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    <title><![CDATA[Ara in English - Sílvia Marimon]]></title>
    <link><![CDATA[https://en.ara.cat/firmes/silvia-marimon/]]></link>
    <description><![CDATA[Ara in English - Sílvia Marimon]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[Why is it impossible to access the names of Francoist torturers?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/why-is-it-impossible-to-access-the-names-of-francoist-torturers_1_5728253.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3a31688e-17ff-460c-bf6c-382ee7228682_16-9-aspect-ratio_default_0.jpg" /></p><p>A few days ago, the German newspaper <em>Die Zeit</em> made available to its readers an online search engine that allows you to find out in a matter of seconds if there is any Nazi in your family. In Spain, we are a long way from being able to do anything similar. For years, different researchers, historians, and relatives of victims of Francoism have made requests and complaints because the Ministry of the Interior has become an insurmountable wall for accessing documentation. Some have even thrown in the towel and had to set aside their doctoral thesis.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/why-is-it-impossible-to-access-the-names-of-francoist-torturers_1_5728253.html]]></guid>
      <pubDate><![CDATA[Tue, 05 May 2026 18:06:35 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3a31688e-17ff-460c-bf6c-382ee7228682_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Main facade of the headquarters of the Ministry of the Interior of Spain, in the Almagro neighborhood of Madrid.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/3a31688e-17ff-460c-bf6c-382ee7228682_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The Ministry of Interior continues to guard thousands of documents that it should have transferred to the historical archives]]></subtitle>
    </item>
    <item>
      <title><![CDATA[A cave in the Pyrenees reveals the secret of how copper was made 5,000 years ago]]></title>
      <link><![CDATA[https://en.ara.cat/culture/cave-in-the-pyrenees-reveals-the-secret-of-how-copper-was-made-5-000-years-ago_1_5727336.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f97cab57-df19-472c-9f11-dd06cc464bfe_16-9-aspect-ratio_default_0.jpg" /></p><p>At about 2,250 meters above sea level, in the Natural Park of the Headwaters of the Ter and Freser, halfway between the monastery of Núria and the summit of Puigmal, there is a cave that was occupied intensively, and not sporadically, between the fifth millennium BC and the end of the first millennium BC. Named Cova 338, it is the most important high-mountain prehistoric site documented in the Pyrenees mountain range. The latest discovery includes numerous combustion structures, faunal remains, ceramic fragments, and a notable collection of green minerals, probably malachite, which demonstrate that copper-rich minerals were systematically exploited there during the late Neolithic and the Bronze Age. This data places Cova 338 among the oldest known evidence of this type of activity in Western Europe.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/cave-in-the-pyrenees-reveals-the-secret-of-how-copper-was-made-5-000-years-ago_1_5727336.html]]></guid>
      <pubDate><![CDATA[Tue, 05 May 2026 04:02:09 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/f97cab57-df19-472c-9f11-dd06cc464bfe_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Archaeological excavation works in Cova 338 from the interior.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/f97cab57-df19-472c-9f11-dd06cc464bfe_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The site, between the monastery of Núria and the summit of Puigmal, is the oldest evidence of this type of activity in Western Europe]]></subtitle>
    </item>
    <item>
      <title><![CDATA[José María Cruz Novillo dies, the artist who designed post-Franco Spain]]></title>
      <link><![CDATA[https://en.ara.cat/culture/jose-maria-cruz-novillo-dies-the-artist-who-designed-post-franco-spain_1_5725121.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/89a609bd-f56b-4da3-b21e-57d312c4a855_16-9-aspect-ratio_default_0.jpg" /></p><p>During the 70s and 80s, José María Cruz Novillo, renewed the iconographic imagery of post-Franco Spain. He did not limit himself to creating logos; he built the visual imagery of a society emerging from the lethargy of the dictatorship and aspiring to be modern. Born in Cuenca in 1936, he died just a few weeks shy of his 90th birthday. <a href="https://www.ara.cat/cultura/cruz-novillo-documental-hombre-diseno-espanya-filmin_1_1176277.html" >In 2020, Filmin released a documentary </a>that pays tribute to him and allowed many generations to discover him: <em>The Man Who Designed Spain</em>, by directors Andrea G. Bermejo and Miguel Larraya</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/jose-maria-cruz-novillo-dies-the-artist-who-designed-post-franco-spain_1_5725121.html]]></guid>
      <pubDate><![CDATA[Sat, 02 May 2026 11:12:15 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/89a609bd-f56b-4da3-b21e-57d312c4a855_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The designer José María Cruz Novillo]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/89a609bd-f56b-4da3-b21e-57d312c4a855_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[He created the logos for PSOE, Correos, Renfe, Repsol and the peseta banknotes that were launched in 1978]]></subtitle>
    </item>
    <item>
      <title><![CDATA["In Sparta there were inspections and sanctions for those who got fat"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/in-sparta-there-were-inspections-and-sanctions-for-those-who-got-fat_1_5719481.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/faa6ea78-55d8-4b56-8ecf-7d4cdce1db19_16-9-aspect-ratio_default_0.jpg" /></p><p>Delving into the history of the Spartans is not easy. They left practically no written sources, and everything we know comes from what the ancient Greeks wrote and built over time. In the popular imagination, there is the terrible battle against the Persians, Thermopylae. In the pass of Thermopylae, King Leonidas and three hundred Spartans led seven thousand Greeks to hold back an immense Persian army until reinforcements arrived. Among the Persians were combatants from 46 nations, and the Spartans, according to Aristophanes, fought like furious beasts, with foam running down their jaws and legs.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/in-sparta-there-were-inspections-and-sanctions-for-those-who-got-fat_1_5719481.html]]></guid>
      <pubDate><![CDATA[Sun, 26 Apr 2026 15:02:14 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/faa6ea78-55d8-4b56-8ecf-7d4cdce1db19_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A picture from the movie '300']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/faa6ea78-55d8-4b56-8ecf-7d4cdce1db19_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Andrew Bayliss demolishes some myths about the rise and fall of the Spartans]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The route of a Roman ship has been able to be reconstructed thanks to pollen]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-route-of-roman-ship-has-been-able-to-be-reconstructed-thanks-to-pollen_1_5718157.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/37242efb-d7ab-4a98-8723-f569268ae371_16-9-aspect-ratio_default_0.jpg" /></p><p>We know many things about the Romans, because they left extensive documentation that mainly recounts their exploits, the intrigues of emperors, and the daily lives of ordinary mortals. A vast amount of archaeological evidence, both on land and at sea, has also uncovered everything they built and the technical advances they achieved. With bioarchaeology, it is even possible to know with precision what materials they used to make vessels as waterproof as possible and where they built and repaired them. And to delve into very specific details like those revealed by a new study published in <a href="https://www.frontiersin.org/journals/materials/articles/10.3389/fmats.2026.1758862/full"  rel="nofollow"><em>Frontiers in Materials</em></a>, with researchers from France and Croatia, which analyzes the coating of a Roman vessel (called Ilovik–Parzine 1), which sank approximately 2,200 years ago off the coast of what is now Croatia.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-route-of-roman-ship-has-been-able-to-be-reconstructed-thanks-to-pollen_1_5718157.html]]></guid>
      <pubDate><![CDATA[Fri, 24 Apr 2026 17:31:44 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/37242efb-d7ab-4a98-8723-f569268ae371_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[View of the excavation of the bow area of the Ilovik–Paržine 1 wreck. In the foreground, the cargo of logs and amphorae can be seen.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/37242efb-d7ab-4a98-8723-f569268ae371_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[A molecular study of a ship's coating and glue provides clues about the places it traveled]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The Generalitat intervenes to save the old women's prison of La Trinitat]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-generalitat-intervenes-to-save-the-old-women-s-prison-of-trinitat_1_5717658.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/bd3efb6a-b3a1-48aa-ab99-31d21816be4e_16-9-aspect-ratio_default_0.jpg" /></p><p>The Trinitat prison, inaugurated in 1963, was the scene of prison repression against women in Catalonia during the last fifteen years of Francoism. Apparently, it was a modern center, but the objective was none other than to re-educate the inmates according to the criteria of the nuns of the Evangelical Crusades. There they locked up women convicted of common crimes and also political activists. For years, different entities have been fighting to ensure that the place does not disappear from the map and serves to remember this chapter of history, but until now the Barcelona City Council had maintained that it was not compatible <a href="https://www.ara.cat/societat/barcelona/barcelona-comenca-construir-primers-pisos-zona-preso-trinitat-vella_25_4509616.html" >with the urban development project</a>. Finally, it has had to give in and part of the prison will be preserved because the process to declare the site a Good of Cultural Interest of Catalonia (BCIN) as a historical site has begun. "The Barcelona City Council ignored all the proposals we made," assures Pep Cruanyes, spokesperson for the Comissió de la Dignitat. "Their argument is that the housing plan construction project was very advanced and it was impossible to preserve anything from the center," he adds.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-generalitat-intervenes-to-save-the-old-women-s-prison-of-trinitat_1_5717658.html]]></guid>
      <pubDate><![CDATA[Fri, 24 Apr 2026 13:57:51 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/bd3efb6a-b3a1-48aa-ab99-31d21816be4e_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[View of the building of the former women's prison in Trinitat Vella]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/bd3efb6a-b3a1-48aa-ab99-31d21816be4e_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The Barcelona City Council has an urban development project to build subsidized housing]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The incredible life of the French aristocrat pioneer of fascism]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-incredible-life-of-the-french-aristocrat-pioneer-of-fascism_1_5717352.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6e3cc409-1508-438a-a5f3-9eb57a393f61_16-9-aspect-ratio_default_0_x1006y443.jpg" /></p><p>Traditionally, there has been much debate in France about whether French fascism did not exist or if it had been a marginal phenomenon before the Nazi occupation. There is growing consensus that no country can boast of being immune to fascism, but the Italian historian Sergio Luzzatto (Rome, 1963) goes a step further and states in the book <em>El primer fascista</em> (Pasado y Presente) that the first fascist was a French aristocrat: Antoine-Amédée-Marie-Vincent Manca Amat de Vallombrosa (1858-1896). Better known as the Marquis de Morès, he soon became convinced that the capitalist elites were contaminated by what he considered the Morès failed in practically all the projects he undertook: as a rancher in the Dakota territory, where he tried to revolutionize the meat industry; in the construction of a railway line in Asia, and, finally, when he returned to France to make a career as a populist leader and antisemitic demagogue. In this latter context, he played a particularly dark role within the , a political scandal that deeply divided French society. Luzzatto maintains that Morès's activism contributed to creating the ideological climate that made the accusation against the Jewish French officer credible. Morès ended up being murdered in the Moroccan desert, but, despite his failures, Luzzatto believes he was a visionary.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-incredible-life-of-the-french-aristocrat-pioneer-of-fascism_1_5717352.html]]></guid>
      <pubDate><![CDATA[Fri, 24 Apr 2026 09:18:50 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/6e3cc409-1508-438a-a5f3-9eb57a393f61_16-9-aspect-ratio_default_0_x1006y443.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Morès as a rancher in Dakota]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/6e3cc409-1508-438a-a5f3-9eb57a393f61_16-9-aspect-ratio_default_0_x1006y443.jpg"/>
      <subtitle><![CDATA[The Italian historian Sergio Luzzatto demonstrates how the Marquis of Morès used many of the ideas and techniques that later triumphed with Mussolini and Hitler]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Cambó from the intimacy of his house]]></title>
      <link><![CDATA[https://en.ara.cat/culture/cambo-from-the-intimacy-of-his-home_1_5714749.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/4181e0f1-c156-44f4-b172-fe9ba1463f80_16-9-aspect-ratio_default_0_x3831y76.jpg" /></p><p>What better space to talk about Francesc Cambó (1876-1947) than the place that was his home? Specifically, his library, which remains intact, with all the shelves and all the books. This was the setting for a conversation between Borja de Riquer, the historian who knows the most about the factotum of the Lliga and his complex trajectory, and the deputy director of ARA, Ignasi Aragay.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/cambo-from-the-intimacy-of-his-home_1_5714749.html]]></guid>
      <pubDate><![CDATA[Tue, 21 Apr 2026 19:39:32 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/4181e0f1-c156-44f4-b172-fe9ba1463f80_16-9-aspect-ratio_default_0_x3831y76.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Borja de Riquer and Ignasi Aragay in front of a portrait of Francesc Cambó.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/4181e0f1-c156-44f4-b172-fe9ba1463f80_16-9-aspect-ratio_default_0_x3831y76.jpg"/>
      <subtitle><![CDATA[The historian Borja de Riquer and the deputy director of ARA, Ignasi Aragay, talk about the Catalan businessman and politician]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The dragon, the enemy that has surpassed Saint George's knight in popularity]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-dragon-the-enemy-who-has-surpassed-saint-george-the-knight-in-popularity_1_5713646.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/4e664766-ae41-4daf-b269-228714807de4_16-9-aspect-ratio_default_0_x1404y330.jpg" /></p><p>The dragon can be terrifying, as it is an enormous creature capable of dominating all the forces of nature: earth, water, fire, and air. In the Babylonian poem <em>Enuma Elix</em> which was ritually performed during the Babylonian New Year festival, it is explained how the god Marduk defeats the sea goddess Tiamat, represented as a sea serpent and a symbol of chaos. In Greek tradition, figures like Medusa or sea monsters also express this tension between order and chaos. The Judeo-Christian tradition contributed greatly to the dragon's bad reputation: it turned it into the symbol of the enemy par excellence. In contrast, in China, dragons have a benevolent character. There they embody the control of natural elements, are venerated in temples, and, in some dynasties, represented imperial power. In the Scandinavian world, dragons are not solely negative forces either, but are also associated with the sea, essential for the life and survival of the Vikings. They were seen as both a threat and a protection.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-dragon-the-enemy-who-has-surpassed-saint-george-the-knight-in-popularity_1_5713646.html]]></guid>
      <pubDate><![CDATA[Tue, 21 Apr 2026 05:03:54 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/4e664766-ae41-4daf-b269-228714807de4_16-9-aspect-ratio_default_0_x1404y330.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The "correfoc" of La Mercè.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/4e664766-ae41-4daf-b269-228714807de4_16-9-aspect-ratio_default_0_x1404y330.jpg"/>
      <subtitle><![CDATA[The creature with wings and that breathes fire became the quintessential monster with Judeo-Christian tradition]]></subtitle>
    </item>
    <item>
      <title><![CDATA[They find the 'Iliad' on the abdomen of a mummy in Egypt]]></title>
      <link><![CDATA[https://en.ara.cat/culture/they-find-the-iliad-the-abdomen-of-mummy-in-egypt_1_5713068.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/bca49c74-65fa-426f-9b24-0ca3169dc567_16-9-aspect-ratio_default_0.jpg" /></p><p>It was not exceptional for Roman-era mummies to be buried with papyri. This has been confirmed by the Oxirrhynchus Archaeological Mission, from the Institute of Ancient Near Eastern Studies (IPOA) of the University of Barcelona, in the exhumations they have carried out in the Egyptian town of El-Bahnasa, ancient Oxirrhynchus. "They placed the papyri in the chest and pelvic area, under the wrapping, folded and sealed with clay, and they contained magical texts written in Greek," explains Maite Mascort, who directs, with Esther Pons, the archaeological mission that began in 1992. For the first time, however, a fragment of a literary text has appeared, Homer's "<em>Iliad</em>". It is not that the deceased was a lover of texts that explain the pain and anger of some of the protagonists of the Trojan War, but rather that the papyrus was reused. "A manuscript of the <em>Iliad</em>" was used to write the magical texts that used to accompany the deceased," assures Mascort.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/they-find-the-iliad-the-abdomen-of-mummy-in-egypt_1_5713068.html]]></guid>
      <pubDate><![CDATA[Mon, 20 Apr 2026 15:10:55 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/bca49c74-65fa-426f-9b24-0ca3169dc567_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Some fragments of the papyrus]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/bca49c74-65fa-426f-9b24-0ca3169dc567_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The papyrus was in a Roman-era burial in the ancient city of Oxyrhynchus]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Sant Jordi 1976: a euphoric festival that ended with scrambles]]></title>
      <link><![CDATA[https://en.ara.cat/culture/sant-jordi-1976-euphoric-festival-that-ended-with-scrambles_1_5712943.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f1d19289-d8c1-45f9-a4ec-843488972e66_16-9-aspect-ratio_default_0.jpg" /></p><p><a href="https://en.ara.cat/in-depth/50-years-since-franco-s-death-the-price-of-an-unpunished-past_136_5561768.html" >After the death of Franco</a> in November 1975, Catalan culture experienced an urgent need to reclaim public space. And on Sant Jordi's Day in 1976, this became very clear. That year, the festival was experienced with great euphoria, even though the shadow of the dictatorship also made itself felt. “It seemed like a great day, that April 23rd. I come from the Civil Registry, where a friend will soon be able to change a Castilianized name for its native form; I see Catalan flags, Catalan books overflowing the stalls, the bust of Prat de la Riba returning to occupy a place at the corner of the Pati dels Tarongers of the Generalitat and, to top it all off, a new novelty, a Catalan newspaper, the first in 37 years, after an order erased our press from the map, along with the Statute and so many other things,” wrote the writer <a href="https://llegim.ara.cat/actualitat/manuel-pedrolo-lescriptor-perseguia-llibertat_1_2723671.html" >Manuel de Pedrolo</a>, who also signed copies of his book <em>Procés de contradicció suficient</em>, published by Edicions 62.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/sant-jordi-1976-euphoric-festival-that-ended-with-scrambles_1_5712943.html]]></guid>
      <pubDate><![CDATA[Mon, 20 Apr 2026 13:14:39 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/f1d19289-d8c1-45f9-a4ec-843488972e66_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Demonstration called by the Assembly of Catalonia in the streets of Barcelona on Saint George's Day 1976]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/f1d19289-d8c1-45f9-a4ec-843488972e66_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Political books triumphed, the streets were filled with flags and the demonstrations ended with injured people]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The Nazi genocidaire 'Maks the Butcher' is left without his fascist shield in Valencia]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-nazi-genocidaire-maks-the-butcher-is-left-without-his-fascist-shield-in-valencia_1_5712582.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d39f4b6e-f9ae-4605-8ab1-140336d4cd21_16-9-aspect-ratio_default_0_x431y413.jpg" /></p><p>Vjekoslav Luburić was a Croatian general who led Jasenovac, one of the bloodiest concentration camps of World War II, where thousands of people, mostly Serbs, Jews, and Roma, were brutally murdered. He was known as <em>Maks the Butcher</em>, and even the Nazis noted his cruelty. Lieutenant Artur Hefner, a Wehrmacht officer, visited Jasenovac in February 1942 and described it as a camp <em>“</em>of the worst kind, equal to Dante's inferno”. After the war, the Nazi criminal fled justice and settled in Spain, protected by the Franco regime and under a false identity. He settled in Carcaixent, in the Valencian Country, where he lived under the name Vicente Pérez García and ran a printing press. In 1969 he was murdered in his home under circumstances never fully clarified. Since then, he has been buried in a tomb with a shield of fascist Croatia.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-nazi-genocidaire-maks-the-butcher-is-left-without-his-fascist-shield-in-valencia_1_5712582.html]]></guid>
      <pubDate><![CDATA[Mon, 20 Apr 2026 07:44:23 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/d39f4b6e-f9ae-4605-8ab1-140336d4cd21_16-9-aspect-ratio_default_0_x431y413.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Vjekoslav Luburić]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/d39f4b6e-f9ae-4605-8ab1-140336d4cd21_16-9-aspect-ratio_default_0_x431y413.jpg"/>
      <subtitle><![CDATA[The Croatian general was assassinated in Carcaixent, where he lived under the protection of the Francoist regime, and was buried there]]></subtitle>
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    <item>
      <title><![CDATA[The withdrawal of the Francoist monument of the Ebro: will it be a reality?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-withdrawal-of-the-francoist-monument-of-the-ebro-will-it-be-reality_1_5710674.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3b059236-933e-41ec-b688-0720fb26bf95_16-9-aspect-ratio_default_0.jpg" /></p><p>The majority of battles related to the Francoist legacy are very long. In 2016, Parliament approved the removal of the Francoist monument from the Ebro. In November 2020, the Generalitat announced that the monument would be removed in the summer of 2021. There was a project by architect Antonio López to do so. As with most issues related to the dictatorship, however, the paths are full of obstacles and judicial disputes are prolonged. Nevertheless, perhaps soon the image of the 45-meter wrought iron perforated pyramid, built in 1966 to commemorate the 25th anniversary of the Francoist victory, could disappear from the river that flows through Tortosa. <a href="https://www.ara.cat/cultura/generalitat-obligara-monument-franquista-tortosa_1_1033552.html">wrought iron</a>  45 meters, built in 1966 to commemorate the 25th anniversary of the Francoist victory, could disappear from the river that flows through Tortosa. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-withdrawal-of-the-francoist-monument-of-the-ebro-will-it-be-reality_1_5710674.html]]></guid>
      <pubDate><![CDATA[Fri, 17 Apr 2026 17:59:46 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3b059236-933e-41ec-b688-0720fb26bf95_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The Francoist monument of Tortosa]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/3b059236-933e-41ec-b688-0720fb26bf95_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The advocacy of the Generalitat asks the court for the lifting of the suspension of the proceedings that prevent its withdrawal]]></subtitle>
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      <title><![CDATA[Barcelona's new memory plan includes a terrorism interpretation center and a website about slavery]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-new-barcelona-memory-plan-includes-terrorism-interpretation-center-and-website-slavery_1_5709397.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d2f784a6-1ba6-460c-9ee0-354757a8a717_16-9-aspect-ratio_default_0.jpg" /></p><p>With an initial investment of 6.7 million euros in 2026, Barcelona City Council will launch a plan that seeks to reclaim "the city's democratic, social, and feminist tradition." To this end, it has presented a roadmap that will be rolled out until 2030 and which, among other things, foresees the creation of the Model Memorial Center, where the political repression, social conflict, penal control, and democratic struggles of the 20th century will be explained. It is, therefore, a new Center for the Interpretation of Terrorism, which will primarily focus on the Hipercor (1987) and La Rambla (2017) attacks, at the "<a href="https://www.ara.cat/cultura/que-mhan-condemnat-mort_1_1248754.html" >Montjuïc Castle</a>; and the Center for the Interpretation of Labor in Barcelona, in the old Fabra i Coats factory.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-new-barcelona-memory-plan-includes-terrorism-interpretation-center-and-website-slavery_1_5709397.html]]></guid>
      <pubDate><![CDATA[Thu, 16 Apr 2026 14:08:31 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/d2f784a6-1ba6-460c-9ee0-354757a8a717_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Montjuïc Castle]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/d2f784a6-1ba6-460c-9ee0-354757a8a717_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Different memorialist entities reject the project and lament that it includes neither the Via Laietana police station nor the Trinitat prison]]></subtitle>
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      <title><![CDATA[Division for the future of the Center of Contemporary History of Catalonia: new impetus or risk of dilution?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/division-for-the-future-of-the-centre-for-contemporary-history-of-catalonia-new-impetus-or-risk-of-dilution_1_5708858.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a190c0fd-830b-43af-b8af-90a5bed231ff_16-9-aspect-ratio_default_0.jpg" /></p><p>The Center of Contemporary History of Catalonia (CHCC) was created in March 1984 with the aim of promoting the study and dissemination of historical research. The ambition of Josep Benet, its first director, was to recover, above all, the memory of the history of Catalanism. Another challenge was to help young researchers and promote the dissemination of their research. When the Museum of History of Catalonia was inaugurated, the CHCC moved to the same building. They shared the space but nothing else.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/division-for-the-future-of-the-centre-for-contemporary-history-of-catalonia-new-impetus-or-risk-of-dilution_1_5708858.html]]></guid>
      <pubDate><![CDATA[Thu, 16 Apr 2026 06:12:02 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/a190c0fd-830b-43af-b8af-90a5bed231ff_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Museum of the History of Catalonia]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/a190c0fd-830b-43af-b8af-90a5bed231ff_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The Museum of History of Catalonia argues that with integration into the institution, a center that has been losing resources and personnel over the years will be strengthened.]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Saint George and the books, a centuries-old story]]></title>
      <link><![CDATA[https://en.ara.cat/culture/saint-george-and-the-books-centenarian-story_1_5708431.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/53386112-2c6d-487f-af7c-61b445d756a8_16-9-aspect-ratio_default_0.jpg" /></p><p>During the presentation of the book <a href="https://en.ara.cat/culture/saint-george-was-an-animal-abuser-who-surely-didn-t-know-how-to-read_1_5706282.html" ><em>La intriga del funeral inconveniente</em></a><a href="https://en.ara.cat/culture/saint-george-was-an-animal-abuser-who-surely-didn-t-know-how-to-read_1_5706282.html" >, Eduardo Mendoza</a> caused quite a stir by asking for Saint George to disappear from the celebration: "I'm campaigning to stop relating April 23rd with Saint George – he assured –. For me it's Book Day and that's it. Saint George was an animal abuser who surely couldn't read. He's not the patron saint of writers or anything like that. He's a guy who has appropriated the holiday," he claimed. This Wednesday, <a href="https://en.ara.cat/culture/and-now-mariscal-now-that-the-poor-pujol-will-soon-leave-us-we-can-take-out-saint-george_1_5708215.html" target="_blank">Mariscal agreed with him</a>. The truth is that Saint George is many centuries older than Book Day. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/saint-george-and-the-books-centenarian-story_1_5708431.html]]></guid>
      <pubDate><![CDATA[Wed, 15 Apr 2026 15:26:56 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/53386112-2c6d-487f-af7c-61b445d756a8_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A file photo of Saint George]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/53386112-2c6d-487f-af7c-61b445d756a8_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The feast day is celebrated since the 15th century, and from 1931 the Book Festival was incorporated]]></subtitle>
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      <title><![CDATA[German newspaper 'Die Zeit' allows you to find Nazi ancestors in seconds]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-german-newspaper-die-zeit-allows-finding-nazi-ancestors-in-matter-of-seconds_1_5707987.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d3e5b88a-4da6-4c98-a22b-0a400d576454_16-9-aspect-ratio_default_0.jpg" /></p><p>The German newspaper <em>Die Zeit</em> has made available to its readers <a href="https://www.zeit.de/wissen/2026-04/nsdap-mitgliederkartei-karteikarten-familienmitglieder-suche"  rel="nofollow">an online search engine</a> that allows you to find out in a matter of seconds if there is a Nazi in your family. The search engine is based on historical files of members of the Nazi Party (NSDAP), and by entering first and last names, you can find out if the person in question was affiliated with the regime. The search engine provides information from different archives. Between 1925 and 1945, 10.2 million Germans joined the NSDAP. Shortly before the end of the war, the party leadership ordered the destruction of all files – about 50 tons of paper – by transferring them from their headquarters to Munich, to a paper mill in the Freimann district. However, the miller Hanns Huber stopped the destruction upon realizing what he held in his hands.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-german-newspaper-die-zeit-allows-finding-nazi-ancestors-in-matter-of-seconds_1_5707987.html]]></guid>
      <pubDate><![CDATA[Wed, 15 Apr 2026 08:54:58 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/d3e5b88a-4da6-4c98-a22b-0a400d576454_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The 'Die Zeit' page with the search engine]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/d3e5b88a-4da6-4c98-a22b-0a400d576454_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Many witnesses write to the newspaper explaining their surprise at the discovery that their relatives were affiliated with the NSDAP]]></subtitle>
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      <title><![CDATA["Listen to this rattle!": the story of a shot mother takes the stage]]></title>
      <link><![CDATA[https://en.ara.cat/culture/listen-to-this-rattle-the-story-of-mother-shot-rises-to-the-stage_1_5702655.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ba7287c1-2ff9-478b-825a-daba74dd1cc2_16-9-aspect-ratio_default_0.jpg" /></p><p>"With headphones, music, and everything else, it touched me deeply," says a student from IES Terra Roja in Santa Coloma de Gramenet after the performance of<em>El sonall</em>, which can be seen until April 26 at the Teatre Nacional de Catalunya. This immersive show, with live music (some paragraphs from a doctoral thesis are even read to the rhythm of rap), recounts the investigation of a real case: that of <a href="https://www.ara.cat/cultura/memoria-historica/aixi-assassinaven-enterraven-dones-franquistes_130_4666123.html" >Catalina Muñoz</a>. Mother of four, she was 37 years old when the Francoists executed her at the beginning of the Civil War. Some neighbors had accused her of making proclamations in favor of the Republic, and her husband had fled after confronting Falangists. When she was murdered, she was carrying the rattle of her youngest son, Martín, who was nine months old at the time. When archaeologists exhumed her grave, in La Carcavilla Park (Palencia), they found the small toy along with some buttons and the soles of her rubber shoes. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/listen-to-this-rattle-the-story-of-mother-shot-rises-to-the-stage_1_5702655.html]]></guid>
      <pubDate><![CDATA[Thu, 09 Apr 2026 16:14:39 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/ba7287c1-2ff9-478b-825a-daba74dd1cc2_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[One of the moments of the play 'The rattle']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/ba7287c1-2ff9-478b-825a-daba74dd1cc2_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The TNC premieres an immersive show inspired by the real case of Catalina Muñoz]]></subtitle>
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      <title><![CDATA[There are authors who work at the margins and do not give lessons]]></title>
      <link><![CDATA[https://en.ara.cat/culture/there-are-authors-who-work-at-the-margins-and-do-not-give-lessons_128_5700841.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/0cff2332-36bf-45d1-b830-65d2a974f8a3_16-9-aspect-ratio_default_0.jpg" /></p><p>Claudia Durastanti was born in Brooklyn, emigrated to a small town in southern Italy at the age of six, then lived in London and returned to the United States. She now lives in Rome. With <a href="https://llegim.ara.cat/actualitat/claudia-durastanti-arrelada-espores-viure-sordesa-pares-limitacio-estrangera_1_4026423.html" ><em>L'estrangera</em></a>, she was a finalist for the Strega Prize and the Prix Fémina, won the Strega Off Prize and the PEN Award, and was featured among the best books of the year by <em>The New Yorker</em> magazine. <em>Missitàlia</em> (L'Altra Editorial / Anagrama; translated by Mercè Ubach) is a historical journey that goes from the south of Risorgimento Italy to an imagined future on the Moon. There is nothing conventional in this book, where the protagonists are women who live on the fringes, and which combines genres such as <em>western</em>, espionage, dystopia, or intrigue. </p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/there-are-authors-who-work-at-the-margins-and-do-not-give-lessons_128_5700841.html]]></guid>
      <pubDate><![CDATA[Wed, 08 Apr 2026 05:18:39 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/0cff2332-36bf-45d1-b830-65d2a974f8a3_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The Italian writer Claudia Durastanti during an interview in Barcelona.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/0cff2332-36bf-45d1-b830-65d2a974f8a3_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Writer, author of 'Missitàlia']]></subtitle>
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      <title><![CDATA[Francoist espionage was capital for Franco's victory]]></title>
      <link><![CDATA[https://en.ara.cat/culture/franco-s-espionage-was-key-to-franco-s-victory_1_5700079.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/36c5eb81-aef0-438c-918b-db1f739e4748_16-9-aspect-ratio_default_0.jpg" /></p><p>Officially, the Spanish Civil War ended on April 1, 1939, with <a href="https://www.ara.cat/dossier/rojos-feixistes_1_1126755.html" >the victory of the rebel faction led by Franco</a>, who signed the last war report in Burgos. The Francoists had won on the front, but the fall of the Second Republic was also prepared from the rear. The Information and Military Police Service (SIPM) played a central role in controlling propaganda, diplomacy, and the decomposition of the enemy from within.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Marimon]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/franco-s-espionage-was-key-to-franco-s-victory_1_5700079.html]]></guid>
      <pubDate><![CDATA[Tue, 07 Apr 2026 10:34:31 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/36c5eb81-aef0-438c-918b-db1f739e4748_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The Francoist authorities, led by General Eliseo Álvarez-Arenas and Mayor Miguel Mateu, salute with their arms raised upon leaving Barcelona Cathedral on February 12, 1939.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/36c5eb81-aef0-438c-918b-db1f739e4748_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The historian Gutmaro Gómez Bravo reconstructs with unpublished documentation an operation aimed at attracting republican military leaders and accelerating their surrender]]></subtitle>
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