The second season of The Pitt, the HBO Max series that has recaptured the spirit of great medical dramas, especially regarding its commitment to realism, has ended. Not a veracity as a mere production flourish, but for the dramatic demand to connect with social problems that engage the viewer beyond mere entertainment. In this new stage, the dramatic tone has been intensified and the psychological dimension of the characters has been increased.

A few weeks ago, psychologist and content creator Sandra Parmo recommended a Korean film on her social media, 18x2 beyond youthful days, or in Spanish 18 years later. Quickly, several followers told her that they hadn't managed to find the film on the platform in any way. Parmo gave them a piece of advice: change the interface language to English, the easiest way to locate this title, which for many users seemed invisible. Are there really series or films that appear or disappear depending on the language in which we have Netflix configured? The short answer is yes, but the situation is a bit more complex.

At 28 years old, Elle Fanning is in a splendid moment of her professional career. This year she has been nominated for best supporting actress for The Worst Person in the World, she will be one of the protagonists of the prequel to The Hunger Games and this week she premieres a new series entirely designed for her to shine. In Margo has money problems, which arrives this Wednesday on AppleTV, she plays a young university student who gets pregnant after having relations with her professor, who is older and married. The girl decides to keep the baby, but this implies dropping out of school and financially supporting her new, small family. Her world will open up when she discovers OnlyFans, where she will create a profile and earn money by rating her followers' penises.

When Euphoria premiered in 2019, it took half the world by surprise. The series, which was an adaptation of an original Israeli title, showed adolescent disillusionment and anguish in a new way thanks to Sam Levinson's stylistic daring and managed to hook adult viewers even though, in principle, they were not the target audience for the production. After a four-year wait and voices claiming that the third season would never happen, the HBO Max fiction returns with an installment that has many chances of being the definitive farewell according to the statements of its protagonists. A good part of the cast are now global stars, although when the series started they were practically unknown. We review the five most outstanding names of , which in its third season will mix drug trafficking, sex, and decadence.

It's one of the great comedies of recent years, but it's closing its curtains. Hacks, the funny story of the relationship between a veteran comedian and a younger one, premieres this Thursday its fifth and final season on HBO Max. It arrives at its end on its own terms, being aware that it was time to close shop and not unnecessarily prolong the plot so as not to damage its legacy as one of the best-written comedy series of recent times.

The nightmares of the theocratic dictatorship of Gilead did not end the day that The Handmaid's Tale aired its last episode. The series starring Elisabeth Moss and based on Margaret Atwood's novel concluded in mid-2025, but before saying goodbye to viewers, it was already official that it would have a continuation titled The Testaments. The new fiction premieres this Wednesday on Disney+ and picks up the action years after the original series ended. If viewers didn't suffer enough then, this new foray returns ready to test their endurance.

Iñaki Mur (Barcelona, 1993) became known for series like Merlí, but he left that stage behind a long time ago. He now plays Salvador Dalí in This is not a murder mystery (Esto no es un misterioso asesinato on Filmin), a Belgian series set in the thirties of the 20th century that functions as a kind of Agatha Christie in which the main suspects in a murder are surrealist artists such as the Catalan painter himself, Man Ray, René Magritte or Lee Miller. The story is inspired by the real relationship between the magnate and patron Edward James, owner of the West Dean estate in West Sussex, and the international surrealist circle. The series premieres on Tuesday, April 7.

Corruption is not just a human thing, it can also seduce superheroes. And fighting to uncover the truth as ordinary people, when your enemies could destroy the planet in the blink of an eye, is difficult, but not impossible. These are some of the elements present in The Boys, one of Prime Video's most celebrated series that functions as a subversion of the, until a few years ago, very popular superhero genre. The fiction premieres this Wednesday its fifth and final season with two opening episodes and will subsequently air one episode per week until May 20.

Easter holidays are so short that they practically shouldn't count as holidays. But if you are among those who can extend the break beyond the strictly festive days, you will surely have time to rest and also relax with a mini-series that doesn't involve being glued to the screen for many hours. To make the job easier, we recommend eleven recent mini-series that you can watch these days.

In the midst of the streaming era and omnipresent screens, a growing segment of youth is looking back. Vinyl records, cassettes, film cameras, or VHS tapes, formats that just a few years ago seemed doomed to disappear, are circulating again among young people as objects of cultural consumption and symbols of identity. Far from being a fleeting trend, the phenomenon reflects an increasingly complex relationship between the digital generation and the technology that dominates their daily lives.

The Madison is a series that seems to have premiered for Easter with the purpose of redeeming us, especially women living in urban areas. Starring Michelle Pfeiffer and Kurt Russell, it has a plot that the SkyShowtime menu already explains more than enough. It is created by Taylor Sheridan, the architect of the contemporary western. But if you like series about rich people, luxurious settings, and extraordinary landscapes, The Madison will not disappoint you. A woman from New York will be forced to rebuild her life far from her world. The title of the series already determines the importance that the landscape will have in all of this. It takes its name from the most emblematic river in Montana, which crosses areas near Yellowstone National Park. Nature and territory will be so decisive that they will become moralizing devices for the protagonists. The river environment will become a kind of silent arbiter as an activator of family drama.  

The saying goes that comedy is tragedy plus time, and this Thursday Movistar+ will put it to the test with the premiere of a series that recreates one of the events that gripped the country for almost a month: the kidnapping of player Enrique Castro, alias Quini. It was 1981, and groups like ETA or the Grapo resorted to quick kidnappings as a way to finance themselves. But the footballer's case deviated from this scheme, as the captors were a trio of people with no prior experience in crime, drowning in debt and who did not foresee all the complications – beyond the legal ones – that their action would entail. Por cien millones revisits the case, but from the perspective of these anti-heroes, to whom the creators apply a compassionate gaze.

Who remembers the interns, fifteen years later? The creators of Scrubs do. This medical series starring four resident doctors returns now, three decades after it ended, to reunite the viewer with characters who are now established doctors but still work at the Sacred Heart Hospital. Disney+ hosts this revival starting this Wednesday. Created by Bill Lawrence and produced by ABC Studios, the series, which premiered in October 2001, had nine seasons and 182 episodes aired until now, and captivated millions of viewers with its original, slightly eccentric, and self-aware comedy style. After the success of this unconventional sitcom, Lawrence produced Cougar Town, Bad Monkey, Shrinking, and the acclaimed Ted Lasso.

For most viewers and the general public, Lisa Kudrow will always be Phoebe Buffay, the eccentric masseuse who was part of the group of friends from Friends. But the actress's professional life is not limited to the superpopular comedy of the 90s and early 2000s. When Friends ended, Kudrow embarked on other professional projects, the most personal of them The comeback, a comedy considered a cult classic that is now returning to television 12 years after its second season (the first premiered in 2005). The new installment, the last the series will have, premieres this Monday on HBO Max.

When it premiered almost stealthily on Prime Video three years ago, The Jury became the comedy of the moment. With a mockumentary format, it showed the interaction between the various members of a jury. The linchpin that made it a phenomenon was the blend of reality and fiction: the protagonist, Ronald Gladden, was a real person who believed he was actually part of a jury. The truth was that it was all fake and that his fellow jurors were actors, a premise reminiscent of the film The Truman Show. After that experience, the same team has put together a second installment with a completely different setting. The Jury: Corporate Retreat arrives this Friday on Prime Video with three episodes. The next two will premiere on March 27th and the last two on April 3rd.

Four years after its finale, Peaky Blinders, the fiction about a group of Birmingham gangsters, returns to the screens. Now, however, it does so not in series format but as a feature film. Peaky Blinders: The Immortal Man premieres on Friday on Netflix with much of the original cast, led by Cillian Murphy, an Oscar winner for Oppenheimer. The Irish actor once again takes on the role of Thomas Shelby, the charismatic mobster whom viewers accompanied as he managed illegal betting, arms trafficking, and horse racing, and fought against other mafias. The series ended with Shelby imposing exile on himself, and this is precisely the starting point of the film written by Steven Knight, creator of the original fiction.

A true story can be a juicy starting point for a television series, but also an endless source of headaches. Inevitably, if the protagonists of the story the fiction tells are still alive, they may feel they haven't been well represented or understood by the creators. In some cases, this can even lead to legal action. A recent example of the discomfort a series based on real events can generate is... Love storyBut there are many other examples.

Nicole Kidman has long been a regular face on TV series, although her luck has been mixed when it comes to the success of her projects. She triumphed with Big Little Lies, but other productions like The Perfect Couple or Nine Perfect Strangers have not been well received by critics. Despite these small failures, the Australian is not faltering in her conquest of television and kicks off 2026 as the protagonist of the adaptation of a famous black novel saga written by Patricia Cornwell. In Scarpetta Kidman plays a brilliant forensic doctor, Kay Scarpetta, who investigates several deaths that seem to be related to a case she worked on 28 years ago and which launched her career. The series premieres this Wednesday on Prime Video and, while waiting to see if it will be the success Kidman desires, it has already received the green light for a second season, currently in production. Kidman is not the only well-known face in the cast of Scarpetta. The other heavy hitter in the production is Jamie Lee Curtis, who plays the protagonist's older sister, Dorothy, a somewhat histrionic woman who has had an intense love life. Currently, she is married to Pete Marino, a detective who was Kay's work colleague and who is played in the series by Bobby Cannavale (the young version of the character is played by the actor's son, Jake Cannavale). The protagonist's family nucleus is completed by her husband, an FBI agent played by Simon Baker (The Mentalist), and her niece, Lucy, played by Ariana DeBose, winner of the Oscar for best supporting actress for West Side Story. Despite being a crime series, Kay's family plays a fundamental role: Patricia Cornwell, author of the novels on which the series is based, has defined her stories as a forensic drama with "a touch of soap opera". Complicated relationships

The soap opera flavor comes from the relationship between all the family members and the way in which, especially the women of the clan, they confront death. When they were children, Kay and her sister Dorothy witnessed the death of their father, an Italian shopkeeper settled in Miami. "The way they react to the murder of their father, which they saw and which took place when they were little, has had enormous ramifications for each of them. It united them, but it also put them in conflict," Kidman explains to The Hollywood Reporter. One of the points of conflict between the two sisters is Lucy: although she is Dorothy's daughter, she was basically raised by Kay. Currently, the girl, a brilliant computer scientist who worked for the FBI, is going through a bad time because her wife has died. Instead of confronting her grief, she remains tied to her memory through an avatar she has created with artificial intelligence. The use of artificial intelligence as a tool to manage death was an element of the plot that particularly interested the showrunner of the series, Liz Sarnoff. "The series is about death and loss, and this is a really different way of dealing with loss. I felt it was important to say: 'This is what's coming. How does it make us feel? And how do we think it affects the person who is saddest?' And it's a focus of discussion among the characters: is it a good thing? Is it a bad thing? Is it holding her back? Is it healing her?", Sarnoff reflected during the series premiere.

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Reviewing the latest Prime Video hits, it's easy to spot a pattern: films for the platform centered on teen love stories are bound to win. The latest example is Tell me in a whisper, a Spanish production about the love triangle between Kamila (Alícia Falcó) and brothers Thiago and Taylor Di Bianco (Fernando Lindez and Diego Vidales), whom the protagonist hadn't seen for seven years. The romantic relationship patterns in this film are toxic, but that doesn't seem to matter to its audience, who have devoured it.

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The protagonist of Vladimir, the new Netflix miniseries starring Rachel Weisz, has no name, at least for the viewers. However, it is the only thing that the series' followers do not know about the character, a university professor who begins to have sexual fantasies about a younger colleague at the same time as she has to manage the investigation for inappropriate conduct by her husband, also an academic. The miniseries, which arrives this Friday on the platform and consists of eight half-hour episodes, functions almost as an interior monologue of the protagonist, who shares her frustrations with the viewers, often breaking the fourth wall and addressing them directly.

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