There is a long way to go in male-female parity in company management. Half of the population is still underrepresented. But despite still low levels, the situation is slightly better in Catalan family businesses. This is highlighted in a study promoted by the Catalan Association of Family Business (ASCEF), according to which, companies of this type "are clearly more inclusive of women".

Now that it is the fiftieth anniversary of the historic First Catalan Women's Conferences, there are three ways to remember them: watch the documentary Feminism 76: When our lives changed, produced by RTVE Catalunya; read Feminist Catalonia. May 27-30, 1976, by Isabel Segura; or attend some of the activities that will be held during this month of June at Fabra i Coats under the title Feminisms in revolt. 1976-1926.

Last week, the program El juicio on La 2 raised an unprecedented debate topic: Should feminism continue to advance? The lever that allowed them to activate this reflection was a question from the CIS in 2024 about the perception of equality policies. 44% of men answered that they believed these policies discriminated against them, and 32.5% of women did too. The origin of the problem is the same in both cases: the legitimacy of an unquestionable social right is shifted to the realm of opinion. It's not that feminism cannot be discussed. Priorities, public policies, or whatever is considered can be debated. The problem is questioning a fundamental right to create a confrontation for the benefit of spectacle. This dramatization of the conflict into a simple for and against presupposes that equality between men and women is negotiable. It is surprising that lawyer Montserrat Nebrera agreed to defend the thesis against the debate question, even though it is known that lawyers defend their clients even when they are guilty.The testimonies from El juicio raised views on feminism that grated. The artist Aldo Comas stated: “Machismo exists, but I don't think it's as big a problem as they make it out to be or as huge a drama”. Social reality is distorted from an individual opinion which, moreover, is a fallacy. That a specific man does not perceive sexism as a serious problem is no proof of its irrelevance. And this is another problem: reflections are incorporated that do not stem from a criterion of expertise but from finding a gentleman who wants to go on television to pontificate.The question “Should feminism continue to advance?” is a symptom of another circumstance. The previous week, El juicio posed: “Is Spain a racist country?” but in no case did they dare to ask: “Should the fight against racism continue to advance?” Not even the CIS dares to ask: “Have anti-racist policies gone too far?” It is difficult to imagine Nebrera taking on the television defense of these theses nor an artist coming out to comment that the problem of racism is being exaggerated and that there are other priorities. El juicio would also not have the guts to debate whether the rights of LGBTI people should continue to advance or whether the integration of people with disabilities should continue to advance. The popular trial ended with 9 votes in favor and none against. What a coincidence. In the end, everyone comes out looking great and progressive.There are questions that cause debate to cease being a tool for reflection. What they do is take advantage of a social issue to make noise and create spectacle. What this approach demonstrates is that women's rights can still be questioned and put to debate. That is why feminism needs to advance. Because public television still allows itself the right to propose debates of a fundamentally sexist nature.

On Tuesday, June 2, the presenter of the TVE program Al cielo con ella, Henar Álvarez, starred in an unusual scene that soon went viral. During her usual opening monologue, she complained that not a week goes by without some viewer asking her why she presents the program "dressed as a man". The question is not anecdotal.

The Association for the Promotion of the Francesca Bonnemaison Women's Cultural Centre (la Bonne), a meeting, exchange, and creation space for feminist cultural projects that brings together more than a hundred women's collectives, has been fighting with the Diputació de Barcelona for over ten years to continue in the Francesca Bonnemaison building, on Sant Pere Més Baix street in Barcelona. The latest step has been to formally request the reversal of the property from the president of the Diputació, Lluïsa Moret, based on the democratic memory law. The argument is that in 1941, in the midst of the post-war context, a deed of assignment was signed to the Diputació which the association calls a "true spoliation". it has been more than ten years that it has been battling with the Barcelona Provincial CouncilFrancesca Bonnemaison (1872-1949) was a right-wing, Catholic woman from a good family who did something very audacious that still endures today: she created Europe's first women's library, the Popular Library for Women, in 1909. She offered women a place to train, and at that time it was so exceptional that, when the Institute of Culture and Popular Library for Women opened on Sant Pere Més Baix street, the police had to go there because the men, unaccustomed to the presence of women in public spaces, were becoming agitated. The Popular Library for Women was born in the upper cloisters of Santa Anna and was inaugurated on March 28, 1909. Since Bonnemaison had very good relations and knew the Barcelona oligarchy, she secured enough funding to move, in 1910, to number 12 Elisabets street, and in 1920 she acquired a larger premises in Sant Pere Més Baix. From 1922 onwards, the Institute of Culture and Popular Library for Women was located there. Even today, the institution occupies this space, which is the old Casa Cordellas mansion.

I read in ARA an article about nutrition during menopause. Nowadays, many news items of this kind are published. Until not long ago, you could find something about it in the medical advice sections of gossip magazines and in specialized publications for professionals. There wasn't any fiction that touched on it. Now, however, advertisements, podcasts, shows, and monologues talk about it. The other day, a friend and I were saying: "Can you imagine our grandmothers?" There were no lubricants, no estrogens, nor much oily fish here or there available to them. They must have commented at the washhouse that sexual relations hurt them, and they must have been prescribed ointments and potions, just as midwives or older women knew how to "help" with childbirth. I remember a phrase – that I kept for a piece of fiction – from my grandmother, which I now revisit with current eyes, knowing what we know that they didn't know. "It's just that grandpa looked for me until the last day. Until the last day he looked for me."

This is a somewhat surprising story, especially considering it was written by a woman. I don't know much about Amy Twigg: what the book flap says is all that can be found about her online: that she is English – and seems quite young (her age is not stated anywhere) – that she studied creative writing and that with Rotten Creatures she won the BPA Pitch Prize and caused quite a stir. It is a story that begins in a, let's say, inadvertently routine way. Iris (thirty-two years old) decides to enter a women's commune –the House of the Left— to see if her precarious life reality improves. She does so, attracted by one of the residents in the house, the mysterious Hazel. At the head of the domestic matriarchy is Blythe, a vigorous and decisive woman.The profile of those who were welcomed there can be imagined: “Not all of them were fleeing violence. There were women who came because they were exhausted from the eight-hour workday, from working to pay for a house where they barely lived and from promotions that never came. Women tired of frustrating dates and of heating meals in the microwave, of receiving unsolicited dick pics and of traffic jams. Of fiddling with their keys when they returned home and it was dark, of covering their drink with their hand so that nothing would be put in it, of not drinking a sip because the waiter had given them a bad vibe”.A safe space for women?

So far everything is in order. The House of the Left seems like one of those safe spaces for women, where they can exercise sorority with freedom and joy. But no. What will happen, and is announced in the text almost immediately, is unexpected. We could say that the novel begins like Terra d’elles and ends like The Lord of the Flies. Herland (Herland) is a science fiction utopia by Charlotte Perkins Gilman. It deals with a society inhabited solely by women where order, peace, and rationality prevail. This gynaecotopia presents a cooperative collectivity in which competitive relationships have been transformed into relationships of solidarity. Somewhere in South America, three million Amazons live happily in cooperation and communion with nature. They reproduce by parthenogenesis and have managed to conceive only daughters. Their religion is maternal pantheism. A motherhood that is transversal to society, influencing all arts and industries, absolutely protecting all children and providing them with the most perfect care and education. Herland is the second volume of a trilogy and was originally published in 1915. It was translated by Jordi Vidal and published in Catalan in 2002.The Lord of the Flies, in turn,is a more well-known novel. It was published in 1954 by William Golding, winner of the Nobel Prize in Literature. It deals with a group of young British boys stranded on a desert island who try to self-govern with chilling results. It is a fable about the innate drives of violence in the individual that made a fortune (the volume was translated by Manuel de Pedrolo and published in Catalan in 1966).Well then, everything that happens in the supposedly ideal space of the House of the Left will reveal the contradictions of human nature (male and female alike). The love story of Iris with Hazel (the left of the story) will evolve, but so will, for the worse, the relationships between the resident women and Blythe's own moods. The male intervention, however, does not help, but rather precipitates events.Do not reveal anything if I write that things will end badly, as the narrator repeatedly warns us. What seemed like a feminist parable ends up becoming her nemesis. But Amy Tigg's narrative flow flows so smoothly and so well-oiled that we fall into it without realizing it. And so passes the glory of the world (and of women).

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Her hair really catches the eye. She herself admits that she feels observed wherever she goes and that she is tired of being stopped in the street to be asked if they can touch her hair or if they simply touch it without her permission. Isabel Balde, 32, has beautiful afro hair. The kind that's a huge ball of curls. "People are not aware that touching someone's hair is invading personal space," she says, as her hairdresser styles it and she looks proudly in the mirror. It wasn't always like this. She used to hate her hair.

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The ceasefire between the United States and Iran has temporarily halted the escalation, but it leaves a difficult image to ignore. For days and weeks, and also in various scenarios of the Spanish State's political arena, the war was justified in the name of Iranian women. Their oppression, lack of rights, feminist struggle. All presented as a moral reason to bomb the country.

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We read in the ARA about the book by British journalist Ellen AtlantaVirtual Diva(Deusto, 2025), where he criticizes the business ofinfluencers"as a symptom of what millions of girls and women experience today," who "feel compelled" to imitate and admire her content. The publication discusses the model andinfluencerKylie Jenner, who embodies a "patriarchal beauty standard that is becoming increasingly strict, but disguised as female empowerment."

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1. If today is Monday, March 9th, it means there's one year left until International Women's Day. I wonder how we'll get there in 2027 if, locally or globally, we continue to take so many steps backward at such a rapid pace. Equality—if it is true equality, it must be without nuances or footnotes—still seemed a long way off, and suddenly, regression is more than just a palpable threat. It's a stark, bitter, and daily realization that the gains we've made are in danger. The far-right wave sweeping the world and the fundamentalism common in religions rooted centuries ago are striving to subjugate women once again to limits that seemed to have been overcome. Irrelevance, dependence, complementarity transformed into inferiority, being told "don't say much" and "you have an opinion, but not much" are the new social condemnations. This is what Katherine Graham, the editor of the Washington PostWhen her husband made her feel, at all times, like she was the tail of a star. The nucleus of the comet that shone, of course, was him. Always him and only him.

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That we are starting with artificial intelligence using biased algorithms is no secret. The dangers of using AI without regulation have been demonstrated and emphasized, whether for personal purposes, in a company or institution, or, even more alarmingly, for disseminating content on social media. Achieving ethical algorithms, aligned with democratic values ​​and incorporating a gender perspective, is an objective that is being pursued, especially in Europe. Women experts in this field are shedding light on a rapidly advancing technology that seems difficult to control and in which, as in the world of... big tech, There's a lack of women.

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Reviewing the latest Prime Video hits, it's easy to spot a pattern: films for the platform centered on teen love stories are bound to win. The latest example is Tell me in a whisper, a Spanish production about the love triangle between Kamila (Alícia Falcó) and brothers Thiago and Taylor Di Bianco (Fernando Lindez and Diego Vidales), whom the protagonist hadn't seen for seven years. The romantic relationship patterns in this film are toxic, but that doesn't seem to matter to its audience, who have devoured it.

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I've had the opportunity to observe female entrepreneurship both through social research and my own experience. This dual perspective allows me to state quite emphatically that when women become entrepreneurs, they not only create companies, but they also silently challenge the model of leadership and success that we have thus far taken for granted. It's not just about how many companies they run, but about how they design them, what relationships they build, and what kind of impact they seek.

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In today's interconnected world, defending women's rights and sexual and reproductive rights is a shared responsibility.

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With another March 8th approaching, feminism is facing a disastrous situation. The movement is suffering setbacks worldwide, and according to the results of a survey published in this newspaper, 60% of men in Spain believe they are being discriminated against simply for being men. Data like this neither surprises us nor is it foreign to our society. Often, in the very articles I write each week, there are men who automatically feel... offended Just for using a feminine adjective. Even if the adjective could include me, a woman, it doesn't matter if we're talking about the beacon scam or living past 100. These are individuals, almost always anonymous, who cling to the tradition of thinking only of themselves. Nor to the tradition that women can be discriminated against. But woe betide them if a generic term doesn't make them feel included! (They are there, but they want to maintain their status. Besides, they shouldn't be everywhere, either.) These men are terrified of losing what they believe is their birthright. But these men's feelings are also tied to egocentrism and a deliberate desire to harm. Because, seeing the state of the world, they show not even the slightest empathy for verifiable facts and for a fundamental reason: demanding human rights is exhausting. We have other things to do in life. But we want a fairer life for everyone. And we want to use adjectives however we please.

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We read in the ARA The number of female managers in France has been steadily increasing, thanks to the law that requires companies with more than 1,000 employees to have at least 30% women on their management and executive committees. By 2029, the percentage of female managers must reach 40%.

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For no less than nineteen centuries, the inferiority of women to men was not questioned, and we sometimes forget this. To take just one example, at the end of the 19th century, Gustave Le Bon, a French sociologist and physicist, wrote: "There are a great many women whose brains are more like the size of a gorilla's than a man's, which is more developed. Those who have studied women's intelligence, as well as poets and novelists, recognize today that it is closer to that of a child or a savage than to that of a civilized adult man."Anthropology Review, number 2, 1879).

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Alice B. Sheldon (Chicago, 1915 - McLean, 1987) signed her books with the pseudonym James Tiptree Jr.: she chose a generic name like James and took the surname Tiptree from a jam jar. Women than men They don't see It is a collection of twelve stories written between 1962 and 1973 that functions as a perfect trap: it seems like adventure science fiction, but in reality, it is a highly precise piece of ideological dissection. Sheldon doesn't imagine distant futures to escape the present, but rather uses them to make it intolerably visible, anticipating current debates on feminism, sex, and environmentalism.

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They have grown alongside the fourth wave of feminism and the rise of equality policies, but Young people are less feminist than before. Sixty percent of men in the country believe that progress toward equality has been so great that they are now being discriminated against simply for being men, and almost half believe that too much is expected of them to achieve equality between men and women. These are some of the conclusions of a large survey conducted by Ipsos and King's College London to mark International Women's Day. The report, published this Thursday, reveals marked differences between generations of men regarding gender roles. "It is worrying to see that attitudes toward gender equality are not more positive, especially among young men. Many Gen Z men not only place limiting expectations on women, but also confine themselves to restrictive gender norms," ​​laments Julia Gillard, chair of Ipsos Global. A total of 23,000 people from 29 different countries participated in the study. The authors warn that, globally, young men are more likely than those of previous generations to hold a "traditional view" of gender roles. Although respondents in Spain are more supportive of equality than the average found in the research, with more than half considering themselves feminists (44% of men and 59% of women), the results indicate that feminism is declining worldwide. In fact, in Spain—and this is unique to Spain—the percentage of people who believe that enough has been done to achieve equality is decreasing, falling from 55% in 2019 to 48% in 2026, a drop of 7 percentage points. A global decline

Across all the countries surveyed, 31% of Gen Z men agree that a wife should always obey her husband, and a third say that the husband should have the final say in important decisions. Thus, Gen Z men (born between 1997 and 2012) are twice as likely as men of their generation to hold these views. baby boomers (born between 1946 and 1964) of having traditional views on decision-making within marriage, since only 13% and 17% of the baby boomers They agreed with these statements respectively.

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