<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:atom="http://www.w3.org/2005/Atom"  xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  <channel>
    <title><![CDATA[Ara in English - design]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/design/]]></link>
    <description><![CDATA[Ara in English - design]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
    <atom:link href="http://en.ara.cat:443/rss-internal" rel="self" type="application/rss+xml"/>
    <item>
      <title><![CDATA[What has become of that Barcelona of design?]]></title>
      <link><![CDATA[https://en.ara.cat/lifestyle/what-has-become-of-that-barcelona-of-design_129_5694879.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6c30b25a-beb8-489c-8b6e-c332529f496d_16-9-aspect-ratio_default_0.jpg" /></p><p>If you liked the burly and always expressionless guy at the door, you had the right to dive into the world of <em>Blue velvet </em>by David Lynch, or that other futuristic planet of <em>Max Headroom</em>. Heavily made-up girls, “<em>a touch of shadow here, a touch of shadow there</em>”, large triangular earrings, American football-style shoulder pads, and black miniskirts. Guys dressed in Closet or Privata, tight jeans at the bottom, and tiny Victoria sneakers, white or pastel-colored. Everyone smoking Camel, Winston, or Marlboro and drinking whisky with coke or vodka with lemon as if the world were about to end... (The gin and tonic boom was still a long way off.) </p>]]></description>
      <dc:creator><![CDATA[Ricardo Feriche]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/lifestyle/what-has-become-of-that-barcelona-of-design_129_5694879.html]]></guid>
      <pubDate><![CDATA[Tue, 31 Mar 2026 08:53:58 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/6c30b25a-beb8-489c-8b6e-c332529f496d_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A frame from the movie Blue Velvet]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/6c30b25a-beb8-489c-8b6e-c332529f496d_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Who were the two Soviets who revolutionized Manhattan in the 1950s?]]></title>
      <link><![CDATA[https://en.ara.cat/lifestyle/who-were-the-two-soviets-who-revolutionized-manhattan-in-the-1950s_129_5672528.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ea48a039-4dac-4382-bcb3-4840643246ae_16-9-aspect-ratio_default_0.jpg" /></p><p>He lit the cigarette. The smoke was smooth and aromatic. After being surrounded by photographers, stylists, and models, Alexey Brodovitch liked this solitude at the end of the day. Only one light illuminated his drawing table. On the counter lay the first double-page spread of the main story: a sketched girl opening an umbrella. He picked up the pages and went to the next room, where the floor was lined with leaves arranged in perfect order. He placed the girl with the umbrella in the only empty space. Very serious, he looked at the arrangement. He went to the window. Outside it was dark and snowing heavily. The cigarette filter warmed his fingers. Alexey Brodovitch smiled. At 572 Madison Avenue, in Midtown Manhattan, hundreds of yellow taxis looked like ants from the floor where the newsroom was located. <em>Harper's Bazaar</em></p>]]></description>
      <dc:creator><![CDATA[Ricardo Feriche]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/lifestyle/who-were-the-two-soviets-who-revolutionized-manhattan-in-the-1950s_129_5672528.html]]></guid>
      <pubDate><![CDATA[Mon, 09 Mar 2026 10:03:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/ea48a039-4dac-4382-bcb3-4840643246ae_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The double page understood as a unit that]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/ea48a039-4dac-4382-bcb3-4840643246ae_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Miriam Ponsa: "Wine is a way to celebrate life."]]></title>
      <link><![CDATA[https://en.ara.cat/food/miriam-ponsa-wine-is-way-to-celebrate-life_1_5476147.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8fb468e0-e6dc-48b2-a9c8-1ee2dd6757d3_16-9-aspect-ratio_default_0.jpg" /></p><p>Míriam Ponsa (Manresa, 1973) is one of the most well-known and rebellious figures on the Catalan fashion scene. The designer, who has had her own brand since 2000, creates pieces woven with materials sourced locally from the old silk thread factory her great-grandmother opened in 1886. Since the pandemic, and as a gesture of rejection of a model of cumulative consumption, the brand only produces on demand.</p>]]></description>
      <dc:creator><![CDATA[Elena García Dalmau]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/food/miriam-ponsa-wine-is-way-to-celebrate-life_1_5476147.html]]></guid>
      <pubDate><![CDATA[Fri, 22 Aug 2025 06:01:20 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/8fb468e0-e6dc-48b2-a9c8-1ee2dd6757d3_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Miriam Ponsa in a file photo.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/8fb468e0-e6dc-48b2-a9c8-1ee2dd6757d3_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Fashion designer]]></subtitle>
    </item>
    <item>
      <title><![CDATA["Music is the only thing I found to take away the pain inside."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/music-is-the-only-thing-found-to-take-away-the-pain-inside_1_5463789.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b481482c-6a78-4ee8-a856-35e0806c3902_16-9-aspect-ratio_default_0.jpg" /></p><p>Xavi Forné began designing concert posters for the bands he played in when he was still a teenager. Twenty years later, those <em>flyers</em> The black and white sketches that were passed from hand to hand have become international tour posters for bands like Metallica, Depeche Mode, the Black Keys, Soundgarden, and Foo Fighters, and are seen all over the world.</p>]]></description>
      <dc:creator><![CDATA[Dani Colmena]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/music-is-the-only-thing-found-to-take-away-the-pain-inside_1_5463789.html]]></guid>
      <pubDate><![CDATA[Mon, 04 Aug 2025 18:00:38 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/b481482c-6a78-4ee8-a856-35e0806c3902_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Xavi Forné, in front of some of the posters he has designed in recent years, specifically those he made for Metallica and Swans.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/b481482c-6a78-4ee8-a856-35e0806c3902_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Xavi Forné has designed posters for major tours by bands such as Metallica, Depeche Mode and Foo Fighters.]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Txell Miras: "Whether we like it or not, wine also enters through the eyes."]]></title>
      <link><![CDATA[https://en.ara.cat/food/txell-miras-whether-we-like-it-or-not-wine-also-enters-through-the-eyes_1_5454478.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5c1165db-d3ca-4eca-aa1b-d696dc59d6e4_16-9-aspect-ratio_default_0.jpg" /></p><p><strong>As a fashion designer, do you judge wines by their labels?</strong></p>]]></description>
      <dc:creator><![CDATA[Elena García Dalmau]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/food/txell-miras-whether-we-like-it-or-not-wine-also-enters-through-the-eyes_1_5454478.html]]></guid>
      <pubDate><![CDATA[Fri, 25 Jul 2025 05:01:15 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/5c1165db-d3ca-4eca-aa1b-d696dc59d6e4_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Designer Txell Miras]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/5c1165db-d3ca-4eca-aa1b-d696dc59d6e4_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Fashion designer]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Proximity and sustainability in Catalan fashion]]></title>
      <link><![CDATA[https://en.ara.cat/summer/proximity-and-sustainability-in-catalan-fashion_130_4096038.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a8592df0-5fc1-41c2-94b4-325ed5b9cca3_16-9-aspect-ratio_default_1007071.jpg" /></p><p>This is what these brands' clothes are like: relatively affordable, durable and sustainable. We review the Catalan firms and designers who work with criteria of proximity and sustainability and who want you to leave fast fashion aside without ending up broke.</p>]]></description>
      <dc:creator><![CDATA[Laura Sangrà]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/summer/proximity-and-sustainability-in-catalan-fashion_130_4096038.html]]></guid>
      <pubDate><![CDATA[Thu, 26 Aug 2021 10:08:13 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/a8592df0-5fc1-41c2-94b4-325ed5b9cca3_16-9-aspect-ratio_default_1007071.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A dress of the brand Gale]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/a8592df0-5fc1-41c2-94b4-325ed5b9cca3_16-9-aspect-ratio_default_1007071.jpg"/>
      <subtitle><![CDATA[They have expanded all over the world and are outside the low-cost clothing sector, focusing on ethics in their work and production]]></subtitle>
    </item>
  </channel>
</rss>
