<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:atom="http://www.w3.org/2005/Atom"  xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  <channel>
    <title><![CDATA[Ara in English - Maria Rovira (Oye Sherman)]]></title>
    <link><![CDATA[https://en.ara.cat/firmes/maria-rovira-oye-sherman/]]></link>
    <description><![CDATA[Ara in English - Maria Rovira (Oye Sherman)]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
    <atom:link href="http://en.ara.cat:443/rss-internal" rel="self" type="application/rss+xml"/>
    <item>
      <title><![CDATA['A Very Legal Blonde': a feminist oasis in the ominous 2000s]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/very-legal-blonde-feminist-oasis-in-the-ominous-2000s_129_5807296.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/44aa4eb4-77a3-43f9-8680-796e64c19e1e_16-9-aspect-ratio_default_0_x720y146.jpg" /></p><p>There are many movies I haven't seen. To give you an idea of the magnitude of the tragedy, until the lockdown I hadn't seen <em>Dirty dancing</em> (what a marvel) or <em>Pretty woman</em>. I wanted to take advantage of this series of articles to effectively fill some of my cinematic gaps. In an era of massive audiovisual supply and absolute atomization of channels, I cure my FOMO with a delay. <em>Ben-hur</em>, <em>Blade runner </em>or<em> E.T.</em> Let's follow my summer journey to fill my cinematic gaps. I saw <em>Legally Blonde</em> for the first time and here are my notes (taken with a pen with a pompom):</p>]]></description>
      <dc:creator><![CDATA[Maria Rovira (Oye Sherman)]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/very-legal-blonde-feminist-oasis-in-the-ominous-2000s_129_5807296.html]]></guid>
      <pubDate><![CDATA[Fri, 24 Jul 2026 05:01:54 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/44aa4eb4-77a3-43f9-8680-796e64c19e1e_16-9-aspect-ratio_default_0_x720y146.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A scene from the 2001 film by Robert Luketic.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/44aa4eb4-77a3-43f9-8680-796e64c19e1e_16-9-aspect-ratio_default_0_x720y146.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA['E.T., the Extra-Terrestrial': a dick with eyes and a hunched head has stolen my heart]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/why-do-they-decide-quickly-that-it-s-boy_129_5800938.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5918f7b5-8266-4604-94a6-a44c9de805b4_16-9-aspect-ratio_default_0.jpg" /></p><p>There are many movies I haven't seen. To give you an idea of the magnitude of the tragedy, until confinement I hadn't seen <em>Dirty dancing</em> (what a marvel) nor <em>Pretty woman</em>. I wanted to take advantage of this series of articles to effectively fill some of my cinematic gaps. In an era of massive audiovisual supply and absolute atomization of channels, I cure my <em>FOMO</em> in deferred. This week I saw <em>E.T. the Extra-Terrestrial</em> for the first time and these are my notes:</p>]]></description>
      <dc:creator><![CDATA[Maria Rovira (Oye Sherman)]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/why-do-they-decide-quickly-that-it-s-boy_129_5800938.html]]></guid>
      <pubDate><![CDATA[Fri, 17 Jul 2026 05:01:21 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/5918f7b5-8266-4604-94a6-a44c9de805b4_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Movie scene.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/5918f7b5-8266-4604-94a6-a44c9de805b4_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA['Blade runner': it's a good thing we started separating waste and organic]]></title>
      <link><![CDATA[https://en.ara.cat/sunday/blade-runner-good-thing-we-started-separating-waste-and-organic_129_5794495.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d2c9427f-e72f-4e8f-9829-c475def49567_16-9-aspect-ratio_default_0_x434y307.jpg" /></p><p>There are many movies I haven't seen. To give you an idea of the magnitude of the tragedy, until confinement I hadn't seen <em>Dirty dancing</em> (what a marvel) nor <em>Pretty woman</em>. I wanted to take advantage of this series of articles to effectively fill some of my cinematic gaps. In an era of massive audiovisual supply and absolute atomization of channels, I cure my FOMO in deferred. This week I saw <em>Blade runner</em> for the first time. </p>]]></description>
      <dc:creator><![CDATA[Maria Rovira (Oye Sherman)]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/sunday/blade-runner-good-thing-we-started-separating-waste-and-organic_129_5794495.html]]></guid>
      <pubDate><![CDATA[Fri, 10 Jul 2026 05:00:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/d2c9427f-e72f-4e8f-9829-c475def49567_16-9-aspect-ratio_default_0_x434y307.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Image of the famous monologue of Roy Batty, the replicant played by actor Rutger Hauer in the final scene of Blade Runner]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/d2c9427f-e72f-4e8f-9829-c475def49567_16-9-aspect-ratio_default_0_x434y307.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA['Ben-hur': I take off the centurion's helmet]]></title>
      <link><![CDATA[https://en.ara.cat/sunday/ben-hur-take-off-the-centurion-s-helmet_129_5789463.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/2fe2bb21-1539-473a-9b36-cfda2a11c095_16-9-aspect-ratio_default_0.jpg" /></p><p>There are many movies I haven't seen. To give you an idea of the magnitude of the tragedy, until confinement I hadn't seen <em>Dirty dancing</em> (what a marvel) or, incredibly, <em>Pretty woman</em>. For someone born in 1990, turning thirty and never having seen <em>Pretty woman</em> is like saying you've never heard <em>La Bomba</em>, or like having crossed the square firmly in the middle of a water fight and having completely dry clothes. Well, it's possible. <em>Pretty Woman</em>! I like the triangle it traces with the universal Cinderella story and how <em>Nights of Cabiria </em>(Fellini, 1957) is its dark, fatal, bitter version. And yet, with a ending that illuminates the spirit with the force of a thousand suns.</p>]]></description>
      <dc:creator><![CDATA[Maria Rovira (Oye Sherman)]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/sunday/ben-hur-take-off-the-centurion-s-helmet_129_5789463.html]]></guid>
      <pubDate><![CDATA[Sat, 04 Jul 2026 18:02:51 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/2fe2bb21-1539-473a-9b36-cfda2a11c095_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A frame from Ben-Hur, from 1959]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/2fe2bb21-1539-473a-9b36-cfda2a11c095_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[]]></subtitle>
    </item>
  </channel>
</rss>
