f0-22bcb26d8b1a_16-9-aspect-ratio_default_0_x883y108.jpg" type="image/jpeg"/>
      <media:title><![CDATA[An image from the series 'Blossoms Shanghai'.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/1e15805d-06e9-4791-81f0-22bcb26d8b1a_16-9-aspect-ratio_default_0_x883y108.jpg"/>
      <subtitle><![CDATA[In 'Blossoms Shanghai', market fluctuations seem to overrule the weight of feelings.]]></subtitle>
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      <title><![CDATA[They also investigate: five crime mystery series with a female accent]]></title>
      <link><![CDATA[https://en.ara.cat/media/they-also-investigate-five-crime-mystery-series-with-female-accent_1_5410789.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/136fe8ee-4649-4a7b-89fd-729abe244a1a_16-9-aspect-ratio_default_0.jpg" /></p><p>In procedural series—those that follow the investigation of a crime—there is a variant that moves away from the stereotypical image of the tortured police officer: crime mysteries starring women. In recent weeks, several options have emerged that opt for this formula. We review the most recent premieres featuring female investigators who, like their male colleagues, also suffer from trauma and have unique characteristics that make them special. A list that could also include the Basque series <a href="https://en.ara.cat/media/missing-the-basque-series-that-has-found-its-place-netflix-and-was-filmed-twice-in-basque-and-spanish_1_5408596.html" ><em>Missing</em></a><em>.</em></p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/they-also-investigate-five-crime-mystery-series-with-female-accent_1_5410789.html]]></guid>
      <pubDate><![CDATA[Fri, 13 Jun 2025 12:52:15 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/136fe8ee-4649-4a7b-89fd-729abe244a1a_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[An image of 'Inspector Ellis']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/136fe8ee-4649-4a7b-89fd-729abe244a1a_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA['Patience' and 'Detective Ellis' are two of the latest police series in which women take center stage.]]></subtitle>
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      <title><![CDATA[The screenwriter who made his friend's suicide the most tender comedy on Filmin]]></title>
      <link><![CDATA[https://en.ara.cat/media/the-screenwriter-who-made-his-friend-s-suicide-the-most-tender-comedy-filmin_1_5402325.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8ff25c2e-5aa7-4c94-b2d6-b1e7120c4204_16-9-aspect-ratio_default_0.jpg" /></p><p>Comedian and screenwriter Jack Rooke (United Kingdom, 1993) has had to deal with loss and grief on several occasions throughout his still short life. First, with the death of his father and then with the suicide of one of his best friends from university. Both experiences are captured in <a href="https://es.ara.cat/media/series/criticas/big-boys-ternura-nuevo-punk_1_5009835.html" ><em>Big boys</em></a><a href="https://es.ara.cat/media/series/criticas/big-boys-ternura-nuevo-punk_1_5009835.html" >, one of the UK's most tender and luminous comedies</a> which has just premiered its latest season on Filmin. Taking advantage of his first visit to Barcelona to attend Primavera Sound, Rooke, affable and excited by the series' reception in Spain, talks to ARA about mental health, comedy, and the inconsistencies of the British who voted for Brexit.</p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/the-screenwriter-who-made-his-friend-s-suicide-the-most-tender-comedy-filmin_1_5402325.html]]></guid>
      <pubDate><![CDATA[Thu, 05 Jun 2025 10:32:52 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/8ff25c2e-5aa7-4c94-b2d6-b1e7120c4204_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Comedian Jack Rooke photographed at the SLS Barcelona hotel]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/8ff25c2e-5aa7-4c94-b2d6-b1e7120c4204_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Jack Rooke wrote 'Big Boys' based on his college experiences]]></subtitle>
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    <item>
      <title><![CDATA[Filmin's gem that confronts communist repression with jeans]]></title>
      <link><![CDATA[https://en.ara.cat/media/the-award-winning-series-that-aims-to-make-baltic-fictions-fashionable-and-that-fans-of-kleo-will-like_1_5294258.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/19b6c940-da19-492f-a247-5523220ff187_16-9-aspect-ratio_default_0.jpg" /></p><p>As the main window for European television fiction, Filmin brings audiences small gems that would have a difficult fit on more generalist and commercial platforms. This is the case of <em>Soviet jeans</em>, the Catalan streaming service's big premiere this February, a Latvian comedy-drama set in the Cold War years that arrives with the backing of having won the audience award at the main European series festival, Series Mania. It is not the only award it took home in its passage through the contest: its protagonist, Karlis Arnolds Avots, won the award for best actor in the International Panorama category.</p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/the-award-winning-series-that-aims-to-make-baltic-fictions-fashionable-and-that-fans-of-kleo-will-like_1_5294258.html]]></guid>
      <pubDate><![CDATA[Sun, 23 Feb 2025 17:00:11 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/19b6c940-da19-492f-a247-5523220ff187_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A scene from 'Soviet jeans']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/19b6c940-da19-492f-a247-5523220ff187_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmin premieres 'Soviet jeans', a dramatic comedy set in the Iron Curtain]]></subtitle>
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      <title><![CDATA[The fascinating detective series that is a phenomenon on Filmin (and now returns with changes)]]></title>
      <link><![CDATA[https://en.ara.cat/media/the-fascinating-detective-series-that-is-phenomenon-filmin-and-now-returns-with-changes_1_5280701.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/0f758a3f-e5e7-4ada-9ef0-2832739b0122_16-9-aspect-ratio_default_0.jpg" /></p><p>It was the most watched series of 2024 on Filmin and this Tuesday it returns with a new season. <em>Shetland</em>, set on the remote Scottish islands of the same name, fascinated the platform's viewers with the story of Jimmy Perez (Douglas Henshall), a widowed police detective who was in charge of investigating criminal cases while trying to raise his stepdaughter and overcome the grief over the death of his wife. Endorsed by the BBC seal - it is one of the great classics of British public television - the series has undergone a transformation in the last two instalments that have already been seen in England: Jimmy Perez no longer appears (as viewers who reached the end of the last season released on Filmin know) and now the lead role falls to</p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/media/the-fascinating-detective-series-that-is-phenomenon-filmin-and-now-returns-with-changes_1_5280701.html]]></guid>
      <pubDate><![CDATA[Mon, 10 Feb 2025 16:04:37 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/0f758a3f-e5e7-4ada-9ef0-2832739b0122_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Tosh will have more prominence in 'Shetland']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/0f758a3f-e5e7-4ada-9ef0-2832739b0122_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmin releases this Tuesday a new installment of 'Shetland', the most watched series on the platform during 2024]]></subtitle>
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