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    <title><![CDATA[Ara in English - Transsexual]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/transsexual/]]></link>
    <description><![CDATA[Ara in English - Transsexual]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[Love between tomato crates]]></title>
      <link><![CDATA[https://en.ara.cat/culture/love-among-tomato-boxes_1_5764145.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/99983506-fad5-4dc7-8514-9315575f3d57_16-9-aspect-ratio_default_0.jpg" /></p><p>It is always appreciated when a film doesn't lecture you. This applies to any film, of course, but it is especially relevant when dealing with works that touch upon social issues. <a href="https://en.ara.cat/culture/if-we-don-t-feel-that-our-bodies-can-desire-and-be-desired-we-won-t-have-fulfilling-lives_1_5647688.html" target="_blank"><em>Iván & Hadoum</em></a>, in this regard, gets into many predicaments right from its premise: Iván is a young trans man who falls in love with a colleague of Moroccan origin from the fruit and vegetable greenhouse where they both work in Almeria. That is to say, the film touches upon the axis of gender, the axis of sexual identity, the axis of class, and the axis of race. But none of them is the narrative axis. In any case, class ends up having more weight, because the friction between the two characters ends up being work-related (Iván has a complacent attitude towards the bosses; Hadoum is combative). Be that as it may, the <em>opera prima</em> as a director by <a href="https://www.ara.cat/cultura/ian-rosa-cineasta-trans-gaudi_1_4295056.html" target="_blank">Ian de la Rosa</a> is not about that either: it's about the moment when two people, regardless of their identity, converge until they diverge, like any other couple of human beings in the early stages of falling in love.</p>]]></description>
      <dc:creator><![CDATA[Joan Pons]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/love-among-tomato-boxes_1_5764145.html]]></guid>
      <pubDate><![CDATA[Wed, 10 Jun 2026 10:08:20 +0000]]></pubDate>
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      <media:title><![CDATA[Silver and Herminia Loh at 'Iván & Hadoum'.]]></media:title>
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      <subtitle><![CDATA[The filmmaker from Almeria trained at ESCAC Ian de la Rosa debuts as director with 'Ivan & Hadoum', Teddy Award for best LGBTIQ+ film at the Berlinale]]></subtitle>
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      <title><![CDATA[Valentina Berr, the first Catalan transgender footballer, gives up]]></title>
      <link><![CDATA[https://en.ara.cat/society/valentina-berr-the-first-catalan-transgender-footballer-gives-up_1_4418144.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/e1fdab88-8179-43df-a0f3-b0883f5c513c_16-9-aspect-ratio_default_0.jpg" /></p><p>Valentina Berr has decided to give up. The first trans federated football player in Catalonia – and the second in Spain – announced this Tuesday, on International LGBTI+ Pride Day, that she is abandoning federated football "to preserve her mental health". The 28-year-old player of CE Europa, a Barcelona team with which this season had achieved promotion to the Spanish second division, explained that she is giving up football reluctantly. She does so because of the pressures of playing as a trans woman: "I'm not hanging up my boots; they hanging them up for me. I could no longer stand the panic and anxiety attacks I had increasingly been suffering in recent months," she said in a statement.</p>]]></description>
      <dc:creator><![CDATA[Albert Nadal]]></dc:creator>
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      <pubDate><![CDATA[Tue, 28 Jun 2022 15:33:54 +0000]]></pubDate>
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      <media:title><![CDATA[Valentina Berr, transgender soccer player, during a match with CE Europa]]></media:title>
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      <subtitle><![CDATA["I couldn't take the panic and anxiety attacks I was suffering any more," the CE Europa player explains]]></subtitle>
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